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Illuminations
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Illuminations
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Track Listings
1 | The Wandering Kind (Prelude) |
2 | Bells of New York City |
3 | Galileo (Someone Like You) |
4 | L'Ora Dell'Addio |
5 | Hidden Away |
6 | Au Jardin des Sans-Pourquoi |
7 | Higher Window |
8 | If I Walk Away |
9 | Love Only Knows |
10 | Você Existe Em Mim |
11 | War at Home |
12 | London Hymn |
13 | Straight to You |
Editorial Reviews
It seems no one knew what to expect when Josh Groban teamed with super-producer Rick Rubin for the singer’s fifth album, Illuminations – least of all Groban and Rubin. Fittingly, the results both defy and exceed any possible expectations as each of the collaborators stepped out of his zone and together they created an entirely new zone, one where folk meets classical, where art meets intimacy, where immediacy meets timelessness and where, most importantly, Groban was free to express himself more fully, more truly than ever before.
“These are my stories,” says Groban, who co-wrote 11 of the 13 songs on the collection, complemented by personalized if surprising selections written by Nick Cave and the poignant mother-son collaboration by Kate McGarrigle and Rufus Wainwright. “Every one of these songs, someone’s going to know it’s about them. I’m going to get a text message about every one! This is a very personal record.”
Groban teamed with singer-songwriter Dan Wilson (former leader of the band Semisonic and co-writer of several pieces on the Dixie Chicks’ Not Ready to Make Nice including the 2007 Grammy song of the year title track) on most of the songs. Most of the recordings were done live in a casual setting with Groban playing piano and singing alongside acoustic guitarists Matt Sweeney and Smokey Hormel and, on some songs, iconic organist Spooner Oldham. From those sessions, orchestrations were crafted by David Campbell for nine songs and James Newton-Howard for two, while Brazilian great Carlinhos Brown created the dynamic setting for “Voce Existe Em Mim (You Exist In Me)” in his Bahia home, including the power of an all-girl drum corps – the only drums on the album.
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 5.63 x 4.96 x 0.39 inches; 3.95 ounces
- Manufacturer : Reprise
- Item model number : 15035647
- Original Release Date : 2010
- Date First Available : September 11, 2010
- Label : Reprise
- ASIN : B0042JTDXK
- Number of discs : 1
- Best Sellers Rank: #85,851 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #2,392 in Adult Contemporary (CDs & Vinyl)
- Customer Reviews:
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- Reviewed in the United States on November 16, 2010Josh Groban has always been a great singer. What is really amazing is that after years of voice lessons he is noticeably better. How could he improve what was already so great? He managed. Everything is clearer, purer, richer, better executed. His lowest notes used to be his downfall & he sometimes struggled with them, but no more. His higher range notes sound more relaxed, more powerful, clearer. Unbelievable. The one oddity, for a near-operatic baritone, is that he relies a great deal on falsetto, which sometimes works well, but not always.
The sound on this album is just crystal clear, clean, awesome. I've never heard anything sound so clean.
Josh wrote 11 of the songs on this album, mostly with collaborators. This is more than he's written before. The songs include quite a bit of variety, with some sounding distinctly classical, others sounding more like folk ballads, and one ("The War At Home") sounding just a little bit country-ish. The lyrics and sound are generally moving and thought provoking.
The album is missing some of the more avante-guarde elements of some of his earlier albums -- and generally comes off as more traditional -- and yet not traditional. His melodies always take unexpected twists. His voice makes unexpected shifts in timbre. Just as you think you're in familiar territory musically, suddenly you're not. But the stuff he did with Mouquet and Heap in the past were more experimental, which is the one thing I really miss on this album, though "Voce Existe in Mim" has a bit of the quality of those prior works of Josh's.
In the past, I saw him as part of an international community of fusionists who were working to fuse elements of all sorts of music together to form new sounds. I saw him as the first mainstream new music composer; but this album isn't like that so much. Its newness is more subtle. It does not really sound like anything else that's been out there before, while not using any exotic elements.
Josh is profoundly creative, one of the most revolutionary forces in music today, a real genius -- one who picks up the torch of classical music and moves it in new directions. And, yet, there is that hypnotic singability of some of the choruses.
Josh considers this to be essentially a "live" album. Many songs were "one take." And, yet, you don't notice. It is all apparently flawless.
Instruments: predominantly piano and strings
Comments about some individual songs -- all having a rich and soaring sound, BTW:
Wandering kind: an instrumental piece composed by Josh when he was 12, with added musicians. Complex, beautiful, cheerful
Bells of New York City: minor, mournful
Galileo: A cover of an Irish song by Declan O'Rourke. This is the one song I find annoying on here. While a pretty song, it takes as its theme bemusement at the idea of a scientist falling in love and not finding a scientific explanation for his feelings. As a scientist, I find this offensive, as it seems to imply that scientists are not naturally human and that it's odd for us to be just like everyone else.
L'Ora Dell'Adio: the most operatic of these pieces. It really show cases the maximum magnificence of Josh's voice. Lyrics in Italian.
Hidden Away: the first released single of which there is an official music video featuring Miss Kentucky 2009. This starts out with a very sweet, pop-like tone, but deteriorates into a sequence with many rough transitions between baritone and falsetto. This is not my favorite one of the songs musically, but it's starting to grow on me. It has a very nice message about trying to be positive and loving, rather than keeping warmth inside.
Au Jardin de sans pourquoi: I find this one particularly beautiful, though he does have a tendency to go back and forth over the same interval a lot. Lyrics in French. one of the few where Josh wrote the music alone, though it's considered a "cover" of another piece, presumably because of the words)
Higher Window: a very beautiful, but sad love song about a man who may have missed his chance after initially rejecting a woman.
If I Walk Away: This is a love song with a very catchy & singable chorus. A fun one.
Love Only Knows: Another one with a very catchy and singable chorus -- very hard to get out of my head, but leaving me with a feeling that this guy is ultimately going to get hurt.
Voce Existe in Mim: This is my personal favorite. It has a huge sound with very unusual sequences, where the voice is not so dominant and the instrumentals are very strong. This is probably the most experimental sounding one, and features a large all female drumming group. Lyrics in Portuguese.
War at Home: This one has a slight hint of country sound. It's about soldiers who have suffered in war. Josh wrote this after a visit to Walter Reed Hospital. It's very, very moving -- very hard to get out of my head. I predict that this is going to be the most popular out of this album.
London Hymn: This is heavy on the instrumentals, with Josh blending in, very orchestral and choral. In Latin.
Straight to You: a cover of a rock song by Nick Cave. Well, if you're a rock fan, you won't like it. If you're a pop/classical fan, you wouldn't like the original and will like this one much better.
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Addendum
After listening to this at least five more times now, I am struck by a pervasive sadness about the thing. It sounds like Josh's love life hasn't been going very well. There is a sense of yearning in all the songs -- of pain, really. Josh is such a clown in his spoken life, and sometimes he wonders why people think he is so serious, but the music sounds very serious, almost grim.
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Second Addendum
In his "Before We Begin" concert at Union Chapel, Josh explained that "London Hymn" was written in London, shortly after he wrote "The War at Home." It is a sort of quiet requiem piece that has afterthoughts about his visit to Walter Reed Hospital.
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Third addendum
In his "Before We Begin" concert in Toronto, Jan. 13, Josh explained that "Au jardin des sans pourquoi" had lyrics written by Rufus Wainwright and his mother, both of whom are or were noted songwriters. though Josh wrote the music . At one of the "Before We Begin" concerts, Wainright came up to ask if the song had made it onto the record. It turned out it was the only song he had written with his mother and she had died shortly thereafter.
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Fourth addendum:
I saw a recent interview where Josh said that "If I Walk Away" was written to his parents and other people in his life who keep him grounded -- to encourage them to continue keeping him grounded.
- Reviewed in the United States on November 23, 2010Josh Groban - Illuminations
Release date: November 15, 2010
143/Reprise Records
Sometime around September of 2001 I was introduced to a singer that would proceed to impress me in so many ways. Josh Groban was 20. I was older. I remember calling my son and saying, "You should listen to this guy named Josh Groban. He has an amazing voice." My son responded, "I will check him out, and you should listen to this guy named John Mayer." Nine years later and we are both still listening to and recommending these two artists.
Josh Groban is very hard to define or place into a genre. He is a voice, but he is so much more. Illuminations is his fifth release, and all four prior releases have gone multi-platinum. His last release, Noel, was the number one selling CD in 2007 even though it was not released until October and was a Christmas album.
The three years since this last release have seen many changes for Josh. He chose to head in a different direction with a new management team and new producer, Rick Rubin. Rubin has a resume that is beyond impressive, and artists such as Johnny Cash, Neil Diamond, Red Hot Chili Peppers and Metallica have trusted him. Rubin tends to do things in a way that was not the norm for Josh or his fans and likes to strip the performer down to what Rubin feels is essential for the music.
Change is a bit scary for fans and the `Grobanites' on his fan sites have been concerned about this upcoming release. I shared their concern. I listened to the first three pre-release singles that went to iTunes and his websites and was not a fan of the higher notes of the songs and was afraid that the album was going to be a disappointment. However, after 22 listens over the past three days I can happily say that sometimes change can be a good thing. I was a huge fan of the old Josh. But the new Josh is damn good too. Illuminations will change how Josh is perceived for the rest of his career because it is a game changer.
Josh's fans did not grow up with this type of music from Josh Groban. Josh Groban grew up with this CD.
Josh is about the vocals. However, on this release Josh co-wrote the majority of the songs and proves that he can also write. After Illuminations I honestly believe he will be considered a talented songwriter and will expand his horizons to include not only theatre, TV and concerts but writing lyrics for others. He is that good. This CD is that good. Just turn the stereo up and listen.
The album starts with an instrumental piece, "Wandering Kind," that Josh wrote when he was twelve years old. Josh fans are waiting to hear his voice, but this piece will still impress.
The first vocal piece, "Bells of New York City," makes it clear that this is going to be a very personal release. The lyrics take center stage and paint a very clear picture as "the bells of New York City tell me not to go."
"Galileo" is an exceptionally touching song of love. I can visualize this song in a musical and bringing endless applause. Picture the love of your life, put this song on, feel the passion.
"L'Ora Dell'Addio" is the first of four songs that are not sung in English. However, this was a positive thing because I was not distracted by lyrics and could focus on the music and the voice. Josh's vocal abilities shine. The song made me stand up. It made me pump my fists. If anyone, anywhere, has any question if he has IT in his voice still....YES. HE. DOES. At some point I would like to know what the words of the song mean, but for now I am blown away by its power and beauty.
"Hidden Away," "Você Existe Em Mim," and "Higher Window" can all be heard at [...] or purchased on iTunes. They are very good songs, and I can appreciate them as part of the whole. I give kudos for the way they were released prior to release date as a way of giving fans a preview of what is to come. However, I don't believe that they are the songs this release will be remembered for.
"If I Walk Away." The lyrics and passion of this song are more than I can describe in words. This song is special. You want lyrics? You want instruments? You want meaning? Just listen. The song builds as instruments and backup vocals are added, but it then fades back away which keeps the song personal and intimate. "If I walk away, please follow me."
"Love Only Knows." A big issue that fans had with the first pre-releases was the falsetto voice Josh used in the two English songs. This song begins with the same falsetto. However, it then begins to soar and all memory of the falsetto is wiped away. It totally won me over and the lyrics left me touched. "I can't breathe without you and I know...we need each other." Sometimes words are so much more than they intend.
"War at Home." This song has made me think and listen again and again and again. Each time I listen I find a different interpretation and each one is poignant. I feel this will be a standing ovation song in concert. Its words are inspiring and Josh's delivery is powerful. "You are not alone. You see these hands, they're a billion strong. They are yours now." The song builds with strength and allows Josh to excel at what he does so very well.
"London Hymn" is a choral offering where Josh's strong voice is sometimes overwhelmed by the backup vocals. However, it leads straight into the final song in such a way that I won't be skipping this track because I like the segue.
"Straight to You." A Nick Cave song that finishes this CD perfectly with a message that is worth pondering.
To the all the younger people reading this: buy this CD for your parents if not for yourselves. It. Is. Really. Really. Good.
Top reviews from other countries
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sagrado conejo rojoReviewed in Mexico on December 5, 2017
5.0 out of 5 stars Este producto si llego
Fue un regalo para la navidad del 2016 lo pedi con urgencia el precio se duplico pero llego a tiempo
- Calala7Reviewed in Australia on December 28, 2018
5.0 out of 5 stars Illuminations!
One of my favourite Josh Groban albums. A good mix of languages again and more beautiful music composed by Josh.
- LMReviewed in Canada on March 17, 2016
5.0 out of 5 stars satisfied
this cd is great and it arrived in a timely fashion. very satisfied
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sourisReviewed in France on June 15, 2015
5.0 out of 5 stars une illumination pour moi
Magique, envoutant !
Une voix splendide, chaude, dans un registre étonnant, des mélodies insolites, et de beaux textes, au sens souvent caché ( pour moi ) y compris dans la chanson française ( j'aimerais connaitre l'origine des textes )
Merci à THE VOICE de m'avoir fait découvrir Josh, car j'avoue que je ne le connaissais pas du tout avant
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carlottaReviewed in Italy on March 7, 2013
5.0 out of 5 stars bellissimo album artista stupendo
Album molto bello melocido come sempre . La voce di Josh Groban è meravigliosa e canta come sempre almeno i 4 lingue diverse senz problema. Alcuni brani saranno tra i miei preferiti di questo artista