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Wasteland

4.7 4.7 out of 5 stars 221 ratings

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Track Listings

1 The Ringer 5:37
2 Greatest 3:46
3 Lucky You 4:04
4 Paul (Skit) 0:35
5 Normal 3:42
6 Em Calls Paul (Skit) 0:49
7 Stepping Stone 5:09
8 Not Alike 4:48
9 Kamikaze 3:36
10 Fall 4:22
11 Nice Guy 2:30
12 Good Guy 2:22
13 Venom 4:29

Editorial Reviews

A disorientating journey through Kevin Starrs' (aka Uncle Acid) wonkiest dreams, Wasteland glides majestically from punchy and direct psych-rock anthems like "I See Through You" and "Shockwave City" to the viscous, somnambulant ooze of the eight-minute "No Return" and the twinkly-eyed bad trip of the album's mesmerizing title track. Recorded at the legendary Sunset Sound studio in Los Angeles, Wasteland boasts the kind of irresistibly raw and exuberant sound that only the greatest bands can generate.

Product details

  • Language ‏ : ‎ English
  • Product Dimensions ‏ : ‎ 5.6 x 5.21 x 0.39 inches; 3.52 ounces
  • Manufacturer ‏ : ‎ RISE ABOVE LIMITED
  • Original Release Date ‏ : ‎ 2018
  • Date First Available ‏ : ‎ August 29, 2018
  • Label ‏ : ‎ RISE ABOVE LIMITED
  • ASIN ‏ : ‎ B07GVXHCXF
  • Country of Origin ‏ : ‎ USA
  • Number of discs ‏ : ‎ 1
  • Customer Reviews:
    4.7 4.7 out of 5 stars 221 ratings

Customer reviews

4.7 out of 5 stars
221 global ratings

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Top reviews from the United States

  • Reviewed in the United States on January 14, 2025
    nice record, got it fast and undamaged, will do business again
  • Reviewed in the United States on October 17, 2018
    Uncle Acid never disappoint with any of their releases and that trend keeps up with "Wasteland". This album keeps up with the theme of previous albums in that it is a deep psychedelic homage to the metal/hard rock of the late 60s and early 70s. Its definitely heavier and less poppy then their previous release "Night Creeper" and has a more "Bloodlust" feel to it. But comparisons are kind of hard since Uncle Acid albums are all pretty unique and great in their own ways. This album definitely has almost a dystopian and apocalyptic feel to it. In closing this album is great (like all of their releases) and should be listened to by anyone who likes their previous work or anyone who is a fan of Psychedelic Metal. Personal favorite track is the awesome "Stranger Tonight".
    One person found this helpful
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  • Reviewed in the United States on October 24, 2018
    Blood Lust and Night Creeper were great albums. that had more similarities than difference. Mind Control being the one album that stood more different than the same - but was also the weakest of the three, by far.

    So when I heard they were going for a more Vol. 1 sound - more bouncy punk, more garage, with more melody and taking on a sci-fi dystopian concept, I was really wary. Uncle Acid, in my mind, was becoming a band that couldn't pivot out of the corner they had painted themselves into - one that evoked images of grindhouse flicks, the occult, and such. A Rob Zombie for the stoner age.

    But, they did it. And successfully.

    Highlight tracks: I See Through You, Shockwave City, No Return, Stranger Tonight, and Bedouin.
    5 people found this helpful
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  • Reviewed in the United States on February 9, 2020
    This would be 5 starts but side 2 of the vinyl pressing really would sound better without the lo fi retro mix. Songs are better than the pressing shows. Packaging is great. as always, with Rise Above Records.
  • Reviewed in the United States on November 9, 2018
    Another great album from the Master. They head down the Iron Maiden path a little on this one, and every cut bleeds. The title track Wasteland is worth the price of the album alone!
  • Reviewed in the United States on August 4, 2019
    Not as good as Bloodlust, but there aren't many CDs as good as Bloodlust.
    On par with the Night Creeper.
    A great set of songs by a great band.
  • Reviewed in the United States on November 9, 2019
    All their albums are good but this one seems even better. It's dark and malevolent but always sounds so great. Very addictive album.
  • Reviewed in the United States on October 16, 2018
    I thought some of the more recent releases were getting weaker from the first awesome Blood Lust. But, wow, I am impressed with this release. All hail Uncle Acid and the Deadbeats.

Top reviews from other countries

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  • Jon
    5.0 out of 5 stars Bene così
    Reviewed in Italy on November 29, 2023
    Arrivato nei tempi previsti e senza alcun graffio. Perfetto
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  • Ruben
    5.0 out of 5 stars The winning streak continues
    Reviewed in Mexico on February 1, 2019
    Starr and company start to seem too perfect . All within the confines of a style defined since Mind Control, the expansion into the heavy (Shockwave City), the rooty acknoledgement (Blood Runner), and the epic (Bedouin) must be experienced at a decent volume. Alone. Forget the headphones and let the sound swallow you whole at home.
  • Dale Digby
    5.0 out of 5 stars Solid!
    Reviewed in Canada on February 19, 2019
    Another solid album from Uncle Acid. Can't get enough of this music!
  • Jackdaw
    5.0 out of 5 stars The closest you cant get to black sabbath without actually being black sabbath
    Reviewed in the United Kingdom on April 23, 2019
    I thought this was a great album from a band who have continually put out great albums, though saying that, this is basically a continuation of their previous albums, but when they have a back catalogue as they do that is not necessarily a bad thing. Just don't expect anything too different.
  • Phyl Lobius
    5.0 out of 5 stars Alles beim Alten? Von wegen!
    Reviewed in Germany on October 12, 2018
    Nach vier sehr guten bis überragenden Alben der Herren aus Cambridge hatte ich auch bei Platte Nr. 5 die gewohnt knarzige Mixtur aus Black-Sabbath-artigem Doom, Spät-60er-Psychedelik und jeder Menge Fuzz erwartet, die die Band wie sonst keine zweite perfektioniert hatte. Doch irgendwie ist diesmal einiges anders.

    So klingt "Wasteland" nicht mehr nach 1970, sondern eher nach 1978 - also nicht mehr nach dem verdrogten Cousin von "Paranoid", sondern vielmehr nach "Never Say Die", um in der Black-Sabbath-Analogie zu bleiben. Das liegt vor allem daran, dass verstärkt Elemente frühen Heavy Metals in den Sound Einzug gehalten haben. Und ich muss sagen: Das steht der Band sehr gut! Einen Song wie "Blood Runner", der doch eine deutliche Iron-Maiden-Schlagseite aufweist (ohne wie eine billige Kopie zu wirken), hätte es von der Band vor fünf Jahren jedenfalls kaum gegeben. Als Kontrast streuen UNCLE ACID AND THE DEADBEATS auch immer einmal den einen oder anderen getrageneren Song ein (hier seien "No Return" oder der balladeske Titeltrack erwähnt), die schon eher mit den früheren Alben vergleichbar sind. Größtenteils sind die Stücke aber deutlich rockiger gehalten als zuvor (siehe "Shockwave", "Stranger Tonight" oder den fulminanten Opener "I See Through You"), wobei das bekiffte "Bedouin" (höre ich da Trompeten?) zwischen sämtlichen Stühlen sitzt. Auch der letzte Titel "Exodus" (geniale Synthies übrigens) atmet bei aller epischer Erhabenheit irgendwie den Geist von Tony Iommi in den ausgehenden 70er Jahren. Und das klingt in meinen Augen ziemlich überzeugend!

    Ob die etwas veränderte musikalische Ausrichtung nun dem Umstand zu verdanken ist, dass sich das Personalkarussell bei UNCLE ACID wieder einmal gedreht hat (außer Mastermind Kevin Starrs ist niemand mehr aus den Anfangstagen dabei) und wir somit eine im Grunde völlig neue Band vorfinden, sei einmal dahingestellt. Auch textlich hat sich einiges getan: Lag der inhaltliche Schwerpunkt der bisherigen Alben eher auf Serienkiller-Stories und allerlei okkult-kultischem Gedöns, so geht es bei "Wasteland" um dystopische Zukunftsvisionen, was aber auch ziemlich gut passt.

    Ganz egal, ich mag beides: Wer also mit etwas Offenheit an "Wasteland" herangeht, kann mit diesem Album genauso viel Freude haben wie mit den Vorgängern, zumal das Songwriting zugegebenermaßen ziemlich brillant ist. Zu erwähnen wäre aber auch noch der recht extreme Sound, bei dem das "LoFi"-Prinzip so ziemlich auf die Spitze getrieben wurde (und das sicherlich mit voller Absicht). Wer hier also stadiontaugliche Rocksongs erwartet, wird schnell eines besseren belehrt werden. Nach einer gewissen Eingewöhnungszeit gefällt zumindest mir der kratzige Sound ziemlich gut, schließlich verleiht dieser der Musik ihre so typischen Ecken und Kanten. Black Sabbaths "Born Again" klingt deutlich schlimmer.

    Fazit: Eine etwas ungewöhnliche, bisweilen mutige, aber ziemlich grandiose neue Scheibe aus dem Hause UNCLE ACID AND THE DEADBEATS!