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Take Five (American Literature) Paperback – September 1, 1998
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- Print length582 pages
- LanguageEnglish
- PublisherDalkey Archive Press
- Publication dateSeptember 1, 1998
- Dimensions6.04 x 1.34 x 9.05 inches
- ISBN-101564781933
- ISBN-13978-1564781932
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Copyright 1998 Reed Business Information, Inc.
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Product details
- Publisher : Dalkey Archive Press (September 1, 1998)
- Language : English
- Paperback : 582 pages
- ISBN-10 : 1564781933
- ISBN-13 : 978-1564781932
- Item Weight : 1.75 pounds
- Dimensions : 6.04 x 1.34 x 9.05 inches
- Best Sellers Rank: #595,809 in Books (See Top 100 in Books)
- #30,882 in Literary Fiction (Books)
- Customer Reviews:
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- Reviewed in the United States on October 17, 1998After reading this book, I handed it to my very well read brother who said "that is the sadest book I have ever read." It is, and it is not. It is a creative tour-de, like a more restrained and elemental Barthelme. It reminds me (as does the death and life of harry goth) of Confederacy of Dunces...I think Mano is just a brilliant writer.
- Reviewed in the United States on September 27, 2015"Take Five" is one of those enormously ambitious, endlessly inventive, compulsively readable, yet equally--though not, perhaps, fatally--flawed novels the culminating noble failure of which renders it both a more compelling work and rewarding read than 99% of those so-called successes that, if less flawed, are, by comparison, utterly dwarfish. Which is why Dalkey Archive is to be commended for resurrecting it fully 16 years after its initial publication in the hope of attracting to it the wider audience it failed to attract then, but so clearly deserves now.
A jam-packed, turbo-charged, doorstop-massive, acrobatically entertaining, 3 1/2-star, over-the-top high-wire act, with respect to its voice and aesthetic sensibility the book bears less affinity to the work of William Gaddis, much less James Joyce--the names typically invoked--than to Tom Wolfe or John Irving i.e. it's tres smart and engaging as hell, but it ain't, sorry folks, Art.
While there is little question that the work catches fire--indeed it breathes the stuff, blazes brightly, perhaps too brightly throughout--chiefly owing to the author's similie/metaphor-generating portrayal of its rampaging, scenery-chewing, hyper-articulate, larger-than-life, hyperbolically solipsistic protagonist whose non-stop wisecrackery and over-caffeinated, free-associating DJ patter is over 600 pages akin to being trapped in a broadcast booth with Robin Williams on a cocaine toot, it can be argued that the heat that that fire expresses too often distracts from the light it aspires to give off. Despite the applause its author merits for both his creative risk-taking and expansiveness of vision, the work, finally, fails to transcend itself, to realize that integral organic quality of MORE-ness of purpose that ultimately defines the Real Deal. Which, I suppose, is just a wordier way of saying that the author's reach, which is nothing if not considerable, exceeds his scarcely less considerable grasp.
At last, despite its several estimable qualities, not least of which are its good humor, apparent erudition, and palpable energy, the work must stand or fall on whether one "buys" the character of Simon Lynxx, not only as plausibly or implausibly drawn by his creator, but as the proper or improper vessel for the Christ-figure to which he is reduced--each of his five senses having one by one been destroyed--by story's end. Does the reader, that is, care enough to fully empathize with Simon's extravagant suffering and self-torture, or does that reader find the suffering of such a figure merely insufferable, his torture merely self-indulgent.
"Take Five" is a tour de force. Regrettably, it too often and too transparently huffs, puffs and strains for effect for the performance to be declared other than a brilliant mess.
Top reviews from other countries
- pynchon10Reviewed in the United Kingdom on June 28, 2015
5.0 out of 5 stars Five Stars
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