Inherent Vice: Bootleg Histories of Videotape and Copyright

Videotape not only radically changed how audiences accessed the content they wanted and loved but also altered how they watched it. Hilderbrand develops an aesthetic theory of analog video, an “aesthetics of access” most boldly embodied by bootleg videos. He contends that the medium specificity of videotape becomes most apparent through repeated duplication, wear, and technical failure; video’s visible and audible degeneration signals its uses for legal transgressions and illicit pleasures. Bringing formal and cultural analysis into dialogue with industrial history and case law, Hilderbrand examines four decades of often overlooked histories of video recording, including the first network news archive, the underground circulation of Superstar: The Karen Carpenter Story, a feminist tape-sharing network, and the phenomenally popular website YouTube. This book reveals the creative uses of videotape that have made essential content more accessible and expanded our understanding of copyright law. It is a politically provocative, unabashedly nostalgic ode to analog.

• A Prehistory of the Cloud (The MIT Press)
• Cable Visions: Television Beyond Broadcasting
• Troubling Vision: Performance, Visuality, and Blackness
• Distribution Revolution: Conversations about the Digital Future of Film and Television
• Television: Technology and Cultural Form (Routledge Classics)
• Make Room for TV: Television and the Family Ideal in Postwar America
• Haunted Media: Electronic Presence from Telegraphy to Television (Console-ing Passions)
• Queer Times, Black Futures (Sexual Cultures)