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Bach Trios
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Bach Trios
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Track Listings
1 | Trio Sonata No. 6 in G Major, BWV 530: I. Vivace |
2 | Trio Sonata No. 6 in G Major, BWV 530: II. Lento |
3 | Trio Sonata No. 6 in G Major, BWV 530: III. Allegro |
4 | The Well-Tempered Clavier, Book I: Prelude No. 19 in A Major, BWV 864 |
5 | Wachet auf, ruft uns die Stimme, BWV 645 |
6 | The Well-Tempered Clavier, Book II: Fugue No. 20 in A Minor, BWV 889 |
7 | Ich ruf zu dir, Herr Jesu Christ, BWV 639 |
8 | Prelude No. 18 in E Minor, BWV 548 |
9 | Fugue No. 18 in E Minor, BWV 548 |
10 | Keyboard Partita No. 5 in G Major, BWV 829: VI. Passepied |
11 | Kommst du nun, Jesu, vom Himmel herunter, BWV 650 |
12 | Art of the Fugue, BWV 1080: Contrapunctus XIII a 3, "Rectus" |
13 | Art of the Fugue, BWV 1080: Contrapunctus XIII a 3, "Inversus" |
14 | Erbarm dich mein, O Herre Gott, BWV 721 |
15 | Sonata for Viola da Gamba No. 3 in G Minor, BWV 1029: I. Vivace |
16 | Sonata for Viola da Gamba No. 3 in G Minor, BWV 1029: II. Adagio |
17 | Sonata for Viola da Gamba No. 3 in G Minor, BWV 1029: III. Allegro |
Editorial Reviews
Nonesuch Records releases an album of Bach works recorded by cellist Yo-Yo Ma, mandolinist Chris Thile, and bassist Edgar Meyer, Bach Trios, on April 7, 2017, with the two-LP vinyl edition due April 21. The album comprises works by J.S. Bach originally written for keyboard instruments, plus one sonata for viola da gamba. In 2011, Ma, Thile, and Meyer—along with Stuart Duncan—collaborated on The Goat Rodeo Sessions, which won two Grammy Awards.
Yo-Yo Ma and Edgar Meyer's first recording together was the 1996 album Appalachia Waltz, which also featured fiddler Mark O'Connor; that album was followed by Appalachian Journey, also with O'Connor, in 2000. Meyer and Thile also began playing together nearly two decades ago, and first performed live as a duo in 2003. They have made two duo albums, 2008's Edgar Meyer & Chris Thile and the Grammy–winning 2014 record Bass & Mandolin.
Thile then joined Meyer on Ma's 2008 holiday album, Songs of Joy and Peace, before the trio reunited, along with Stuart Duncan, for The Goat Rodeo Sessions, an album of original tunes drawing from the musicians' backgrounds in bluegrass, classical, and American roots music. The Goat Rodeo Sessions debuted at number twenty-three on the Billboard 200 chart and number one on the classical and classical crossover charts, as well as number one on the bluegrass chart, where it stayed for eleven weeks. The album was also critically praised, with the Los Angeles Times calling it "haunting, invigorating, often breathtaking."
As Ma told Billboard at that time: "How often do you work with people who are master virtuosos and also master improvisers and composers, who know at least two musical traditions unbelievably well?" He continued, "It's just extraordinary when you have people who can actually show on their instruments what they're thinking at any moment, without a delay. As soon as you think it, it gets transferred in your neuromusculature immediately into sound."
The New York Times said of Yo-Yo Ma, who is considered one of today's foremost interpreters of Bach, "Other cellists hear Bach's suites the same as Mr. Ma, but few if any have the technical means to transfer their imaginings so precisely into sound." Ma maintains a balance between his engagements as soloist with orchestras worldwide and his recital and chamber music activities. His discography includes more than one hundred albums, eighteen of which have won Grammy Awards. Ma also serves as the Artistic Director of Silkroad, an organization he founded to promote cross-cultural performance and collaborations. More than eighty works have been commissioned specifically for the Silk Road Ensemble, which tours annually. Ma also serves as the Judson and Joyce Green Creative Consultant to the Chicago Symphony Orchestra's Negaunee Music Institute and in 2016 was appointed Artistic Advisor to the Kennedy Center for the Performing Arts.
Product details
- Language : English
- Product Dimensions : 5.59 x 5.04 x 0.51 inches; 2.33 ounces
- Manufacturer : Nonesuch
- Original Release Date : 2017
- Date First Available : February 10, 2017
- Label : Nonesuch
- ASIN : B06X3RX3JM
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #11,888 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #418 in Classical (CDs & Vinyl)
- #4,755 in Pop (CDs & Vinyl)
- Customer Reviews:
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Top reviews from the United States
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- Reviewed in the United States on January 8, 2024Exceptional album with world class talent. Super nice to listen to and very fun to have on vinyl
- Reviewed in the United States on July 27, 2023the cd was used but in good condition. The shipping was quick.
- Reviewed in the United States on June 18, 2017I love the music produced by all three of these talented/expert musicians. Yo-Yo Ma is the very best in the world, as a human being and as
a maestro musician. I've watched Chris Thile rise up rapidly with his inspired and well practiced musicianship. And Edgar Meyer is also a
virtuoso in many genres. I'm thrilled to have Bach performed by this superb trio and look forward to more inspired presentations. Thank you to everyone involved in putting these three people together.
- Reviewed in the United States on December 8, 2024Great sound quality.
- Reviewed in the United States on February 7, 2021Amazing performance that anyone who loves Bach will appreciate and enjoy. The musical craftsmanship of these three artists enabled by fine, masterful audio engineering makes for a remarkable recording. A must have. An excellent way to make the day brighter and happier.
- Reviewed in the United States on November 6, 2020If you love Bach you'll love these different arrangements of well known works, written for these three men. The mix of Yo Yo Ma's cello with the string base and guitar or mandolin as third line is stunning. Highly recommended.
- Reviewed in the United States on March 27, 2021If you love classical music, this disk is a must. I am not an audiophile, however I like this disk for the interpretation of the musicians. I thoroughly enjoy this disk.
- Reviewed in the United States on May 7, 2017Fantastic! These arrangements of a variety of Bach compositions succeed magnificently in clarifying structure. The contrast in range and timbre of the three instruments allows our ears to hear clearly the separate melodic lines and how they interact. The phenomenal ability of the performers contributes to the clarity but it is always in service to structure, style, and emotional content. I've listened daily since receiving this and continue to marvel at what I hear.
Top reviews from other countries
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Noe Pérez TorresReviewed in Mexico on July 14, 2022
5.0 out of 5 stars buena selección de música
excelete selección de música y también los interpretes, el cd de lo mejor
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LucaReviewed in Germany on May 10, 2023
5.0 out of 5 stars Sehr gute Aufnahme
Diese LP war ein Geschenk und hat eine wirklich gute Qualität für den Preis.
Ich bin voll zufrieden und der Beschenkte ebenfalls.
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BankinterReviewed in Spain on October 18, 2020
5.0 out of 5 stars Buenas versiones
Versiones muy logradas.
- Amazon CustomerReviewed in Canada on October 7, 2018
5.0 out of 5 stars Bach at its Best
Mandolin?! Truly wonderful instrumentation.
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VincenzoReviewed in Italy on October 15, 2019
5.0 out of 5 stars TRE GRANDI MUSICISTI PER BACH
BACH TRIOS
Yo-Yo Ma, cello
Chris Thile, mandolin
Edgar Maeyer, bass
Recorded March 3 – 8, 2016 at The Barn, Washington
Label Nonesuch Records CD DDD
Track listing*
1-3. Trio Sonata No. 6 in G Major, BWV 530
4. Prelude No. 19 in A Major from The Well-Tempered Clavier Book I, BWV 864
5. Wachet auf, ruft uns die Stimme, BWV 645
6. Fugue No. 20 in A Minor from The Well-Tempered Clavier Book II, BWV 889
7. Ich ruf zu dir, Herr Jesu Christ, BWV 639
8. Prelude No. 18 in E Minor, BWV 548
9. Fugue No. 18 in E Minor, BWV 548
10. Passepied from Keyboard Partita N0. 5 in G Major, BWV 829
11. Kommst du nun, Jesu, vom Himmel herunter, BWV 650
12. Contrapunctus XIII: "Rectus" from The Art of the Fugue, BWV 1080
13. Contrapunctus XIII: "Inversus" from The Art of the Fugue, BWV 1080
14. Erbarm dich mine, o Herre Gott, BWV 721
15-17. Sonata for Viola da Gamba No. 3 in G minor, BWV 1029
*Tutte le com posizioni sono arrangiate da Yo-Yo Ma, Chris Thile e Edgar Meyer
Sono migliaia i dischi sulla musica Bach, ma questo del “Bach Trios” può dirsi compreso tra Busoni ed Eliot Gardiner, ovvero a metà strada tra una visione revisionista ed una interpretazione accademica legata strenuamente al testo. Insomma nulla a che vedere con le “rivisitazioni” di Jaques Loussier, tanto amate negli anni passati ma finite nel cassetto del dimenticatoio per un mio naturale ritorno alle origini .
Il mandolino di Thile fa il verso al clavicembolo e si inserisce delicatamente in un trio così caratteristico. Diversi sono gli esempi del passato e recenti – da Giovanni Anedda ad Avi Avital - in cui il mandolino è stato protagonista della musica di Bach, per cui nulla di nuovo “sotto il cielo di Berlino, ma qui l’ampio respiro musicale dei tre artisti rende il disco qualcosa di particolarmente bello da ascoltare. E conta molto il fatto che Yo-Yo Ma, Chris Thile ed Edgar Meyer hanno tutti una “visione non classica” della musica di Bach che si avverte immediatamente sin dalle prime note del disco. Insomma questo è un Bach che può andare bene sia per una sala da concerto che per un portico di un bar, senza togliere nulla alla grandezza della musica. Ed è così e sarà sempre così quando ad avvicinarsi a Bach, con umiltà e curiosità, sono grandi musicisti come quelli del “Bach Trios”. L’interpretazione non è mai sciatta sebbene vi siano interpretazioni più riuscite – quelle delle corali - e meno riuscite come il II movimento della “Trio Sonata no.6, a mio parere “troppo” lento. Ben poca cosa rispetto ad una orchestrazione che con immediatezza ci riporta ad una musica a noi familiare, perché Bach seppure non lo abbiamo mai ascoltato nella sua forma originale è così presente nella vita di ognuno di noi che ci sembrerà, appunto, di averlo sempre ascoltato. In tutto questo marasma di bellezza spicca il suono, che come al solito, come sempre, è quello che immediatamente ci lega o ci separa dalla musica. Ecco una buonissima registrazione - sebbene solo gli asini possono sbagliare la registrazione di “soli” tre strumenti - dove la timbrica la fa da padrona che poi vuol dire che il suono del mandolino è davvero bello e ben riprodotto dai diffusori. L’altro aspetto piacevolissimo è l’equilibrio tonale ovvero il violoncello di Yo-Yo Ma mantiene la giusta posizione sonora senza straboccare dai diffusori come accade in taluni incisioni “ dal baso profondo”. No, qui tutto è molto realistico , gli strumenti mantengono la giusta distanza e l’ambienza acustica fa di questo disco una registrazione raffinata e di gusto.
Da ascoltare.
IMPIANTO DI ASCOLTO DA PAVIMENTO
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