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Farewell, Fred Voodoo: A Letter from Haiti Paperback – December 17, 2013
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A foreign correspondent on a simple story becomes, over time and in the pages of this book, a lover of Haiti, pursuing the heart of this beautiful and confounding land into its darkest corners and brightest clearings. Farewell, Fred Voodoo is a journey into the depths of the human soul as well as a vivid portrayal of the nation’s extraordinary people and their uncanny resilience. Haiti has found in Amy Wilentz an author of astonishing wit, sympathy, and eloquence.
- Print length352 pages
- LanguageEnglish
- Publication dateDecember 17, 2013
- Dimensions5.5 x 1 x 8.38 inches
- ISBN-101451644078
- ISBN-13978-1451644074
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Editorial Reviews
Review
“Excellent and illuminating….a love letter to—and a lament for—Haiti, a country with an already strange and tortured history that became even more tragic, interesting and convoluted in the months after the earthquake…. [Wilentz] brings to Haiti empathy and her great skills as a narrator….it's Wilentz's honesty about her own role in Haiti and that of so many other American visitors to that country that ultimately distinguishes her book most from other works that cover similar terrain.” ― Los Angeles Times
"A veteran journalist captures the functioning chaos of Haiti. ... An extraordinarily frank cultural study/memoir that eschews platitudes of both tragedy and hope." ― Kirkus Reviews, starred review
“Farewell, Fred Voodoo is engrossing and gorgeous and funny, a meticulously reported story of love for a maddening place. Wilentz’s writing is so lyrical it’s like hearing a song – in this case, the magical, confounding, sad song of Haiti.” -- Susan Orlean, author of The Orchid Thief and Rin Tin Tin
“Farewell, Fred Voodoo is written with authority and great affection for Haiti and Haitians and for those who are trying to help them. An informative and wonderful piece of writing, it is a work of considerable artistry, immensely evocative. I read it with pleasure and with mounting gratitude.” -- Tracy Kidder, author of Mountains Beyond Mountains
“Amy Wilentz is a brilliant writer, an ace journalist and, perhaps most important, she is not an outsider. She's the perfect guide through the heartbreak and beauty of post-earthquake Haiti. I was gripped by her respectful and first-hand reporting on Voodoo, and impressed by her enormous sensitivity to the crushing deprivation most Haitians endure.” -- Barbara Ehrenreich, author of Nickel and Dimed
“Amy Wilentz knows Haiti deeply: its language, its tragic history, the foibles of her fellow Americans who often miss the story there. This makes her a wise, wry, indispensable guide to a country whose fate has long been so interwoven with our own.” -- Adam Hochschild, author of King Leopold’s Ghost
“I can't imagine there's a better book about Haiti—a smarter, more thoughtful, tough-minded, romantic, plainspoken, intimate, well-reported book. Amy Wilentz has paid exceptionally close attention to this dreamy, nightmarish place for a quarter century, and with Farewell, Fred Voodoo she turns all that careful watching and thinking into a riveting work of nonfiction literature.” -- Kurt Andersen, author of Heyday and True Believers
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
I’m stirred and moved by things I see here, but I’m not sure why, and I wonder: Would you be moved? Here are the things that touch me, but a warning: they are not entirely normal. ... [One is a] bone in a burned foot. The man sits in a broken wheelchair—he’s young, maybe twenty-two. He’s a friend of Jerry and Samuel’s. He was riding on his motorbike in the middle of a post-quake, pre-election demonstration when a government thug, so he says, took a potshot at him. The bullet went through his abdomen, and he was in such shock that his foot got caught in the bike’s muffler and burned. They took him to the general hospital, where doctors repaired the bullet’s damage and left a big scar along his abdomen, which he matter-of-factly shows to anyone who asks, but the foot was left to heal on its own with no skin graft, and now, three months after the injury, you can still see the entirely exposed three inches of metatarsal bone through a blood-red hole in the top of his foot, like a peek at the guy’s skeleton, as he sits there in his unwheeled wheelchair in a stony fury over his situation.
Another item in my list of what moves me here: the death of the woman who hated me. Just after the earthquake, I had a spaghetti dinner—this was the one made by the New York Times’s Haiti reporting team—in the kitchen of the half-destroyed Park Hotel. You had to walk under hanging cement and over broken floors to get to the lobby, and then tiptoe through the perilous lobby to the kitchen. One of the Haitians staying there, behind the rubble of the front rooms, was a Madame Coupet, an older, very light-skinned Haitian lady, wouj, actually, who was wearing a housedress. Her son was in America.
She had heard of the book I had published on Haiti many years earlier. How she had hated me then, she told me now—well, I had supported Aristide, she had gathered, and he was the man she held responsible for everything bad that had happened in the past twenty-five years. For this earthquake, even, it seemed. I bowed my head. What could I tell her? She wouldn’t have wanted to hear what I wanted to say. But we talked about other things—her children, her family, Haiti—and in the end, we got along. She decided that I was not a demon, and that we both loved Haiti. She was surprised that I seemed nice. Polite. Well-broughtup, is how the Haitians say it.
After I left the country, I thought of Madame Coupet often, and longed to see her again. I wanted to talk to her, because I needed to hear more about old Haiti, the lost country, the country she said she loved. I thought of her mottled skin, its fairness ruined by age and the Haitian sun, of her gracious diction, and of her generosity in forgiving me for Aristide—and of mine in forgiving her for forgiving me for Aristide. When I came back to Port-au-Prince, five months after the earthquake, the middle-aged men sitting in metal chairs on the still rubble-strewn terrace of the Park Hotel, smoking cigarettes and gossiping with one another, told me the old lady had died. They wanted to tell me gently but didn’t know how. So they told me bluntly: she died. Therefore, no interview. But I can still tell you what she might have said, or at any rate, what someone like her might have said. Here it is:
When I was a girl, there were lace curtains. The wind was sweet. I had a pet cat and she would chase the guinea fowl in the courtyard. I had a blue dress with a sash that only my mother knew how to tie properly. The frangipani tree in the corner of the garden smelled like my mother’s perfume. There was Duvalier, sure: Papa Doc. But we children, me and my brothers, we paid very little attention. My parents tried to keep out of his way, I suppose. My father was a professor at the university, an engineer. My brothers and I, we read poetry, Durand, Rimbaud, Baudelaire, Morisseau-Leroy, Roumer, and meanwhile the bougainvillea tumbled over the front wall and there were plants in pots in the gardens and two servants, and one poor distant girl cousin who helped with chores. She was from the deep country, and did marry, finally. In summers we went to my aunt’s house in the mountains and picked flowers and rode donkeys and helped make the morning coffee. I went to school in a checkered uniform that I loved. I read French literature until I met my husband, who was in the import-export business. I was beautiful, and he loved me until I grew old. We had two children, and a third who died in childbirth. Now one is dead and the other lives in New Jersey. I prefer to be here where I understand things.
Here’s something that got to me: the last time I saw Filibert Waldeck. The last time I saw Filibert, I was standing in front of the ruined cathedral downtown. It was January 12, 2011, the first anniversary of the earthquake. People were praying under the statue of Jesus that still stands outside the rubble. A man rushed up and exhibited his little daughter to me. She had, to put it nicely, failure to thrive. She must have been five but she looked two, with huge eyes, reddish hair, bone-thin limbs. The man told me they’d been homeless since the earthquake. A person nearby told me, while the man was standing there in front of me with his silent child balanced in his arms, that that fellow came to the cathedral ruins with the kid every day looking for some visitor to beg from. Did that make his story less true? I asked myself. The crowd pressed on us and the man and his daughter were shoved away. There was a band playing, and there were priests and nuns seated, waiting for the service to begin. I was standing off to the side near a white man I’d never seen before, an older man with thinning hair.
As usual with any big Haitian event, huge numbers of people were all shoved together in a giant bubbling human mass. The white man near me was at least five people away. Although we were outside, there was barely room to inhale where we stood, but uncannily, up in front of my face popped someone I recognized. At first I wasn’t sure who he was, exactly. Then he spoke in his familiar growl of a voice, the same rasp he’d had as a child, only deeper. It was Filibert, wearing some kind of satanic red and silver T-shirt and old dirty jeans. He was too thin.
I said, “Filibert, what’s wrong with you?” He wasn’t making sense. The white man standing near me was watching. He pushed his way forward and took Filibert by the arm and rattled him, shook him up a bit. I was astonished. Filibert looked astonished, too, if you can look astonished while looking sullen. The white man, whose self-assured demeanor I now recognized as that of a lay Christian brother of some kind, was interrogating Filibert. He called him by his full name: “Filibert Waldeck, what’s wrong with you?”
Filibert just shook his head, looked down at the ground. The man looked at me and back at Filibert. “You’re on crack or something, aren’t you?” he asked him. “I know it. I know it.” The man shook his head and tried to peer into Filibert’s eyes, but Filibert looked away.
“You stop that stuff, do you hear me?” The man was speaking fluent Creole.
I took Filibert aside and he began that same long rant I’d already heard about his sons and their mother and about how he had to keep them inside so she wouldn’t get them, and how his motorbike had broken down and he didn’t have money to get it fixed. Throughout the whole long saga, which was much more detailed and a lot less comprehensible than what I am putting down here, he would look at me sideways, slantwise, assessing my potential. Half the time he had the demeanor of a person on drugs or in the throes of mental illness of some kind, which I’ve always suspected with him. And the rest of the time, he looked like a smart old market lady sizing up her client. Finally, I asked him if I could help him in any way, and he just looked at me.
“Amy, you ahr my mozzer,” he said to me, in English. So I gave him some money. And then he disappeared into the crowd. I saw a splotch of red fading away down toward Grande Rue. My child, I thought. I tried to imagine it. I wondered if there had really ever been any connection between us, other than monetary. Because of where I was from, I had always had the power in our relationship. Because of where he was from, Filibert was always the weak one, poor, needy, desperate. Of course we each bore some responsibility for who we were and how we had ended up, but we were also prisoners of our fates, each of us locked in our individual history and geography. I was from the U.S. and he was from Haiti. That was it. I always had and gave money; he always did not have it and needed it. It was always my choice: would I give him something? How much, this time? It was easy, even pleasurable, for me to give it to him; but it was all cruel for him.
The crowd around me was singing a spindly soprano hymn as the memorial service began. But where was Filibert going now? Why didn’t he have a cell phone? Why didn’t he have my number? And now that speck of red had vanished. I squinted into the sun, trying to find him again, but he had slipped back away into the heat and darkness, and was lost to me.
As I am writing this, at around five in the morning, I hear gunfire and screaming outside my window. Two shots. Ridiculous, it cannot be, but it is. Freelance fire, I figure—meaningless gang shit. In the old days violence had political meaning in Haiti, but, as elsewhere in the world, now it’s often pretty pointless. More gunfire now. Definitely gunfire. And screaming and a rumble of low shouting, as if a whole crowd is yelling far away. Carnival is coming, I remember; that can be a violent time. And elections are coming: that also means violence. First I get up to go to the window to look: when I peek out from a sharp sideways angle, I see a crowd down on the street below, pushing and shoving, and screaming. It’s violent, and that’s definitely where the shooting has been coming from. Maybe it is some kind of political protest, I think now. I retract my head as another round of shooting begins, and return to my desk.
Later, when I interviewed some acquaintances in the neighborhood, I discovered that the reason for the shooting and screaming and the angry nub of a crowd in the street was that the pharmacy down below my window had announced the previous day that it would be offering to fill children’s prescriptions for free today, in a one-day trial program. The crowd was composed of mothers, all fighting to get in before the place stopped serving. The shooter was the pharmacy owner, trying to protect his place from the poverty-maddened consumers. I’d mistaken the mothers for a politically motivated riot. And, in a way, they were.
Product details
- Publisher : Simon & Schuster (December 17, 2013)
- Language : English
- Paperback : 352 pages
- ISBN-10 : 1451644078
- ISBN-13 : 978-1451644074
- Item Weight : 10.5 ounces
- Dimensions : 5.5 x 1 x 8.38 inches
- Best Sellers Rank: #2,396,450 in Books (See Top 100 in Books)
- #64 in Haiti Travel Guides
- #217 in Haiti Caribbean & West Indies History
- #1,179 in Disaster Relief (Books)
- Customer Reviews:
About the author

I wrote a charming, thoughtful, anecdotal bio here (a bit more than Amazon's suggested minimum of twenty words), a longish bio -- but NOT boring in any way -- that you would have really, really liked. It was all about love and home, and honor and loyalty, and grace and faith -- and then I managed to delete it, by accident.
It was really good and entertaining. It had some cute stories about my dog.
It was also very creative, which Amazon suggests your Amazon biography should be, and they know what they're talking about. Anyway it was really creative, kind of magically realist, but also existential. It had a long bit of auto-fiction in it that I made up about myself -- I think it was one or two paragraphs where I reflected on my childhood while in an airplane restroom. Something about something bad that happened to me in nursery school, can't remember what it was -- anyway it was fiction.
It included some interesting details about me, which Amazon tells you are good things to share with readers. I can't remember which of the many, many interesting details about me I chose to include, which my computer then deleted, but here are some others: I'm not very tall but my arches are very high. My brother lives in Scarsdale. I had an aunt who studied bats. Now you have a feeling for the kind of interesting details about myself that you sadly missed out on. I just wanted to give you the flavor.
Also this bio,now lost to posterity, included -- as all my writing famously does -- some very funny jokes. And wise advice about writing and word counts, which would have been a huge help to all you aspiring writers out there, and there was some important stuff in there about how you have to force yourself to write every damn day. Like Hem.
I think, if I am recalling correctly, I mentioned something about the past not being dead and buried, and I added that, as far as I'm concerned, the past isn't even past. That's a good one, I think. But maybe I didn't put that in. Not sure.
Also I think I advised serious writers to use fountain pens and unlined paper because it makes you more creative. I know that's a question writers get asked a lot: what kind of pen do you use to write.
Actually I only write on the computer. But in spite of this I also added a biting cut about how computers are ruining writing, which is proved by the fact that my computer deleted this gemlike masterpiece.
I like to write funny and emotional and this bio I lost was funny and emotional. It is tragic that I can't remember what it said and that you will never get to read it. I wish this new one were funny and emotional too, but ya can't do that twice in one day; ask any writer!
I'm almost certain I had a section in there about how meaningful it is to write about other places and the people who live in them. Yeah, I did, definitely -- I remember that.
Lost forever! It was sincere, too. I really meant it.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
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Learn more how customers reviews work on AmazonCustomers say
Customers find this book extraordinarily well-informed, with one review highlighting its valuable perspective on the country's situation. Moreover, the narrative quality receives praise for its incisive account of Haiti and personal experiences, while the writing style is appreciated for its clarity and passion. Additionally, customers find the book engaging and entertaining.
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Customers find the book provides great insight, describing it as extraordinarily well-informed with a wealth of knowledge, and one customer notes it helps explain the country's culture.
"...We gain insight to the instinct and self preservation of the native Haitians and understand at a higher level the complexities of culture and..." Read more
"...is a bit scattershot, and occasionally over the top but has some great information and insights and is both entertaining and emotional...." Read more
"...This is by a person who gets really involved in her subject. She loves Haiti, with all its difficulty (mostly caused by the good ol' U. S. of A.)...." Read more
"...Her historical perspective, coupled with the objectivity of an investigative reporter, gives a very real sense of Haiti, Haitians, ex-patriots, and..." Read more
Customers find the book engaging and entertaining, describing it as an eye-opening read.
"...This book was eye-opening. It is a must read for anyone who ponders how the world really works (or doesn't)...." Read more
"Accessible and engaging as both narrative of post earthquake Haiti and a summation of the author's 20 year history of traveling and writing on the..." Read more
"...Great read with a blend of culture and humanity." Read more
"...Excellent read for anyone who loves this beautiful country as I do." Read more
Customers praise the book's incisive account of Haiti and its compelling narrative based on personal experiences, with one customer highlighting its blend of culture and humanity.
"...Wilentz makes Haiti very much insight, in mind. It shares the personal accounts of Haitian culture, missionary workers, Doctors without Boarders,..." Read more
"...with the objectivity of an investigative reporter, gives a very real sense of Haiti, Haitians, ex-patriots, and especially Americans...." Read more
"...Ms Willentz writes with wit and crisp narrative to describe the ironies of global assistance to Haiti...." Read more
"...I did not disappoint. Her love and hope for Haiti and its people shine through every page. Well done...." Read more
Customers praise the writing style of the book, with one noting its brilliant portrayal of Haitian life and culture, while another appreciates the author's sharp ear for language and great eye for detail.
"...She writes in detail. I think she could show more passion...." Read more
"...Ms Willentz writes with wit and crisp narrative to describe the ironies of global assistance to Haiti...." Read more
"...Super writing. Quite vivid but a perhaps a little too cynical...." Read more
"Amy writes with passion,clarity, and a wealth of knowledge. I enjoyed and benefited reading Farewell, Fred Voodoo...." Read more
Top reviews from the United States
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- Reviewed in the United States on November 18, 2021Haiti remains an enigma to most of us. We wonder how this tropical island jewel, set in a sparkling aquamarine sea, replete with numerous agricultural crops and natural resources remains stuck in perpetual poverty. Plagued by disease, starvation and unceasing political corruption, it's inhabitants appear incapable of surmounting the troubles that are their history and heritage.
In her 2013 book, Farewell, Fred Voodoo: A Letter From Haiti, Literary Journalist Amy Wilentz beams a sharp light on the subject. Immediately following the devastating 2010 earthquake aid groups and monetary support poured into the country. Everyone from Sean Penn to Kim Kardashian got involved yet strangely, after an initial feeble recovery, Haiti has remained mired in a centuries long state of decline.
With her cultural immersion over a period of decades, her ability to speak the native language (Haitian Creole) and her keen understanding Wilentz enlightens us to the deep distrust its inhabitants hold toward outsiders and do-gooders.
She takes us on a tour of the cultural influences including everything from Voodoo to Zombies and pulls back the curtain exposing the political machinations working to keep Haiti stuck.
This book was eye-opening. It is a must read for anyone who ponders how the world really works (or doesn't). It sheds light on the true motivations behind "helping" governments and organizations.
Wilentz shows us that the magical belief that outsiders are capable of pulling a country out of pain and poverty is destined to fail. She demonstrates that only genuine and earned trust, perhaps most importantly of the inhabitants trust in themselves must play the largest role in any sort of true recovery. We gain insight to the instinct and self preservation of the native Haitians and understand at a higher level the complexities of culture and history that profoundly shape a nation.
FIVE STARS.
- Reviewed in the United States on February 17, 2013Accessible and engaging as both narrative of post earthquake Haiti and a summation of the author's 20 year history of traveling and writing on the country. The main crux of the book is that aid is not working as its delivered via NGO's and large development entities such as , IOM and USAID as it is inefficiently rendered and does not take include the Haitian people in the decision process. We meet a variety of characters both Haitian and "blan", foreign in Haiti and Haitian and there is a positive example of aid done right in the person of Dr. Megan Coffee who runs a TB word in Port au Prince. The section where she debunks the myth of the "planting the magical tree" that will save Haiti is funny but also succinctly captures the problem of outsiders coming to Haiti and offering solutions without considering the need, wants, or culture of the people they want to help. The book is a bit scattershot, and occasionally over the top but has some great information and insights and is both entertaining and emotional. My favorite leitmotif is about Haitian history and politics in relations to the use of voodoo.
- Reviewed in the United States on January 1, 2023Ms. Wilenz has written at least two books about Haiti, and I plan to read the other one. This is by a person who gets really involved in her subject. She loves Haiti, with all its difficulty (mostly caused by the good ol' U. S. of A.). She writes in detail. I think she could show more passion. Sometimes I think she gets caught up with trying to be objective--"just the facts, ma'am." Awful things have been going on, and sadly, they continue today.
- Reviewed in the United States on December 6, 2016Like most of the Western World there is a mentality of ‘out of sight out of mind.’ Wilentz makes Haiti very much insight, in mind. It shares the personal accounts of Haitian culture, missionary workers, Doctors without Boarders, and the reporter who brings it all to us. It made Haiti hit home by pulling on the heartstrings of the innocent Haitian children victims to their surroundings. It merged the gap with the fables we tell kids to teach them a lesson and keep them safe; only instead of Snow White they had werewolves and voodoo. It made me respect those that give their life for a cause with solutions so far out of reach—yet they jump in. Great read with a blend of culture and humanity.
- Reviewed in the United States on February 9, 2013The observations and musings of Amy Wilentz are wanderings in familiar settings altered by the earthquake two years ago. Her historical perspective, coupled with the objectivity of an investigative reporter, gives a very real sense of Haiti, Haitians, ex-patriots, and especially Americans. Those who are involved in Haiti should not only read this, but should study her messages. Their mission and goals might be modified for the better.
I have profound regrets that she, like all expatriates, totally ignores the North and particularly the area including and surrounding Cap-Haitien. In many ways Cap-Haitien has been spared the distortions of massive NGO/expatriot activities and that has been beneficial. On the other hand, it has suffered from benign neglect. Perhaps it is fortunate that there have been no Bill Clintons, but it is unfortunate that there are no Sean Penns. I would wish that Ms Wilentz would spend more time in the North during her next visit.
J. Michael Taylor, MD, MPH
Top reviews from other countries
- Jonathan MillerReviewed in the United Kingdom on January 24, 2013
5.0 out of 5 stars A story that starts with an earthquake and builds to a climax
I read the Kindle version of this and found myself highlighting one passage after another. This book is really worthwhile. It tells many stories at once, using the 2010 earthquake in Haiti at its starting point. Amy Wilentz is in love with Haiti, but what is the nature of this love? It's complicated.
Amy Wilentz is kind of a hero for writing this book. It is not clear that some of those who will read it will be entirely pleased. But if she is harsh on those she saw in Haiti, she is harsher still on herself. The reader, meanwhile, will be enlightened on the subject of Haiti, as perhaps never before.
A book that restores my faith in journalism. Bravo Amy Wilentz.
- Gato 520Reviewed in Canada on May 16, 2015
2.0 out of 5 stars Two Stars
Bore