|
|
Product Description
From classic films like Carmen Jones to contemporary works like The Diary of Sally Hemings and U-Carmen eKhayelitsa, American and South African artists and composers have used opera to reclaim black people's place in history. Naomi André draws on the experiences of performers and audiences to explore this music's resonance with today's listeners. Interacting with creators and performers, as well as with the works themselves, André reveals how black opera unearths suppressed truths. These truths provoke complex, if uncomfortable, reconsideration of racial, gender, sexual, and other oppressive ideologies. Opera, in turn, operates as a cultural and political force that employs an immense, transformative power to represent or even liberate. Viewing opera as a fertile site for critical inquiry, political activism, and social change, Black Opera lays the foundation for innovative new approaches to applied scholarship.
Customers Who Bought This Item Also Bought
- Blackness in Opera
- Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera (Musical Meaning and Interpretation)
- Opera, or the Undoing of Women
- And So I Sing: African American Divas Of Opera and Concert
- Black Classical Musicians and Composers 1500-2000
- Ballad of the Brown King
- Mad Scenes and Exit Arias: The Death of the New York City Opera and the Future of Opera in America
- Loving Music Till It Hurts
- Categorizing Sound
- Opera 101: A Complete Guide to Learning and Loving Opera
*If this is not the "Black Opera: History, Power, Engagement" product you were looking for, you can check the other results by clicking this link
.
Details were last updated on Nov 5, 2024 23:28 +08.
