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Eye In The Sky

Extended Play

4.7 4.7 out of 5 stars 2,686 ratings
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Track Listings

1 Sirius
2 Eye In The Sky
3 Children of the Moon
4 Gemini
5 Silence and I
6 You're Gonna Get Your Fingers Burned
7 Psychobabble
8 Mammagamma
9 Step by Step
10 Old and Wise
11 Sirius (Demo)
12 Old and Wise (Eric Woolfson Guide Vocal)
13 Any Other Day (Studio Demo)
14 Silence and I (Eric Woolfson Early Guide Vocal)
15 The Naked Eye (Instrumental Medley)
16 Eye Pieces (Classical Naked Eye)

Editorial Reviews

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Product details

  • Is Discontinued By Manufacturer ‏ : ‎ No
  • Language ‏ : ‎ English
  • Product Dimensions ‏ : ‎ 5.65 x 1.75 x 4.96 inches; 3.52 ounces
  • Manufacturer ‏ : ‎ Legacy Recordings
  • Item model number ‏ : ‎ 29467561
  • Original Release Date ‏ : ‎ 2011
  • Run time ‏ : ‎ 1 hour and 16 minutes
  • Date First Available ‏ : ‎ January 21, 2012
  • Label ‏ : ‎ Legacy Recordings
  • ASIN ‏ : ‎ B00701QV0A
  • Country of Origin ‏ : ‎ USA
  • Number of discs ‏ : ‎ 1
  • Customer Reviews:
    4.7 4.7 out of 5 stars 2,686 ratings

Customer reviews

4.7 out of 5 stars
2,686 global ratings

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Great shape for used record. First on line purchase of used vinyl record. Professionaly cleaned, jacket like new, no scratches, excellent condition.
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Top reviews from the United States

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  • Ken Whalen
    5.0 out of 5 stars Excellnt
    Reviewed in the United States on December 2, 2024
    Verified Purchase
    great cd
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  • Roark
    5.0 out of 5 stars Best Album Ever
    Reviewed in the United States on March 18, 2024
    Verified Purchase
    I noticed there was a fairly current album from this band, now referred to as Alan Parsons, previously known as the Allen Parsons project. I bought this album just to make sure my collection was complete. What I didn't expect was just how epic some of the songs on this album really are! A new stereo was recently installed in my car and this album was on a thumb drive that was plugged into the new stereo. While I was being installed I kept hearing some of the songs and thought wow. But it wasn't until I actually listened to the whole album that I was blown away!
    I have recently been getting into synthesizers whether analog or FM, and this album gives me an incredible appreciation for Alan parsons! Truly incredible!
    6 people found this helpful
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  • Cruizer
    5.0 out of 5 stars Excellent
    Reviewed in the United States on June 14, 2024
    Verified Purchase
    Was time to add some Project to my vinyl, so purchased this album as well as the "Turn" album.
    Both are extremely well mastered and pressed. So far I have been very pleased with the 180g offerings from Amazon. Keep up the great work.
    My favorite part of this album? Track 1, side 1.
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  • Tabbycat
    4.0 out of 5 stars Imperfect but Nice Addition to Mr. Parson's Surround Catalog
    Reviewed in the United States on February 13, 2018
    Verified Purchase
    >>>>> NOTE: This review ONLY covers the new 5.1 surround sound mix found on the Blu-Ray.
    I only bought the set for that disc and don't care about anything else.

    I'd like to address several things.

    The title track and its instrumental overture make for a great demo of the possibilities awaiting. If there's a singular feature of his work that is instantly recognizable it's his vocal sound. Breathy, choir-like harmonies adorn thick, breathy leads -- at least, when Mr. Woolfson is at the mic. The Alan Parsons sound was never more fully realized than when he sang lead. I nearly wish that Eric had helmed every track, though I am fully aware Mr. Parsons would not agree. There's a lot to making that sound. As it turns out, even more than I thought.

    To explain, allow me a one-paragraph stopover with The Beach Boys. Wouldn't It be Nice, one of their most well-known hits, sounded nice on AM radio. On a fine system, the original mono never did much for me, nor did it inspire any particular appreciation for the group. But in 1997, before it burned a hole in my wool work pants, eighty dollars went for the new box set that contained the first stereo mix of the track. But what really fried my brain cells was the new stereo a capella mix -- just Brian Wilson and a couple others (not including Mike Love) putting in the master take. What a revelation! I'd simply had no idea, none at all, of the sheer beauty and nuance of what I'd been listening to all those years, buried under so many layers of mono. This unpleasant fact of multi-track recording -- the tendency to lose the stark deliciousness of basic tracks under further layers -- is well-known among engineers. Doug Sax put out a record years ago to demonstrate this -- The Sheffield Drum/Track Record. Today's a capella mixes provide a vocal companion to this phenomenon.

    Can anything be done about this? Like the Beach Boys' track (although a far better recording), Eye in the Sky has a gorgeous vocal that is far less gorgeous the further down you go on the playback hierarchy (the one ending in a single 3" speaker). Here in multichannel, the vocal deconstructs in a way that is simply impossible in two channel. The chorus envelops you, and forces analysis: You've been here before -- yet you have not. Like a magic trick, you now wonder how it was done. There's a lot going on here, and as with The Beach Boys' track I found a new appreciation -- and wonder.

    Then there are the drums. Confession: I've never really cared for his drum sound, at least on Pyramid through Ammonia Avenue. "Wimpy" is the word I'd use, with a wispy high end. It's not so much a case of passing years being unkind -- I thought likewise back in the day. With this release, Parsons has carried these same drum tracks into the 21st century. Still recognizable, yet much more contemporary. Tasty even. The high end is especially improved.

    Other standout tracks: Silence and I -- a huge orchestral opus, and Psychobabble. This track left me cold in stereo, but now it really comes alive, sort of like a 5.1 mini-musical. It's choreographed, and you can't ignore it.

    To discuss two tracks I had high hopes for but found disappointing, we have to discuss ... reverb. (REVERB reverb reverb). There has been a preference in this century to mix using much less reverb than in the "old days" (60's, 70's, and even 80's). In addition, the quality of reverb is a far cry. Gone are the physical chambers, springs, and metal plates of yesteryear with their too-noticeable character. All is now digital and true multichannel -- meaning any number of sources input can create a virtual soundfield. (This was not possible back in the quad era.) Tape-delayed "slap-back" reverb has been frowned on by some engineers since the early 80's (one in particular I knew bitched about Billy Joel's The Nylon Curtain for this trangression back in 1982). So today's reverb is cleaner, with less chararacter, and there's less of it.

    Well I, for one, don't like things so dry. Although most of Goodbye Yellow Brick Road's surround remix featured near-perfect recreations of the original reverb, engineer Greg Penny apparently decided my favorite track Harmony simply went too far in this regard, and piled the track into the dryer on HIGH. This really wrecked it for me. Checkfield's Surrounded reaches the furthest extreme in this new desert culture. Some tracks -- e.g., Through the Lens -- are so bone dry they make listening uncomfortable. I once knew John, the band member who remixed them. If I ever see him again, I'll have that bone to pick. (He' lives in Costa Rica, so it's unlikely.)

    So too Children of the Moon is, right from the intro, dried out. Parsons retains the deep reverb later on with the militant snares, but again is too shy with it on the chorale voces. We need reverb in this track to allow ourselves to slip away and fall under its spell but the lack of reverb takes me out of it. In addition, the fade-out is a little sloppy -- and Parsons' cross-fades were always so dramatic. Has the art of the smooth fade been lost to digital? It would seem so.

    And to Gemini. A favorite track -- and "B" side to Eye -- turns out not as well as I'd hoped. Normally, I love discretely-separated vocals, but here -- there's something too obvious about the physical arrangement. In stereo, everything seemed organic -- new voices seemed to sprout like budding flowers on a single branch. But the real trouble is the ending, which builds up to ... nothing. In the stereo mix, the voices get noticeably louder in the climax, likely due to a manual pot-up by the engineer. Pot-ups (manual increases in track level during play) are also frowned upon as "unnatural" -- like cheating. Was Parsons averse to doing this now, though it was a crucial effect in the original version?

    So there it is in one listen. I'm happy it exists, and happy to have it.
    31 people found this helpful
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  • mario
    5.0 out of 5 stars Very good
    Reviewed in the United States on October 1, 2024
    Verified Purchase
    Fast delivery
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  • Danny Balbuena
    5.0 out of 5 stars UN CLASICO
    Reviewed in the United States on July 19, 2024
    Verified Purchase
    Que les puedo decir, este disco es un clasico

    Lo compre y me sorpendio la calidad de la impresion y caja del cd.
    One person found this helpful
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  • John Solley
    5.0 out of 5 stars NA
    Reviewed in the United States on August 25, 2024
    Verified Purchase
    NA
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  • d4nU65t3r
    5.0 out of 5 stars sirius lee
    Reviewed in the United States on July 5, 2023
    Verified Purchase
    been hovering on whether to get this for around forty years now. finally bit the bullet given there's five songs i'm familiar with here. there are pleasant surprises here, particularly silence and i and the eye pieces suite. a great introduction to apj all in all if you're unfamiliar. an exception too to amazon's credit as this order reached me intact with no cracks in the casing.
    2 people found this helpful
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Top reviews from other countries

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  • Mario Lemieux
    5.0 out of 5 stars Allan Person. Merveilleux Album
    Reviewed in Canada on November 16, 2024
    Verified Purchase
    Je l'avais en quatre piste casette. Maintenant en cd. Vraiment bon !!
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  • Jose
    5.0 out of 5 stars Perfecto!!!!
    Reviewed in Mexico on March 23, 2024
    Verified Purchase
    Grandioso disco y más en MoFi!!! El envío en tiempo y en perfecto estado el LP!!!
    Obviamente viene con su número de serie de edición especial!!!
    Muy, muy satisfecho en todos los sentidos!!! BRAVO, BRAVO!!!
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    Jose
    5.0 out of 5 stars
    Perfecto!!!!

    Reviewed in Mexico on March 23, 2024
    Grandioso disco y más en MoFi!!! El envío en tiempo y en perfecto estado el LP!!!
    Obviamente viene con su número de serie de edición especial!!!
    Muy, muy satisfecho en todos los sentidos!!! BRAVO, BRAVO!!!
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  • Andrés E.
    5.0 out of 5 stars Maravilloso
    Reviewed in Spain on February 25, 2025
    Verified Purchase
    Para mí, uno de los mejores de Alan Parson, esta reedición es espectacular! gracias.
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  • potie margareth
    5.0 out of 5 stars C d Alan parson
    Reviewed in Belgium on February 9, 2025
    Verified Purchase
    C d superbe , répond à mes attentes
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  • Steland
    5.0 out of 5 stars Alles top
    Reviewed in Germany on October 17, 2024
    Verified Purchase
    Für eine gebrauchte LP in super Zustand.
    Ein klasse Album
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