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All Mirrors
LP
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All Mirrors
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About Secretly Group
Secretly Group is a family of American independent record labels composed of Dead Oceans, Jagjaguwar, Saddest Factory Records, and Secretly Canadian.
Track Listings
1 | Lark |
2 | All Mirrors |
3 | Too Easy |
4 | New Love Cassette |
5 | Spring |
6 | What It Is |
7 | Impasse |
8 | Tonight |
9 | Summer |
10 | Endgame |
11 | Chance |
Editorial Reviews
The descent into darkness is a trope we find time again across history, literature and film. But there's also an abyss above. There's a winding white staircase that goes ever upward into the great unknown - each step, each turn, requiring a greater boldness and confidence than the one before. This is the journey on which we find Angel Olsen. Olsen's artistic beginnings as a collaborator shifted seamlessly to her magnificent, cryptic-to-cosmic solo work, and then she formed bands to play her songs, and her stages and audiences grew exponentially. But all along, Olsen was more concerned with a different kind of path, and on her vulnerable, Big Mood new album, All Mirrors, we can see her taking an introspective deep dive towards internal destinations and revelations. In the process of making this album, she found a new sound and voice, a blast of fury mixed with hard won self-acceptance. "In every way -from the making of it, to the words, to how I feel moving forward- this record is about owning up to your darkest side," Olsen said. "Finding the capacity for new love and trusting change, even when you feel like a stranger. This is a record about facing yourself and learning to forgive what you see. It is about losing empathy, trust, love for destructive people. It is about walking away from the noise and realizing that you can have solitude and peace in your own thoughts, that your thoughts alone can be just as valid, if not more."
Product details
- Product Dimensions : 12.2 x 12.2 x 0.39 inches; 1.48 Pounds
- Manufacturer : Jagjaguwar
- Original Release Date : 2019
- Date First Available : July 29, 2019
- Label : Jagjaguwar
- ASIN : B07VSG6V59
- Country of Origin : USA
- Number of discs : 2
- Best Sellers Rank: #58,689 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #27,291 in Rock (CDs & Vinyl)
- Customer Reviews:
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There are synths and moments that pop enthusiasts would claim, but in the end there is her singular voice.
Top reviews from other countries
Ma purtroppo a mio avviso la parte strumentale non è all'altezza.
La scena sonora è gestita male, sfocata quando non dovrebbe, oscillante fino alla nausea, troppo artificiale in alcuni passaggi, al punto tale che i pezzi migliori sono quelli dove è presente al minimo.
Personalmente dopo aver verificato su 3 lettori differenti, credo che nella masterizzazione sia stata introdotta una distorsione eccessiva, soprattutto quella strumentale, sembra stonare, ma non è stonatura, è proprio distorsione che disturba all'ascolto, quindi non reputo questo cd un buon lavoro.
Anche la recensione di un acquisto in cassetta critica questo prodotto, credendo che sia la qualità della cassetta scadente, no, non è la cassetta, è proprio la registrazione che non funziona.
De ses origines folk et country alternative, Angel conserve un côté profondément humain, une relation intime au quotidien mais sur All Mirrors (comme déjà sur My Woman, son précédent album mais sans aller aussi loin qu'ici), elle y ajoute une richesse musicale, emprunte de pop baroque et même d'expérimentation light qui sied particulièrement au teint de ses gracieuses compositions où on la sent très en confiance de son art et de ses capacités, vocales en particulier.
Il faut dire qu'avec, notamment, le support d'une section de cordes tout sauf plébéienne (arrangements de celle-ci tour à tour par le conducteur, Jherek Bischoff, son binôme créatif et multi-instrumentiste irremplaçable, Ben Babbitt, ou elle-même sur la chanson-titre de l'exercice), un talent pour théâtraliser ses chansons aussi, et là le Scott Walker de la fin des années 60 n'est pas très loin, Angel en impose, mais tout en douceur et délicatesse parce qu'il n'est jamais question, ici, d'autre chose que d'un vocabulaire intime magnifié par une pompe jamais excessive, toujours de bon goût, offrant à chacune des 11 compositions une intensité dramatique tout simplement époustouflante. Et si, parfois, un synthétiseur ou une boîte-à-rythmes semblent vouloir donner un vernis rétro-80s aux arrangements (c'est souvent le cas), c'est vite gommé ou plutôt sublimé par une intelligence d'arrangement et une qualité de composition donnant une absolue intemporalité à l'ensemble de cette magnifique galette où aucune chanson ne fait tâche, tout touche droit au cœur et aux tréfonds de l'âme de l'auditeur béat devant tant de talent maîtrisé.
Indéniablement, All Mirrors est, au jour d'aujourd'hui, le magnum opus d'Angel Olsen, son œuvre la plus aboutie mais aussi la plus renversante. On attend donc la suite de pied ferme même s'il lui sera difficile de faire aussi bien et quasiment impossible de faire mieux. C'est dire le niveau d'All Mirrors et à quel point il est recommandé quelque soit la chapelle musicale que vous fréquentez.
Angel Olsen – vocals, guitar (1, 6, 8, 9), synthesizer (2, 3), piano (5, 10); string arrangements (2)
Joshua Jaeger – drums, percussion (10)
Ben Babbitt – electric bass (1–11), electric guitar (1, 2), synthesizer drones (1), Mellotron drones (1), synthesizers (2–4, 7, 9, 11), bass synthesizer (2–5, 7), baritone guitar (2, 7), E-bow electric guitar (3, 5), piano (4, 6, 8, 11), Mellotron (5, 11), 12-string acoustic guitar (5), vibraphone (7), upright bass (7, 10), fuzz bass (7), additional string textures on violin and cello (7); string arrangements (2, 4, 7, 8, 10, 11)
Jherek Bischoff – string conducting (1, 2, 4, 6–8, 10, 11); string arrangements (1, 2, 4,)
Paris Hurley – violin I (1, 2, 4, 6–8, 10, 11)
Laurann Angel – violin I (1, 2, 4, 6–8, 10, 11)
Crystal Brooke Alforque – violin I (1, 2, 4, 6–8, 10, 11)
Emily Call – violin II (1, 2, 4, 6–8, 10, 11)
Rachel Iba – violin II (1, 2, 4, 6–8, 10, 11)
Michelle Luna – violin II (1, 2, 4, 6–8, 10, 11)
Madeline Falcone – viola (1, 2, 4, 6–8, 10, 11)
Lauren Elizabeth Baba – viola (1, 2, 4, 6–8, 10, 11)
Marta Sofia Honer – viola (1, 2, 4, 6–8, 10, 11)
Aniela Marie Perry – cello (1, 2, 4, 6–8, 10, 11)
April Guthrie – cello (1, 2, 4, 6–8, 10, 11)
Nathaniel Walcott – trumpet (8, 10), flugelhorn (8, 10); brass arrangement (8, 10)
Vikram Devasthali – trombone (8, 10)
Die LP klingt hervorragend, super verarbeitet. Die ganze Aufmachung ist sehr liebevoll. 2 LPs im Klappcover, großes Poster, mehrseitiges Booklet. Sehr schön!