|
Product Description
Writing from inside the discipline of architecture, rather than from the more common extrapolations from the history of painting and philosophy, Alberto Pérez-Gómez and Louise Pelletier focus on the implications of the tool of perspective (and the hegemony of vision) for architectural representation. Their primary thesis is that tools of representation have a direct influence on the conceptual development of projects and generation of forms, and that there are alternatives to the reductive working methods of most contemporary practice.
The book examines textual evidence across a broad historical period, concentrating on the relationship between drawing and architectural space in the period from the seventh century to the twentieth century. The book discusses such issues as optical correction and the nature of architectural drawing in selected treatises, revealing the complexity and potential contradiction inherent in any linear history of representation. The authors' ultimate aim is to probe the possibilities of the constructed world―that is, architecture―as a poetic translation, rather than prosaic transcription, of its representations.
Customers Who Bought This Item Also Bought
- The Projective Cast: Architecture and Its Three Geometries
- Oblique Drawing: A History of Anti-Perspective (Writing Architecture)
- Attunement: Architectural Meaning after the Crisis of Modern Science (The MIT Press)
- Kissing Architecture (POINT: Essays on Architecture)
- The Mathematics of the Ideal Villa and Other Essays
- Perspective as Symbolic Form (Zone Books)
- Architectural Principles in the Age of Humanism
- Operative Design: A Catalog of Spatial Verbs
- Manual of Section
- Alvin, Lightweight White Tracing Paper Rolls, 12 Inches x 50 Yards
*If this is not the "Architectural Representation and the Perspective Hinge (The MIT Press)" product you were looking for, you can check the other results by clicking this link. Details were last updated on Nov 5, 2024 18:36 +08.