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Metropolis (A Bernie Gunther Novel Book 14) Kindle Edition
New York Times-bestselling author Philip Kerr treats readers to his beloved hero's origins, exploring Bernie Gunther's first weeks on Berlin's Murder Squad.
Summer, 1928. Berlin, a city where nothing is verboten.
In the night streets, political gangs wander, looking for fights. Daylight reveals a beleaguered populace barely recovering from the postwar inflation, often jobless, reeling from the reparations imposed by the victors. At central police HQ, the Murder Commission has its hands full. A killer is on the loose and though he scatters many clues, each is a dead end. It's almost as if he is taunting the cops. Meanwhile, the press is having a field day.
This is what Bernie Gunther finds on his first day with the Murder Commisson. He's been taken on beacuse the people at the top have noticed him--they think he has the makings of a first-rate detective. But not just yet. Right now, he has to listen and learn.
Metropolis, completed just before Philip Kerr's untimely death, is the capstone of a fourteen-book journey through the life of Kerr's signature character, Bernhard Genther, a sardonic and wisecracking homicide detective caught up in an increasingly Nazified Berlin police department. In many ways, it is Bernie's origin story and, as Kerr's last novel, it is also, alas, his end.
Metropolis is also a tour of a city in chaos: of its seedy sideshows and sex clubs, of the underground gangs that run its rackets, and its bewildered citizens--the lost, the homeless, the abandoned. It is Berlin as it edges toward the new world order that Hitler will soo usher in. And Bernie? He's a quick study and he's learning a lot. Including, to his chagrin, that when push comes to shove, he isn't much better than the gangsters in doing whatever her must to get what he wants.
- LanguageEnglish
- PublisherG.P. Putnam's Sons
- Publication dateApril 9, 2019
- File size5.3 MB
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Editorial Reviews
Review
One of Publishers Weekly's Top 10 Mysteries & Thrillers of Spring 2019
“Metropolis is a consummately told tale with lashings of vice and horror that works either as a gripping stand-alone in the Chandler mode or as the keystone of a 14-book arch with a deeper, more troubling flavor, and it's a perfect goodbye—and first hello—to its hero. In Metropolis, Bernie Gunther has, at last, come home.”—The Washington Post
“Kerr's 14th novel in this series proves to be Gunther's origin story, which makes it feel imperative as well as poignant...Arresting...Vivid.”—The New York Times Book Review
“[A] worthy auf Wiedersehen...The author's singular gifts for conveying the verbal, physical and moral textures of this vanished world are undiminished in Metropolis. The book offers similies worthy of Raymond Chandler.”—Wall Street Journal
“Fascinating, brilliantly researched...Just like Bernie, [Metropolis is] tough, funny, smart and pointed...An excellent introduction for newcomers and a fitting coda for longtime fans...Kerr's powerful series seems more vital than ever, with anti-Semitism, authoritarianism and white nationalism all on the rise. With a final bow from his flawed if improbably endearing hero, Kerr again reminds us: Never forget.”—Newsday
"Philip Kerr's magnificent Bernie Gunther novels are Third Reich-set noirish thrillers featuring a wisecracking, world-weary detective....This gripping, if bittersweet, posthumous outing is a perfect swan song for fans of the series and an ideal entry point for newcomers."—Minneapolis Star-Tribune
“Gunther is the perfect world-weary investigator for the glittering, doomed demi-monde of Weimar Berlin...Wonderfully plotted, with elegant prose, witty dialogue, homages to German Expressionism and a strong emotional charge, this is a bittersweet ending to a superb series.”—The Guardian (UK)
“Not only is Kerr’s eye for detail and character unparalleled; he balances mystery and history perfectly, like a blade in a skilled knife-fighter’s hand. . . If you’re looking for a historical thriller that’s deft with its history and its thrills, you couldn’t do better.”—Mystery Tribune
“Metropolis is Kerr’s and Bernie’s swan song—a brilliant Berlin opera of Goethe proportion with an intricate and riveting plot. And just like Fritz Lang’s Metropolis, Philip Kerr’s Metropolis is a masterpiece.”—New York Journal of Books
“Kerr displays again his special talent for reflecting individual depravities against the broad canvas of a society collapsing upon itself. It's fascinating to see a younger Bernie here, with the makings of the melancholic wiseass and world-class cynic he will soon become, but still just a tad vulnerable (and still learning to hold his liquor). The Bernie Gunther series is one of the great triumps of modern noir, and it will be sorely missed.”—Booklist (starred review)
“This book is plenty timely. But completed shortly before the author's death, it is also one of Kerr's most congenial, beautifully controlled, and entertaining works. The banter is priceless. Going against the grain—as usual—by writing an origin novel as his swan song, Kerr leaves his fans happy.”—Kirkus Reviews (starred review)
“Gripping...Kerr does a fine job of immersing the reader in the seamy side of Weimar Germany... Fans will be sorry to see the last of the honest, wisecracking Bernie.”—Publishers Weekly
“Kerr saved some of his best work for last… Metropolis shows once again why Philip Kerr was one of the most talented novelists of his generation, and his final novel is one his fans won’t soon forget.”—The Real Book Spy
“Berlin during the time of the Third Reich’s reign is a perfect location to spotlight desperation, suspense, and death. Philip Kerr mastered both his plots and his characters, making this one thriller you do not want to miss.”—Suspense Magazine
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Five days after the federal general election, Bernhard Weiss, Berlin's chief of the Criminal Police, summoned me to a meeting in his sixth-floor office at the Alex. Wreathed in the smoke from one of his favorite Black Wisdom cigars and seated at the conference table alongside Ernst Gennat, one of his best homicide detectives, he invited me to sit down. Weiss was forty-eight years old and a Berliner, small, slim, and dapper, academic even, with round glasses and a neat, well-trimmed mustache. He was also a lawyer and a Jew, which made him unpopular with many of our colleagues, and he'd overcome a great deal of prejudice to get where he was: in peacetime, Jews had been forbidden to become officers in the Prussian Army; but when war broke out, Weiss applied to join the Royal Bavarian Army, where he quickly rose to the rank of captain and won an Iron Cross. After the war, at the request of the Ministry of the Interior, he'd reformed the Berlin police and made it one of the most modern forces in Europe. Still, it had to be said, he made an unlikely-looking policeman; he always reminded me a little of Toulouse-Lautrec.
There was a file open in front of him and from the look of it, the subject was me.
"You've been doing a good job in Vice," he said in his plummy, almost thespian voice. "Although I fear you're fighting a losing battle against prostitution in this city. All these war widows and Russian refugees make a living as best they can. I keep telling our leaders that if we did more to support equal pay for women we could solve the problem of prostitution in Berlin overnight.
"But that's not why you're here. I expect you've heard: Heinrich Lindner has left the force to become an air traffic controller at Tempelhof, which leaves a spare seat in the murder wagon."
"Yes, sir."
"Do you know why he left?"
I did know, but hardly wanting to say, I found myself pulling a face.
"You can say. I shan't be in the least offended."
"I'd heard it said he didn't like taking orders from a Jew, sir."
"That's correct, Gunther. He didn't like taking orders from a Jew." Weiss drew on his cigar. "What about you? Do you have any problems taking orders from a Jew?"
"No, sir."
"Or in taking orders from anyone else, for that matter."
"No, sir. I have no problem with authority."
"I'm delighted to hear it. Because we're thinking of offering you a permanent seat in the wagon. Lindner's seat."
"Me, sir?"
"You sound surprised."
"Only that it's the splash around the Alex that Inspector Reichenbach was going to get the seat."
"Not unless you turn it down. And even then I have my doubts about that man. Of course, people will say I don't dare offer the seat to another Jew. But that's not it at all. In our opinion you've the makings of a fine detective, Gunther. You are diligent and you know when to keep your mouth shut; that's good in a detective. Very good. Kurt Reichenbach is a good detective, too, but he's rather free with his fists. When he was still in uniform, some of his brother police officers nicknamed him Siegfried, on account of the fact that he was much too fond of wielding his sword. Of hitting some of our customers with the handle or the flat of the blade. I don't mind what an officer does in the name of self-defense. But I won't have a police officer cracking heads open for the pleasure of it. No matter whose head it is."
"And he hasn't stopped for the lack of a sword," said Gennat. "More recently there was a rumor he beat up an SA man he'd arrested in Lichtenrade, a Nazi who'd stabbed a communist. Nothing was proven. He might be popular around the Alex-even some of the anti-Semites seem to like him-but he's got a temper."
"Precisely. I'm not saying he's a bad policeman. Just that we think we prefer you to him." Weiss looked down at the page in my file. "I see you made your Abitur. But no university."
"The war. I volunteered."
"Of course."
"So then. You want the seat? It's yours if you do."
"Yes, sir. Very much."
"You've been attached to the Murder Commission before, of course. So you've already worked a murder, haven't you? Last year. In Schšneberg, wasn't it? As you know, I like all my detectives to have had the experience of working a homicide alongside a top man like Gennat here."
"Which makes me wonder why you think I'm worth the permanent seat," I said. "That case-the Frieda Ahrendt case-has gone cold."
"Most cases go cold for a while," said Gennat. "And it's not just cases that go cold, it's detectives, too. Especially in this city. Never forget that. It's just the nature of the job. New thinking is the key to solving cold cases. As a matter of fact, I've got some other cases you can check out if you ever get such a thing as a quiet moment. Cold cases are what can make a detective's reputation."
"Frieda Ahrendt," said Weiss. "Remind me of that one."
"A dog found some body parts wrapped in brown paper and buried in the GrŸnewald," I said. "And it was Hans Schnieckert and the boys in Division J who first identified her. On account of the fact that the killer was thoughtful enough to leave us her hands. The dead girl's fingerprints revealed she had a record for petty theft. You would think that might have opened a lot of doors. But we've found no family, no job, not even a last-known address. And because a newspaper was foolish enough to put up a substantial reward for information, we wasted a lot of time interviewing members of the public who were more interested in making a thousand reichsmarks than in helping the police. At least four women told us their husbands were the culprit. One of them even suggested her husband was originally going to cook the body parts. Thus the newspaper epithet: the GrŸnewald Pork Butcher."
"That's one way to get rid of your old man," said Gennat. "Put him up for a murder. Cheaper than getting a divorce."
After Bernhard Weiss, Ernst Gennat was the most senior detective in the Alex; he was also the largest, nicknamed the Big Buddha; it was a tight fit in the station wagon with Gennat on board. Weiss himself had designed the murder wagon. It was equipped with a radio, a small fold-down desk with a typewriter, a medical kit, lots of photographic equipment, and almost everything needed to investigate a homicide except a prayer book and a crystal ball. Gennat had a mordant Berlin wit, the result, he said, of having been born and brought up in the staff quarters at Berlin's Plštzensee Prison, where his father had been the assistant governor. It was even rumored that on execution days Gennat had breakfasted with the headsman. Early in my days at the Alex, I'd decided to study the man and make him my model.
The telephone rang and Weiss answered it.
"You're SPD, right, Gunther?" Gennat asked.
"That's right."
"Because we don't need any politics in the wagon. Communists, Nazism, I get enough of that at home. And you're single, right?"
I nodded.
"Good. Because this job ruins a marriage. You might look at me and think, not unreasonably, that I'm very popular with the ladies. But only until I get a case that keeps me here at the Alex day and night. I'll need to find a nice lady copper if ever I'm going to get married. So where do you live?"
"I rent a room in a boardinghouse on Nollendorfplatz."
"This job means a bit more money and a promotion and maybe a better room. In that order. And you'll be on probation for a month or two. Does this house you live in have a telephone?"
"Yes."
"Use drugs?"
"No."
"Ever try them?"
"Bit of cocaine once. To see what all the fuss was about. Not for me. Besides, I couldn't afford it."
"No harm in that, I suppose," said Gennat. "There's still a lot of pain relief this country needs after the war."
"A lot of people aren't taking it for pain relief," I said. "Which sometimes leaves them with a very different kind of crisis."
"There are some people who think the Berlin police are in crisis," said Gennat. "Who think the whole city is in crisis. What do you think, lad?"
"The larger the city, the more crises there are likely to be. I think we're always going to be facing a crisis of one kind or another. Might as well get used to that. It's indecision that's more likely to cause us crises. Governments that can't get anything done. With no clear majority, I'm not sure this new one will be any different. Right now our biggest problem looks like democracy itself. What use is it when it can't deliver a viable government? It's the paradox of our times and sometimes I worry that we will get tired of it before it can sort itself out."
He nodded, seeming to agree with me, and moved on to another issue.
"Some politicians don't think much of our clear-up rate. What do you say to that, lad?"
"They should come and meet some of our clients. Maybe if the dead were a bit more talkative they'd have a fair point."
"It's our job to hear them all the same," said Gennat. He shifted his enormous bulk for a moment and then stood up. It was like watching a zeppelin get airborne. The floor creaked as he walked to the corner turret window. "If you listen closely enough you can still hear them whisper. Like these Winnetou murders. I figure his victims are talking to us, but we just haven't understood what language they're speaking." He pointed out the window at the metropolis. "But someone does. Someone down there, perhaps coming out of Hermann Tietz. Maybe Winnetou himself."
Weiss finished his telephone call and Gennat came back to the meeting table, where he lit his own pungent cigar. By now there was quite a cloudscape drifting across the table. It reminded me of gas drifting across no-man's-land.
I was too nervous to light a cigarette myself. Too nervous and too respectful of my seniors; I was still in awe of them and amazed that they wanted me to be part of their team.
"That was the ViPoPra," said Weiss.
The ViPoPra was the police president of Berlin, Karl Zšrgiebel.
"It seems that the Wolfmium light-bulb factory in Stralau just blew up. First reports say there are many dead. Perhaps as many as thirty. He'll keep us posted.
"I would remind you that we are agreed not to use the name Winnetou when we're referring to our scalping murderer. I think it does those poor dead girls a grave disservice to use these sensationalized names. Let's stick to the file name, shall we, Ernst? Silesian Station. Better for security that way."
"Sorry, sir. Won't happen again."
"So welcome to the Murder Commission, Gunther. The rest of your life just changed forever. You'll never look at people in the same way again. From now on, whenever you stand next to a man at a bus stop or on a train, you'll be sizing him up as a potential killer. And you'd be right to do so. Statistics show that most murders in Berlin are committed by ordinary, law-abiding citizens. In short, people like you and me. Isn't that right, Ernst?"
"Yes, sir. It's rare I ever meet a murderer who looks like one."
"You'll see things every bit as bad as the things you saw in the trenches," he added. "Except that some of the victims will be women and children. But we have to be hard. And you'll find we tend to make jokes most people wouldn't find funny."
"Yes, sir."
"What do you know about these Silesian Station killings, Gunther?"
"Four local prostitutes murdered in as many weeks. Always at night. The first one near Silesian Station. All of them hit over the head with a ball-peen hammer and then scalped with a very sharp knife. As if by the eponymous Red Indian from Karl May's famous novels."
"Which you've read, I trust."
"Show me a German who hasn't and I'll show you a man who can't read."
"Enjoy it?"
"Well, it's been a few years-but yes."
"Good. I couldn't like a man who didn't like a good western by Karl May. What else do you know? About the murders, I mean."
"Not much." I shook my head. "Chances are the killer didn't know the victims, which makes him hard to catch. It may be the instinct of the moment that drives his actions."
"Yes, yes," said Weiss, as if he'd heard all this before.
"The killings do seem to be having an effect on the number of girls on the streets," I said. "There are fewer prostitutes about than there used to be. The ones I've spoken to tell me they're scared to work."
"Anything else?"
"Well-"
Weiss shot me a quizzical look. "Spit it out, man. Whatever it is. I expect all my detectives to speak frankly."
"Just that the working girls have another name for these women. Because they were scalped. When the last woman was murdered I started hearing her described as another Pixavon Queen." I paused. "Like the shampoo, sir."
"Yes, I have heard of Pixavon shampoo. As the ads would have it, a shampoo used by 'good wives and mothers.' A bit of street corner irony. Anything else?"
"Nothing really. Only what's in the newspapers. My landlady, Frau Weitendorf, has been following the case quite closely. As you might expect, given how lurid the facts are. She loves a good murder. We're all obliged to listen to her while she brings us our breakfast. Hardly the most appetizing of subjects, but there it is."
"I'm interested: What does she have to say about it?"
I paused, picturing Frau Weitendorf in her usual vocal flow, full of an almost righteous indignation and hardly seeming to care if any of her lodgers were paying attention. Large, with ill-fitting dentures, and two bulldogs that stayed close to her heels, she was one of those women who liked to talk, with or without an audience. The long-sleeved quilted peignoir she wore at breakfast made her look like a grubby Chinese emperor, an effect that was enhanced by her double chins.
Besides Weitendorf, there were four of us in the house: an Englishman called Robert Rankin who claimed to be a writer; a Bavarian Jew by the name of Fischer who said he was a traveling salesman, but was probably a crook of some kind; and a young woman named Rosa Braun who played the saxophone in a dance band but was almost certainly a half-silk. Including Frau Weitendorf, we were an unlikely quintet, but perhaps a perfect cross section of modern Berlin.
Product details
- ASIN : B07FS7B6P2
- Publisher : G.P. Putnam's Sons (April 9, 2019)
- Publication date : April 9, 2019
- Language : English
- File size : 5.3 MB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 381 pages
- Best Sellers Rank: #255,374 in Kindle Store (See Top 100 in Kindle Store)
- #2,414 in Historical Mysteries (Kindle Store)
- #3,359 in Historical Thrillers (Books)
- #3,533 in Historical Mystery
- Customer Reviews:
About the author

For most novelists, the city where the action takes place is a backdrop or a stage set, nothing more than scenery. But the Berlin of Philip Kerr’s stories is a character in the books – a personality as complex and troubled as his private-investigator protagonist. ‘When I started writing I was after the character of the Berliner rather than the history of Berlin,’ says Kerr. ‘Berlin people have always been awkward-squad Germans, which is probably why I admire them. Hitler didn’t like them at all, and Berliners are the same now as then – they haven’t changed.’
Read more here: philipkerr.org/about
Customer reviews
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Learn more how customers reviews work on AmazonCustomers say
Customers find this novel engaging and well-written, particularly appreciating its historical accuracy and eye-opening depiction of Berlin. The book features Bernie Gunther as a beloved character filled with actual historical figures, and customers enjoy its clever writing and suspenseful plot. They value the series as a whole, with one customer describing it as an "amazing series of 14 novels."
AI-generated from the text of customer reviews
Customers find the book highly readable, describing it as a fascinating novel that they greatly enjoyed, with one customer specifically mentioning their appreciation for the wartime and post-war adventures of Bernie Gunther.
"...even the most minor (Bernie’s landlady, for example), is beautifully developed and described, often with welcome touches of humor; for instance,..." Read more
"...All of the Gunther books paint a very vivid picture of their setting, and you may want to be able to look up words and things that are sprinkled..." Read more
"...my heart - and Kerr's descriptions and depiction of the city is both charming and brutally honest...." Read more
"...This is the fourteenth and last in that wonderful series, featuring a cop (later on, PI) so closed off and cynical that he’s the very model of the..." Read more
Customers find the book suspenseful, describing it as endlessly fascinating with well-handled mystery elements.
"...The mystery is well handled and intriguing, but it’s the least of the book’s delights...." Read more
"...In a plot of many twists and a wrenching climax, the big questions are posed by dramatic example: means versus ends, justice flowing from legality..." Read more
"...The book itself has a satisfying and logical ending, but as the reader knows that both author Kerr and Bernie Gunther have passed from the scene,..." Read more
"...but come back to Kerr and to 'Metropolis' because this is as good a detective thriller as you get...." Read more
Customers appreciate the character development in the book, particularly noting its portrayal of historical figures and Bernie Gunther's distinctive traits.
"...That said, _Metropolis_ is a strong send-off to a beloved character...." Read more
"...Philip Kerr was a meticulous writer. His characters are finely drawn and he provides both social and historical contexts for his Bernie Gunther..." Read more
"...It truly is hard to say goodbye to such an impactful character and his creator, Phillip Kerr. RIP Phillip Kerr...." Read more
"...Kerr’s writing and observations remain sharp. There are amusing descriptions of real people and real Weimar nightclubs here, and that is fun...." Read more
Customers appreciate the historical accuracy of the book, describing it as historically evocative, with one customer noting its exacting research.
"...minor (Bernie’s landlady, for example), is beautifully developed and described, often with welcome touches of humor; for instance, the Murder Squad..." Read more
"...Philip Kerr is a master of the telling metaphor and the snappy dialogue...." Read more
"...Overall, this final novel is an excellent testimony to the strength of both the author and his best known character.." Read more
"...His characters are finely drawn and he provides both social and historical contexts for his Bernie Gunther series...." Read more
Customers praise the writing quality of the book, describing it as excellent and easy to read.
"...This is solid, altogether readable, but doesn't seem to me to reach the delicious heights of prime Bernie when he's dealing with characters high up..." Read more
"...Philip Kerr was a meticulous writer...." Read more
"...Kerr’s writing and observations remain sharp. There are amusing descriptions of real people and real Weimar nightclubs here, and that is fun...." Read more
"...Philip Kerr’s writing is so fresh and full of actual facts and places in the history of Germany through the mid 1950’s...." Read more
Customers enjoy this detective series, with one customer noting it's the 14th book in the series.
"...It's a great series for detective-fiction and noir." Read more
"Gee, I regret not posting earlier and more often about this great detective series. RIP PK...." Read more
"...a terrific read, and can be read independently or as an introduction to the Gunther series; it also happens to be one of the best ones, if sadly the..." Read more
"...read Metropolis - because it is the 14th and last book in this magnificent series, and I just wasn’t ready to say goodbye to Berlin, to Bernie, and..." Read more
Customers appreciate the humor in the book, with several noting its clever and sardonic wit, while one customer particularly enjoys Bernie's cheeky comments.
"...is beautifully developed and described, often with welcome touches of humor; for instance, the Murder Squad has nicknamed the station’s..." Read more
"...Philip Kerr is a master of the telling metaphor and the snappy dialogue...." Read more
"...to man, but also containing portraits of character, courage, humor, resourcefulness...." Read more
"...The Bernie Gunther character is wonderful and smart and funny...." Read more
Customers appreciate the realism of the book, with one review noting how it vividly portrays the villains and heroes of prewar Berlin, while another describes it as an eye-opening depiction of the city before the deluge.
"...Every character, real or fictional, even the most minor (Bernie’s landlady, for example), is beautifully developed and described, often with welcome..." Read more
"...'s descriptions and depiction of the city is both charming and brutally honest...." Read more
"...The novel is set in pre-Nazi times, the gruesome economic and social milieu of Weimar Germany, when cripples from WW I are forced to beg on the..." Read more
"...of the Bernie Gunther saga and year 1928 and paints an unforgettable portrait of Weimar Berlin ten years after World War I and five years before the..." Read more
Top reviews from the United States
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- Reviewed in the United States on December 15, 2020This is part of a mystery series by Kerr, set in Berlin during the Weimar Republic and the Third Reich eras and starring Bernie Gunther, initially a Berlin police detective and later a private investigator. Confusingly, it’s the last book Kerr wrote before his death in 2018, but it is, in a sense, the first book in the series—a sort of prequel, apparently. It takes place in Weimar Berlin in 1928, when Bernie is a detective at “the Alex,” the main police station on Alexanderplatz, and has just been promoted to the Murder Squad. He and his superiors soon have two sets of murders to investigate: one whose victims are prostitutes who are hit on the head and then scalped, and another that targets disabled World War veterans begging on the streets, shooting them in the forehead at point range.
The mystery is well handled and intriguing, but it’s the least of the book’s delights. The greatest of those is its provision of a grim, vivid, and very detailed portrait of Weimar Berlin. Despair is everywhere, overlaid by a thin veneer of maniacal gaiety. The Nazis haven’t yet taken power, but they’re already around, and so is the stew of emotions that nurtures them, including anti-Semitism, damage from the brutality of World War I, and grief over Germany’s defeat. The brew is enriched by cameo appearances of real historical characters, including Thea von Harbou, the wife of movie director Fritz Lang (whose famous silent science-fiction film provides the title of the book), painter Georg Grosz, and both of Bernie’s superior officers at the Alex. Every character, real or fictional, even the most minor (Bernie’s landlady, for example), is beautifully developed and described, often with welcome touches of humor; for instance, the Murder Squad has nicknamed the station’s talented crime scene photographer “Cecil B. DeMorgue.” Bernie himself is a fascinating person, an “honest cop” who finds his integrity increasingly difficult to maintain in the polluted social waters in which he must swim.
The first three of Kerr’s Bernie Gunther novels were written well before the others, around the beginning of the 1990s; the later ones appeared beginning in 2006. I read the first of the 1990s series some years ago and don’t remember being nearly as impressed with it as I was with Metropolis, so it may have taken Kerr a while to hit his stride. If that is true, Metropolis might be a good place for a reader unfamiliar with the series to start, since it shows what this author can do at his best. If the other books are anywhere near as good as this one, Kerr’s loss is a tragic one indeed.
- Reviewed in the United States on August 16, 2023Metropolis. A Bernie Gunther Novel, 14 of 14. Philip Kerr. G.P. Putnam's Sons, 2019. 384 pages.
British novelist Philip Kerr published a total of 30 novels before his untimely death in 2018. Fourteen of those books told the story of ex-cop turned private detective Bernie Gunther, taking readers from 1920s Berlin through World War II and into the Cold War, wrapping up in the late 1950s. Kerr died just before the 13th book was published, but Metropolis, the fourteenth, was in the pipeline and published a year later.
Metropolis takes us back to 1928 when Gunther was first promoted to the Berlin Homicide Division. Amidst the political, economic, and social turmoil that reverberated in Germany at the time, Gunther is assigned to the case of a serial killer preying on sex workers, specifically women forced into sex work from time to time just to pay bills or rent. Then, another killer seems to target handicapped WWI veterans who become panhandlers.
As the investigation progresses, Gunther negotiates the Weimar insanity that was Germany: powerful criminal organizations, rampant drug use, the "anything goes" sexual revolution, the clash between modernity and traditionalism, the rise of antisemitism and the Nazi Party, just to name a few. Gunther is strongly anti-Nazi, just a man trying to be a good and decent cop. All of the Gunther books paint a very vivid picture of their setting, and you may want to be able to look up words and things that are sprinkled throughout. It's a great series for detective-fiction and noir.
- Reviewed in the United States on May 20, 2019It was with a heavy heart that I learned of Philip Kerr's passing in March,2018, not the least of all because that meant there will be no more Bernie Gunther novels after _Metropolis_. That said, _Metropolis_ is a strong send-off to a beloved character. If you are unfamiliar with Kerr (he was a prolific writer in a variety of genres), I enthusiastically recommend him to you - for the Bernie Gunther series in particular, but also for his other works.
_Metropolis_ is somewhat of a deviation from most of the previous books in the series - rather than a flash-back to Bernie's youth, Kerr writes about Gunther's time before he left Kripo, before the Nazis came to power, when he was a fresh-faced detective and the Weimar Republic was struggling to hold the country together. Amidst the street fighting between brown-shirted National Socialists and the Reds, prostitutes and those crippled in the war are being murdered. The Berlin police are roundly critiized from all sides for their inability to stop the crime wave and are accused of being supportive of the far-right, the crimes viewed by many as righteous acts of vigilante justice.
As with the earlier Gunther novels, many familiar personalities make an appearance in the investigation - most notably Fritz Lang (from whom the title of the book is taken), Thea von Harbau, Lotte Lenya as well as George Grosz and Brecholt Brecht. Another character that plays prominently in Kerr's work is Berlin itself - a city near and dear to my heart - and Kerr's descriptions and depiction of the city is both charming and brutally honest. In a similar vein, we see Gunther in a new light: he is younger with a little less of a smart-mouth, but still cynical and jaded by his experiences in the war - and who, like the rest of Germany in the 20s is struggling with what happened in the past and what is going on around them. With an eye for the troubles Gunther will face in the future of his character, Kerr writes, "Thats the trouble with listening to the devil; it turns out that his most impressive trick is to tell us exactly what we want to hear."
It is a fitting "good-bye" from Kerr, and a tender and strong conclusion to a marvelous series. In what I imagine is Kerr's coda, as a character says to Gunther,"My God, the things that must be in your head. You go looking at things that no one should ever have to see, with no idea of the effect its going to have on your mind, and all for not much money. I don't think you even know why you do it. Do you?" To which Gunther replies, "Sure I know. Because I have nothing to say as a painter. Because I couldn't finish my unfinished symphony. Because being a cop is a job for honest men, and since there are not many of those around these days, they'll take anyone they can get." Thank you, Mr. Kerr. Its been a real pleasure.
Top reviews from other countries
- LK V rameshReviewed in India on November 28, 2019
5.0 out of 5 stars Atmospheric and topical
The Bernie Gunther books of Philip Kerr are a worthy addition to anyone who thinks of himself as a serious reader of crime/ spy / detective fiction . Anything i say besides that would be giving away the plot line - so let me try to give a review otherwise.
1. Atmosphere. Which Gunther book doesn't have it ? In this case its Berlin 1929 , a series of brutal murders, the Nazis on the rise, poverty, debauchery, police corruption and Gunther experiencing it all while trying to solve the murders.
2. Gunther - by this 14th and last book, the older Gunther's cynicism and acerbic wit has been well established. So its a bit of a surprise to see the younger Gunther slowly getting into the skin that would later make him the famous character that we all love.
3. History - which Gunther/ Kerr book doesn't have it? At the end Kerr - as always - includes the names of the real characters that Gunther bumps into and what happened to them including such famous personalities as film maker Fritz Lang
4. Berlin - every corner of Berlin comes alive in these pages . Working class districts, rich districts, police stations, the streets - all these and more .
5. Topical - with the worldwide rise of the far right and fascism based on 'easy targets', perhaps this is a topical book in that it shows how the indifference of the German masses finally led to the horrors and evils of the Nazi regime.
- Robert ReeveReviewed in Canada on March 28, 2020
5.0 out of 5 stars I'll miss Bernie.
I took a road trip with some family about five years ago. We cruised down the I5 to California. Stopped in SF for three nights and rented a house through VRBO in an older suburban area near Golden Gate Park. The owner of the house lived in Singapore. Through our dealings we discovered we both love reading. He mentioned the Bernie Gunther books. Never heard of 'em. I'm game though so I gave it a shot. Fine decision. Bernie became my favourite literary character. There's a bit of Bernie in all of us that love these books. Metropolis was a great read! Philip Kerr creates a palpable atmosphere as always. I really enjoy how he inserts real people from the era into the storylines of Bernie's doings. They've never made a movie or series. Expensive and hard to find the right actor. I think the guy who plays Detective Gereon Rath in the Babylon Berlin series could pull it off. Good reproduction of Berlin in the Metropolis timeline. On Netflix. Watch in German with English subtitles.
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LesemäuschenReviewed in Germany on November 17, 2024
5.0 out of 5 stars Brilliant
Kerrs Bernie Gunther-Bücher gehören zum absolut esten, was es auf dem Markt gibt!
- tom meszarosReviewed in Australia on April 20, 2019
5.0 out of 5 stars A Return That Ends At The Beginning.
With the sad passing of Philip Kerr, my favourite “Fritz” is given one last hurrah. However instead of sending Bernie on a case to knuckle the Nazis’ one last time, Kerr decided to let him “live on” and gave us a glimpse of Gunther’s very early years before his chief adversaries came to power.
In doing so, Kerr has added an “old classic” to the Raymond Chandler/ Dashiell Hammett inventory. Metropolis has all the hallmarks of the genre in “Sam Spades”!
- Alexandre B.Reviewed in the United Kingdom on July 2, 2019
5.0 out of 5 stars Bravo Phillip Kerr
I have read every Bernie Gunther novel and am a great admirer of Phillip Kerr, alas deceased last year at a relatively early age. Metropolis, in my opinion, is perhaps not the most outsatanding in the Gunther series ( my favorite is still the Berlin Noir trilogy) but still possess most of the key Kerr/ Gunther “ingredients:” good , plausible story, mixture of real characters together with fictional ones, elegant style, wit and humour. Also, last but not least, although not a work of history but well researched and giving insight into the everyday life of Germany before the ascent of the Nazi-s. Good reading, well recommended .