|
Product Description
This book tells the story of the influential group of creative artists―Pauline Oliveros, Morton Subotnick, Ramon Sender, William Maginnis, and Tony Martin―who connected music to technology during a legendary era in California's cultural history. An integral part of the robust San Francisco “scene,” the San Francisco Tape Music Center developed new art forms through collaborations with Terry Riley, Steve Reich, David Tudor, Ken Dewey, Lee Breuer, the San Francisco Actor's Workshop, the San Francisco Mime Troupe, the Ann Halprin Dancers' Workshop, Canyon Cinema, and others. Told through vivid personal accounts, interviews, and retrospective essays by leading scholars and artists, this work, capturing the heady experimental milieu of the sixties, is the first comprehensive history of the San Francisco Tape Music Center.
Customers Who Bought This Item Also Bought
- Analog Days: The Invention and Impact of the Moog Synthesizer
- Treatise on Musical Objects: An Essay across Disciplines (California Studies in 20th-Century Music)
- In Search of a Concrete Music
- The Sound Studies Reader
- Step by Step: Adventures in Sequencing with Max/MSP
- Composing Electronic Music
- Korg CV Sequencer and Sync Box (SQ1)
- Ocean of Sound: Ambient sound and radical listening in the age of communication
- Sounding the Margins: Collected Writings 1992-2009
- Experimental Music Since 1970
*If this is not the "The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde" product you were looking for, you can check the other results by clicking this link. Details were last updated on Nov 1, 2024 19:34 +08.