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Carry Me Back

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4.7 4.7 out of 5 stars 282 ratings

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Audio CD, Import, July 17, 2012
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Track Listings

1 Carry Me Back to Virginia
2 We Don't Grow Tobacco
3 Levi
4 Bootlegger S Boy
5 Ain't It Enough
6 Mississippi Saturday Night
7 Steppin Out
8 Genevieve
9 Country Gal
10 Half Mile Down
11 Sewanee Mountain Catfight
12 Ways of Man

Editorial Reviews

CD

Product details

  • Is Discontinued By Manufacturer ‏ : ‎ No
  • Language ‏ : ‎ English
  • Product Dimensions ‏ : ‎ 4.92 x 5.59 x 0.35 inches; 2.26 ounces
  • Manufacturer ‏ : ‎ ATO Records
  • Item model number ‏ : ‎ 25327747
  • Original Release Date ‏ : ‎ 2012
  • Date First Available ‏ : ‎ May 12, 2012
  • Label ‏ : ‎ ATO Records
  • ASIN ‏ : ‎ B0082LUEJQ
  • Country of Origin ‏ : ‎ USA
  • Number of discs ‏ : ‎ 1
  • Customer Reviews:
    4.7 4.7 out of 5 stars 282 ratings

Customer reviews

4.7 out of 5 stars
282 global ratings

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Top reviews from the United States

  • Reviewed in the United States on December 4, 2024
    Great to have a vinyl version of their early music. My opinion…their best!
  • Reviewed in the United States on October 16, 2012
    They are BACK. Love this album. Its their best album since OCMS.

    I was a little concerned with the path they were taking with their last album, Tennessee Pusher. However, for all of those who were fans and are more comfortable with the sounds from OCMS or before, this is more in that ballpark. Not nearly as edgy as Pusher, but produced as well, if not better.

    Uptempo chunka chunka, that blazes through lots of toe tapping stuff that I guarantee will piss off your office neighbor due to your toe tapping. I am guilty of the finger drumming, but luckily my office cube mate is patient. Or seems that way until he kills me, or complains to HR. Until them... I'm gonna tap away, because OCMS brings the party.

    I don't want to spoil anything, but from the Irish-influenced hoedown in Carry Me Back to the honky-tonk plunk of We Don't Grow Tobacco... to the beautiful fiddle and banjo harmony of Levi you get the feel you are getting the listening to a group that has a modern spin on a foot stuck in the past. They bring a lot of looks to the party, using different vocal leads, wild swings in pace, showing both polish and edge... and I totally dig on the way they seem to create the image/sound of old time bands all wearing the same poly suit where they hurl yarns around a single mic.

    Probably listened to this album 15 times so far and it feels so beautifully comfortable. For me, that's a good thing. My favorite songs... the attitude on Steppin' Out and the perfect balance of sound in Levi.
    2 people found this helpful
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  • Reviewed in the United States on July 25, 2012
    THIS IS AWESOME! It's the first thought that came to mind while I listened to this new OCMS release. I have to admit I was bracing for dissapointment after suffering through their last release 'Tennessee Pusher'. There was a few honorable mentions on that release, but overall it was a huge let down to me. I couldn't understand why they decided to reinvent the wheel after they had released their most sucessful album 'Big Iron World' to critical acclaim. However, 'Carry Me Back' finds Ketch and the crew back on track with a fervor that I have not really seen before. The writing and performances are excellent and show a lazer point focus. It's almost overblown - their way of saying sorry to the fans? Only time will tell.

    Carry Me Back isn't really meant to be theme driven, but yet I do find a reoccuring theme in the beginning of the album. It's seems to point at the degradation of classic southern culture and the old way of life. It also shows that a country boy can survive by any means necessary, especially if that's all he has left. The first five songs echo this idea. Then we shift gears and start burning it up. 'Mississippi Saturday Night' and 'Steppin' Out' are definite barn burners. It's a hyper active ho-down. Then they slow it down a bit with 'Genevieve' so our heads don't explode. This is an interesting song from newer memeber Gill Landry and it's good to hear a new voice in the band. I have a feeling we'll be hearing more from Gill now that Willie Watson has left the band - Willie's leaving is very unfortunate. Next is a Kevin Hayes song 'Country Gal'. I always look forward to Kevin's songs because he's got a unique way of spinning a tune. He always delivers a fun and memorable sing-a-long and this time around is no different. 'Country Gal' harkens back to Big Iron World and I love it. The rest of the album is good but it starts to gradually wind down and have no problem with that. All in all, this new release is a fun ride and it demonstrates a higher level of skill from the OCMS. It's good to see them grow in their abilities and yet hold on to the old timey sound of their earlier releases. I higly recommend this record.

    Unfortuantely this album brings forth yet more line-up changes for the band. Cris 'Critter' Fuqua left after they toured for Big Iron World (glad I got to see that tour) leaving a sizable hole to fill. Gill Landry was brought in to fill the position and he's done a really good job. However, filling Willie Watson's shoes is not going to be so easy. Critter was always more of a background guy where as Willie is a frontman with a big and unique voice. It's going to be tough to find someone of his caliber/talent and have the diehard fans accept it. Also, Cory Younts, the extra hand that does a little bit of everything in the band has parted ways too. This maybe very noticible during live performances. We will have to wait and see if Ketch Secor has any aces up his sleeve. For the band's and fan's sake, I sure hope that he does.
    6 people found this helpful
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  • Reviewed in the United States on September 10, 2013
    Look, you have to like Newgrass to really get into this. But if you're already into Newgrass, then you know. It's old-timey music with ironic, whimsical, and slightly crass modern lyrics.

    This new album may actually be my favorite OCMS album yet. What's nice is that it has some of the traditionalism of "O.C.M.S." with some of the edge of "Tennessee Pusher". As much as these guys are the 'old guys' of the Newgrass genre, you can certainly see how the growth of the genre in the last 5 years has really brought out the best in these guys. By that I mean, it's not a straight "new-bluegrass" album as you get a good little taste of classic country (what sounds Merle Haggard-esqe {Ways of Man}) and dare I say ragtime (Steppin' Out)? But all of it has that awesome power-fiddle sound that OCMS is known for.

    Best tracks (my favorites) on the album include: Carry Me Back, Levi, Bootlegger's Boy, Country Gal, and Ways of Man.
    5 people found this helpful
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  • Reviewed in the United States on September 7, 2012
    Old Crow really seems like a group that just gets better with age, even with the turnover in band members. This latest album sounds great -- the lyrics are complex and thoughtful, and the music, especially in the fast songs, is just killer. Carry Me Back is probably the bests song on the album, although Bootlegger's Boy and Ain't it Enough are also standout. I had the pleasure of seeing the band live in August, and they played a number of songs from Carry Me Back. We Don't Grow, which I love in itself, was particularly spectacular live. All in all, this is a must-buy for fans, and for people who are just starting to get into Old Crow it seems pretty accessible as well.
  • Reviewed in the United States on August 23, 2012
    This CD is as good and maybe even better then their first two, the songs are mostly very upbeat with a few very thoughtful song lyrics. The songs get in your head and linger for a long time. Their musicianship is getting better and better if that is possible and their new band member is a good fit. This is a first rate product for anyone who enjoys a young version of bluegrass style with well written lyrics and songs with a soul. I will be purchasing a few more CD's for my friends and encourage others to do the same.

Top reviews from other countries

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  • Norsup
    3.0 out of 5 stars fine
    Reviewed in Spain on September 26, 2014
    why should I have to comment if I don't want ! this way of asking is borderline; try to change it
  • Sugar Magnolia
    5.0 out of 5 stars Old Time Religion
    Reviewed in Italy on July 19, 2014
    Un classico senza tempo. Decisamente meglio di Mumford & Sons. Nipotini di The Band e di Nitty Gritty dirt band
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  • James
    5.0 out of 5 stars Old Crow do it again
    Reviewed in the United Kingdom on October 7, 2012
    I think the Old Crow are a great band, I've loved all their previous albums (and they are superb live) so was very eager to get this one. It didn't disappoint. This is some great old time bluegrass. There are some particular gems on here as well such as Levi, Genevieve and Ain't it Enough. Perhaps not quite as consistent as one or two of their previous albums, but this is more than made up for by the gems. If you like old timey bluegrass, I think you'll love this.
  • Bücherfresser
    5.0 out of 5 stars großartiges Bluegrass-Album, ein Ohrwurm jagt den anderen
    Reviewed in Germany on July 19, 2012
    Was für ein grandioses neues Album der OCMS!
    Ich kann gar nicht richtig zum Ausdruck bringen, wie wunderbar dieses Sommergeschenk für mich als Countryfreund ist. Es sind eben nicht die Country-Billboard-Charts mit ihren weichgespülten "ist das Pop oder doch Country?"-Hits, die Freunden von Banjo, Fiddel, Gitarre und Kontrabass wie mir das Musikleben versüßen. Sondern ein Album wie dieses. Jedes Stück handgemacht, jedes Stück mit Charakter, Talent und Freude eingespielt.
    Seit Spingsteens "Born in the USA" habe ich ganz persönlich kein Album mehr gehört, bei dem jedes Stück solch einen Hitcharakter für mich hatte, bei dem man sich auf jeden Track freut und das auch nach dreimaligen Nonstop-Durchhören noch immer dasselbe fette Grinsen ins Gesicht zaubert.
    Der Opener "Carry me back" ist so druckvoll, so mitreißend, dass man Mühe hat, die Füße beim Autofahren ruhigzuhalten. "Levi" singt man ab dem ersten Refrain aus vollem Hals mit und bei "Steppin' Out" sieht man im Geiste eine Halle voller verrückter Charleston-Tänzer so nah vor sich, dass es Kinoqualität hat. Und dieser eigene Charakter, dieser Spaßfaktor und der besondere Wiedererkennungswert zeichnen bei diesem Album jeden Titel aus. Und doch sind sie alle unverwechselbar, haben ihre eigene Stimmung und diese kleinen musikalischen Besonderheiten zu bieten, die nur Bands hervorzaubern können, die ihre Musik lieben und die sie live genauso mit Feuer unters Volk bringen wie zuhause oder im Auto durch die Boxen eines CD-Players.

    Leute, ich sage es euch offen und direkt: wenn ihr irgend etwas mit dem Lebensgefühl des Old&New South, mit Bluegrass, Traditional Country und 100Prozent Musik straight from the heart anfangen könnt, dann kauft dieses Album! That's what I call country, my friends.

    Kleiner Nachtrag: Bei Amazon in den USA ist das Album als mp3-Download für ganze 3,99 Dollar zu haben - schade, dass man das hierzulande nicht auch anbietet. Aber ich bin froh, diesmal die CD in der Hand zu haben, das ist mal so ein Silberling, auf den man stolz ist, ihn "in echt" zuhause oder im Auto liegen zu haben.
  • matsuda76
    3.0 out of 5 stars bluegrass
    Reviewed in Japan on July 22, 2012
    ナッシュビルを拠点に活動する若手ブルーグラスバンドOld Medicine Showの4作目となるフルレングスのスタジオアルバム。
    前作がDon Wasプロデュースによる素晴らしいアメリカーナ、バラッドフォークアルバムだったが、本作は彼ら元来のプレイが楽しめるグラス作。
    フィドル、ドブロ、バンジョ、アップライトベースが軸となる、ダンサブルでビート感のあるフロア、ブルーグラス。
    各パーツの力強さ、ビート、タイム感等々、相当レベルの高いブルーグラスが楽しめる。
    プロデュースはGaslight AnthemやDropkick Murphys、最近ではLuceroの新譜での仕事が印象的なTed Hutt、Jim Lauderdaleがゲスト参加。