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The Sundial (Penguin Classics) Kindle Edition

4.4 out of 5 stars 294 ratings

Before there was Hill House, there was the Halloran mansion of Jackson’s stunningly creepy fourth novel, The Sundial

When the Halloran clan gathers at the family home for a funeral, no one is surprised when the somewhat peculiar Aunt Fanny wanders off into the secret garden. But then she returns to report an astonishing vision of an apocalypse from which only the Hallorans and their hangers-on will be spared, and the family finds itself engulfed in growing madness, fear, and violence as they prepare for a terrible new world.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Editorial Reviews

Review

"This is Shirley Jackson at her best. This novel of 12 people in a lonely house awaiting the end of the world will keep you up all night."

Pensacola News Journal

"
The Sundial is entertaining, absorbing and disturbing."
Chicago Tribune

About the Author

Shirley Jackson was an influential American author. A popular writer in her time, her work has received increasing attention from literary critics in recent years. She has influenced such writers as Stephen King, Nigel Kneale, and Richard Matheson.

She is best known for her dystopian short story, "The Lottery" (1948), which suggests there is a deeply unsettling underside to bucolic, smalltown America. In her critical biography of Shirley Jackson, Lenemaja Friedman notes that when Shirley Jackson's story "The Lottery" was published in the June 28, 1948, issue of The New Yorker, it received a response that "no New Yorker story had ever received." Hundreds of letters poured in that were characterized by, as Jackson put it, "bewilderment, speculation and old-fashioned abuse."

Product details

  • ASIN ‏ : ‎ B00DMCW1GO
  • Publisher ‏ : ‎ Penguin Classics; Reprint edition (January 28, 2014)
  • Publication date ‏ : ‎ January 28, 2014
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 2.0 MB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Enabled
  • Print length ‏ : ‎ 242 pages
  • Page numbers source ISBN ‏ : ‎ 0143107062
  • Customer Reviews:
    4.4 out of 5 stars 294 ratings

About the author

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Shirley Jackson
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Shirley Jackson was born in San Francisco in 1916. She first received wide critical acclaim for her short story "The Lottery," which was published in 1948. Her novels--which include The Sundial, The Bird's Nest, Hangsaman, The Road through the Wall, We Have Always Lived in the Castle and The Haunting of Hill House--are characterized by her use of realistic settings for tales that often involve elements of horror and the occult. Raising Demons and Life Among the Savages are her two works of nonfiction. Come Along With Me is a collection of stories, lectures, and part of the novel she was working on when she died in 1965. All are currently in print (Penguin). Two posthumous volumes of her short fiction are Just An Ordinary Day (Bantam) and Let Me Tell You (Random House). A graphic novel adaptation of "The Lottery" by Miles Hyman, her grandson, was published in 2016 (Farrar-Straus-Giroux). Also in 2016: Dark Tales by Shirley Jackson (Penguin Classics) and an authorized biography by Ruth Franklin: Shirley Jackson: A Rather Haunted Life (Norton).

Customer reviews

4.4 out of 5 stars
294 global ratings

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Customers say

Customers find the book darkly funny and well-written, describing it as an absolute gem to read. Moreover, the pacing receives positive feedback, with one customer noting the abundance of visitations and visions throughout the story. Additionally, the visual style is appreciated, with one review highlighting the vivid portrayal of scenes. However, the character development receives mixed reactions, with some finding them interesting while others describe them as cardboard cutouts.

AI-generated from the text of customer reviews

11 customers mention "Humor"11 positive0 negative

Customers find the book funny and well-written, with one customer specifically praising the witty dialogue and another noting its clever parody of typical Gothic horror.

"...WHEN SHALL WE LIVE IF NOT NOW. Beautifully written, of course." Read more

"...The dialog is crisp, barbed and often hilarious...." Read more

"...It's got more than a hint of Gothic horror, with the creepy manor house and the increasing sense of claustrophobia...." Read more

"...Unfortunately, this is missing all of WHALC's incredible satire, dry wit and absurdist lunacy which, added to the genuinely creepy sense of..." Read more

9 customers mention "Readability"9 positive0 negative

Customers find the book readable, with one describing it as a wrenching reading experience.

"...And that, after all, is a dark and wonderful thing." Read more

"...creepy sense of foreboding, creates such a powerful, wrenching reading experience...." Read more

"...It's not my favorite work of Jackson's but its an absolute gem to read, for the most part, and I'd definitely recommend." Read more

"...not necessarily on the edge of your seat this book is definable worth reading." Read more

6 customers mention "Pacing"6 positive0 negative

Customers appreciate the pacing of the book, with one noting its great ability to fascinate, while others describe it as an odd fantasy with visitations and visions.

"...She takes a harsh look at religion. The religious themes are hard to miss as is her criticism IMO..." Read more

"...Visitations and visions abound, and are sometimes full of strange humor - including a revelation of the sycophant hunting in the new world in his..." Read more

"...Mysterious mansion, resentful villagers and a family made up of crackpots, I mean, "interesting individuals" all with the end of the world..." Read more

"...this is missing all of WHALC's incredible satire, dry wit and absurdist lunacy which, added to the genuinely creepy sense of foreboding, creates..." Read more

6 customers mention "Visual style"6 positive0 negative

Customers appreciate the visual style of the book, with reviews noting its perfect verisimilitude, vivid portrayal, and classic dark green cover.

"...of isolation, stranger danger, and drunkenness are drawn with such perfect verisimilitude you would at once know, even without being told, that this..." Read more

"Just a stunning book. It's not one of Jackson's more popular novels, but for the life of me, I can't understand why...." Read more

"An elegantly written novel that preceded "The Haunting of Hill House" and "We Have Always Lived in the Castle" and reads very much..." Read more

"This copy is attractive and well-made w a classic dark green cover." Read more

8 customers mention "Character development"4 positive4 negative

Customers have mixed opinions about the characters in the book, with some finding them interesting while others describe them as cardboard cutouts.

"...You'll find a ghost, psychic phenomenon and a cast of peculiar characters...." Read more

"...There are too many characters and too many forays into expanding a tale that should have become more claustrophobic and self-consuming...." Read more

"...Very interesting character study!" Read more

"...The characters are all cardboard cutouts and they spend the length of the novel hurling dialog at each other that starts off wittily enough but..." Read more

Top reviews from the United States

  • Reviewed in the United States on October 21, 2016
    The broad theme in Shirley Jackson's work is this: Do we hide/run from the world, in seeming (but false) safety or do we face it and live in it. And she usually portrays the world as a scary, lonely place. In this book, those turning away from the world are members of this family/cult who believe that only they will be spared from the upcoming end-of-the world. She takes a harsh look at religion. The religious themes are hard to miss as is her criticism IMO (murder of the son, the golden crown, the manipulation and bribery, control -- because she gives these a human form they take on the light of horror, but these are all religious themes, Christian themes). Am I the only one who sees this as a 'farce about'/'indictment of' religion? So few here comment on this theme though it is so very obvious. The True Believers are another competing wacky cult and, of course, each cult thinks the other is nuts. Also religion wants nothing so much as annihilation. End times, death are glorified in most religions as a gateway to paradise for the faithful. Thus the characters in this book are waiting rather than living.... Because it is too scary to face the world or because their best days are gone and they look forward to this glorious eternity. They seek the protection of their "Father" -- and waste this life and wait for heaven/ the end. Even the blackmail and manipulation to stay in the fold and to "believe" is part of mainstream religious belief. One of their party decides to leave but faces some nastiness in the world (arranged by the Cult Leader) that brings her back. Another is coerced to stay. Either way, God is the ultimate Mafia Boss bribing us with eternity to love him even if it means giving up on the only world we really know exists. Fancy, the small child says it when she tells Gloria that we already have a beautiful world. Why do we want this one to end to go to one that won't be better. Fancy also points out that people want a new world so they can be different but she does not think it works that way (this I think harkens to the idea that we will be magically perfected in heaven). The book is also prophetic for our times when religious zealotry is harming us more than it has in recent history, at least recent Western history. Religion is insane and Jackson makes it clear here that it is-- or at least she suggests that it is and we are lead to our own conclusions. And yet most of us are so steeped in the craziness that it sees that we cannot even see her critique of belief in this wickedly funny little book. In the end, Fancy (whim/chance) rules not religion, not planning, not trying to stay safe. WHEN SHALL WE LIVE IF NOT NOW. Beautifully written, of course.
    15 people found this helpful
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  • Reviewed in the United States on October 11, 2014
    A wealthy spinster is bequeathed a warning of the impending apocalypse. Her gold-digging sister-in-law takes the opportunity to plot her way to be Queen of the new world. An enormously obnoxious money-grubber arrives, bringing along her two "gels," the most obnoxious word to ever enter the great literary conversation that means "daughters" or "girls." A man they insist calling "the Captain," despite the fact he is not a Captain, is brought to the great house of the women to act as stud. This is at least partly necessitated by a need for genetic variation, but also because the patriarch is senile, wheelchair-bound and utterly usurped by his wife who would be Queen. A studious sycophant rounds out the primary cast, and takes devilish delight in making up scandalous tales about the women at their fin du monde party. The events unfold in a house so large there is an entire section that everyone except the spinster has forgotten; there she has recreated the apartment of her deceased parents, and play acts the role of her own doomed mother. Visitations and visions abound, and are sometimes full of strange humor - including a revelation of the sycophant hunting in the new world in his birthday suit. The dialog is crisp, barbed and often hilarious. The scenes of isolation, stranger danger, and drunkenness are drawn with such perfect verisimilitude you would at once know, even without being told, that this is a work by Shirley Jackson. THE SUNDIAL doesn't have the polish of THE HAUNTING OF HILL HOUSE, nor is it as psychologically intense (or jarring!) as HANGSAMAN, but THE SUNDIAL is pure Jackson. And that, after all, is a dark and wonderful thing.
    18 people found this helpful
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  • Reviewed in the United States on December 29, 2020
    Just a stunning book. It's not one of Jackson's more popular novels, but for the life of me, I can't understand why. It's got more than a hint of Gothic horror, with the creepy manor house and the increasing sense of claustrophobia. It quickly becomes a bottle story, with everyone trapped waiting for an undefined catastrophe to strike. And true to form, the real horror is in the little unravelings of the minds of each character. As always in Jackson's stories, the real monster is inside us all along.
    6 people found this helpful
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  • Reviewed in the United States on March 24, 2025
    Shirley Jackson is my favorite horror author, but there's a reason why this novel isn't on the top of most people's lists.

    There are too many characters and too many forays into expanding a tale that should have become more claustrophobic and self-consuming. The ending had a couple of elements I enjoyed but I wanted a little bit more.

    Even so, a not so strong Jackson outing is far superior than most other novels. I was simply happy to read more of her work.
  • Reviewed in the United States on July 1, 2016
    This long forgotten Shirley Jackson book is a gem that should never have gone out of print. It's great that Penguin has brought it back. It's hard to characterize what The Sundial is--it straddles the line somewhere between a character study and a horror story. You'll find a ghost, psychic phenomenon and a cast of peculiar characters. You can see elements of the story in Jackson's later, more highly praised book, We Have Always Lived in the Castle. If you try to analyze it too much you won't enjoy it--just go with the flow of the story and get out of it what you can. I'm sure a whole book could be written about it's psychological over-tones and metaphors. Unfortunately the Hallorans are a very likeable group of people and one would wonder why, they would be the "chosen ones" or if they were the only "chosen" in it's twisted pre-apocalyptic/survivalist plot. If you thought this sort of thing is new--it was going on even in Jackson's day. As a Jackson fan I highly recommend it.
    9 people found this helpful
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Top reviews from other countries

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  • Amazon Customer
    4.0 out of 5 stars Excelente libro
    Reviewed in Mexico on December 15, 2018
    El libro llegó sin daños y de manera rápida. Sin embargo hay dos o tres paginas en mi edición con la tinta débil pero no hacen imposible su lectura.
    Report
  • Massimo
    5.0 out of 5 stars AWESOME
    Reviewed in Italy on March 26, 2025
    I think Shirley Jackson has become my fav author

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