|
|
Product Description
The master of literary theory takes on the master of the detective novelRaymond Chandler, a dazzling stylist and portrayer of American life, holds a unique place in literary history, straddling both pulp fiction and modernism. With The Big Sleep, published in 1939, he left an indelible imprint on the detective novel. Fredric Jameson offers an interpretation of Chandler’s work that reconstructs both the context in which it was written and the social world or totality it projects. Chandler’s invariable setting, Los Angeles, appears both as a microcosm of the United States and a prefiguration of its future: a megalopolis uniquely distributed by an unpromising nature into a variety of distinct neighborhoods and private worlds. But this essentially urban and spatial work seems also to be drawn towards a vacuum, an absence that is nothing other than death. With Chandler, the thriller genre becomes metaphysical.
Customers Who Bought This Item Also Bought
- The Prison-House of Language: A Critical Account of Structuralism and Russian Formalism
- The Geopolitical Aesthetic: Cinema and Space in the World System (Perspectives)
- Dubliners: Text and Criticism; Revised Edition (Critical Library, Viking)
- The Ancients and the Postmoderns: On the Historicity of Forms
- The Big Sleep (A Philip Marlowe Novel)
- Allegory and Ideology
- The Annotated Big Sleep
- Farewell, My Lovely
- Exit West: A Novel
- The Antinomies of Realism
*If this is not the "Raymond Chandler: The Detections of Totality" product you were looking for, you can check the other results by clicking this link
.
Details were last updated on Nov 14, 2024 08:53 +08.
