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Wreath of Roses Paperback – January 1, 2011
Purchase options and add-ons
- LanguageEnglish
- PublisherVirago Press (UK)
- Publication dateJanuary 1, 2011
- Dimensions5.2 x 0.59 x 7.8 inches
- ISBN-101844087123
- ISBN-13978-1844087129
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Product details
- Publisher : Virago Press (UK) (January 1, 2011)
- Language : English
- ISBN-10 : 1844087123
- ISBN-13 : 978-1844087129
- Item Weight : 2.31 pounds
- Dimensions : 5.2 x 0.59 x 7.8 inches
- Best Sellers Rank: #1,607,674 in Books (See Top 100 in Books)
- #71,398 in Literary Fiction (Books)
- Customer Reviews:
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- Reviewed in the United States on February 24, 2018This is an engrossing crime thriller, written in an intimate and rich voice, introducing you to characters I liked so much I was sad when the story ended. I had never heard of this novelist, but this novel was featured by a London bookstore discussion group as one of the forgotten literary masterpieces. The writer's work was a finalist for the Mann Booker once, but I had never heard of her. Her work has a feminist sensibility that would have put her ahead of her time: Meaning that its lead characters are women who are depicted coping with the various constraints on women in their day, but her male characters are also very compelling, and this book asks existential questions about love and a meaningful life that would resonate with most readers. The fact that this is a crime thriller adds another layer to this period drama, and pushes it forward in a compelling and suspenseful arc.
- Reviewed in the United States on September 10, 2016until the middle of the story I was a bit disappointed. this is not one of Taylor best novels ... happens to the best authors ... But then some unexpected turns of the plot. Things got thrilling...
- Reviewed in the United States on February 11, 2017An intricate novel that is remarkably unpredictable: a treasure. The backdrop of the plot is ghostly and uncertain.
The book is a page-turner, for sure!
- Reviewed in the United States on October 22, 2018Women writers in England in the late 1940s and early 1950's were marvelous. Imagery and use of language, the philosophizing: all helped build enjoyable novels. Barbara Pym immediately comes to mind. This may have been a bit too tidy inspire of its attributes. A writer is certainly aware of all that has changed in society, especially the pacing of country life. People walk about. This novel has elegiac scenes of the country that sometimes lead to philosophical ramblings that seem quite true and shiny.
I plan to read a couple more to see where I come down on the over-all oeuvre of Taylor before I make a more considered judgement other than now to say they are worth a read.
- Reviewed in the United States on August 5, 2021I have read several of Ms. Taylor's novels, and this was the weakest and the least enjoyable. I recommend that anyone interested in reading one of her novels skip this one and read At Mrs. Lippincote's or Mrs. Palfrey at the Claremont.
- Reviewed in the United States on March 18, 2023No one writes like Elizabeth Taylor. Her prose can jump from dialogue to interior monologue to a description of a landscape, all in half a page. The characters’ ways of speaking can be pedantic, stilted, and overly preachy and epigrammatic, but she gets away with it because she is such a good storyteller.
This novel’s plot would sound boring if I were to summarize it; the struggles of the characters (not the plot) drew me in, made me care for the characters, and kept me reading.
Taylor’s artfulness and her occasionally overwrought prose are an acquired taste, and I am quite glad to have acquired a taste for all of her work. “A Wreath of Roses” and “Mrs. Palfrey at the Claremont” are superb novels.
Top reviews from other countries
- Tanaya PandeyReviewed in India on April 14, 2025
1.0 out of 5 stars Pirated copy recieved.
Received a pirated copy, only realised it too late for a return and refund.
-
helene gerardReviewed in France on November 8, 2014
5.0 out of 5 stars A lire absolument
Découvert E. Taylor (rien à voir avec l'actrice) grâce à une amie anglaise. Craignais d'avoir affaire à de la "littérature pour dames" mais cet auteur et tous ses romans se sont révélés être de vrais trésors d'observation, de délicatesse, le tout écrit dans une très belle langue. Je recommande tous ses romans. Si vous aimez Douglas Sirk au cinéma, vous retrouverez ici la même élégance de fond et de forme.
- Sandradan1Reviewed in the United Kingdom on April 3, 2019
5.0 out of 5 stars Sublimely written
There are some novels that you want to start read again as soon as you’ve finished it. To appreciate the finer details, unravel sub-text, and simply to admire. ‘A Wreath of Roses’ by Elizabeth Taylor had that effect on me.
It is described in reviews as ‘her darkest novel’. What fascinated me was the inter-play between the three key female characters, how they see each other, and themselves, how they behave individually and together. Multiple contradictions complicated by self-delusions and self-awareness. I don’t mean to seem cryptic. The story is simple, as is often the way with Taylor.
In that period after the Second World war when life begins to look normal, the undercurrents of the war experience are everywhere. Camilla and Liz are staying with Frances, Liz’s former governess, for their annual summer holiday. It is a habit forged by years with happy memories of podding peas and sharing stories. Except this year is different. Liz is now married and has brought her baby, Harry. Frances, an artist, is now painting dark tortured pictures rather than feminine florals and portraits. And Camilla has a shocking experience on her journey to stay with Frances; she witnesses a suicide at a train station that makes her melancholy, lonely and inadequate. She looks at herself in the dressing table mirror, ‘Her flesh was golden as an apricot; her hair, in contrast, looked tarnished and harshly bright.’
Taylor inserts three male characters as wedges into the cosiness of the three women. Camilla resents Arthur, Liz’s husband, for taking her friend away. Richard Elton, who with Camilla is there when the suicide happens, is staying at a pub in the village. Camilla feels sorry for him and at the same time attracted to him and will not listen to Liz’s instinctive uneasiness about him. Morland Beddoes is a collector of Frances’ work, he arrives in the village and stays at the same pub as Elton; he too feels uneasy about the man’s motivations. A friendly sort who finds himself the recipient of peoples’ woes, ‘Morland Beddoes was not in the last self-infatuated. He loved himself only as much as self-respect required, and the reason why he saw himself so clearly was that he looked not often, but suddenly, so catching himself unawares.’
This is a dark novel, but not in today’s meaning of psychological thriller. It is a study of ageing, friendship, the power of sexual tension, and it is sublimely written.
One person found this helpfulReport - Patricia M. SheldonReviewed in the United Kingdom on August 15, 2018
4.0 out of 5 stars First of many
This was the first Elizabeth Taylor novel that I've read. I enjoyed it enough to want to read many more of hers. She is often recommended by other authors. Margaret Drabble referred to it in "The Dark Flood Rises", which I read recently, so I ordered "A Wreath of Roses" as soon as I'd finished it. Will definitley more of hers.
One person found this helpfulReport - Patsy PinkReviewed in the United Kingdom on July 27, 2023
3.0 out of 5 stars Not bad
Not a riveting read but not bad.