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Single Scene Short Stories Paperback – February 11, 2013
Purchase options and add-ons
- Print length256 pages
- LanguageEnglish
- PublisherGibbs Smith, Publisher
- Publication dateFebruary 11, 2013
- Dimensions6 x 0.58 x 9 inches
- ISBN-101423600622
- ISBN-13978-1423600626
Book recommendations, author interviews, editors' picks, and more. Read it now.
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Editorial Reviews
From the Inside Flap
What is a single scene short story? It is a short work of fiction with a specific remarkable quality-the whole of the story takes place in one scene, one geographical coordinate, one window of time. To think of it dramatically, it is a story presented on a stage with no change of setting or costume, no voice-over summarizing or carrying the viewer from here to there. This collection contains some of the best single scene short stories ever written, the modern classics of the form.
Single Scene Short Stories includes the works of such well-known writers as Michael Chabon, Anton Chekhov, Raymond Carver, Mary Gaitskill, Ernest Hemingway, James Joyce, Guy de Maupassant, Joyce Carol Oates, Flannery O'Connor, Dorothy Parker, Katherine Anne Porter, John Updike, William Carlos Williams, Tobias Wolff, and many others. These stories will rivet you, move you, and unfold in you an awakening and recognition of what it is to be human. With the barest allowable back story-just a thin line here or there to locate you to the character or situation-these stories give us in a brief glimpse all the best that fiction has to offer.
Margaret Bishop received a BA from Wesleyan University and an MFA from George Mason University. She lives and writes in northern Virginia. Single Scene Short Stories is her first book.
From the Back Cover
Single Scene Short Stories includes works by the following:
John Barth
Jorge Luis Borges
T. Coraghessan Boyle
Fred Busch
Robert Olen Butler
Ron Carlson
Raymond Carver
Michael Chabon
Anton Chekhov
Colette
Ernest Hemingway
Amy Hempel
James Joyce
Doris Lessing
Jack London
Katherine Mansfield
Guy de Maupassant
Lorrie Moore
Joyce Carol Oates
Dorothy Parker
Grace Paley
Katherine Anne Porter
Mary Robison
James Salter
John Updike
William Carlos Williams
Tobias Wolff
About the Author
Margaret Bishop received a BA from Wesleyan University and an MFA from George Mason University. She lives and writes in northern Virginia.
Excerpt. © Reprinted by permission. All rights reserved.
When writing poetry in form, the accepted rule is that a poet can deviate from the strictures of the form a time or two, and such departures enhance the poem’s power. An extra foot, an off-rhyme, maybe a double envoi at the end of a sonnet, all have the potential to lift the poem off the page, to transport the reader beyond himself. Similarly, a few allowances in what constitutes a single scene has enabled this collection to be more exemplar than example. A tighter form allows the writer to express emotions―conflict, dissonance, fear, or love―that could be overwhelming or trite given too much
A title form allows the writer to express emotions-conflicts, dissonance, fear, or love-that could be overwhelming or trite given to much free-form space. Perhaps that is why so many of these stories are about disturbed relationships or moments right before the end of life. Love and death and making a scene. The single scene story allows these experiences to go directly into our hearts where they enrich and inform our own awareness of being in this world.Product details
- Publisher : Gibbs Smith, Publisher (February 11, 2013)
- Language : English
- Paperback : 256 pages
- ISBN-10 : 1423600622
- ISBN-13 : 978-1423600626
- Item Weight : 12.8 ounces
- Dimensions : 6 x 0.58 x 9 inches
- Best Sellers Rank: #1,460,323 in Books (See Top 100 in Books)
- #235 in Drama & Play Anthologies (Books)
- #15,965 in Contemporary Literature & Fiction
- #16,596 in Short Stories Anthologies
- Customer Reviews:
Customer reviews
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- Reviewed in the United States on May 7, 2015I haven't read the entire book. We were assigned this book for a writing class that hasn't materialized yet. What I have read so far is excellently written and very informative. It has selections from famous authors as examples, so it covers a range of ideas. I have only scratched the surface, but the idea is to capture a "scene" and write it in a limited number of words. This book is a great addition to my library and hope to get back to it soon!
- Reviewed in the United States on October 27, 2015Many single scene stories
- Reviewed in the United States on April 25, 2012It's a collection of short stories by well regarded literary authors that all take place in one scene, more or less, of course it's going to be good. Not every story's gonna hit it with you (especially some of the older stories that really show their age), but almost anyone would enjoy at least half of these. My personal favorite was Joyce Carol Oates's In the Warehouse, chilling.
- Reviewed in the United States on May 31, 2013I bought this book to read on my last SouthWest flight to Phoenix (to visit the family).
When I landed, left the book on my seat for someone else to enjoy. There's a story for everyone in this paperback.
- Reviewed in the United States on July 20, 2007The short stories Margaret Bishop has assembled in this collection are not only wonderful to read, but are also perfect stories for writing teachers who want to show, not tell, their students how to create effective scenes. Each of the thirty-two stories included in the anthology was chosen for "unity of effect." While all of the stories pack an emotional punch, the techniques the writers use to achieve this end are wide-ranging. Richard Bausch's story, "The Voices from the Other Room," is written solely in dialogue, giving the story a sense of urgency. In his story, "Eveline," James Joyce pulls back from the moment, using memory to uncover his protagonist's plight. Jack London employs numerous details to reveal his character's circumstance in "To Build a Fire," whereas Amy Hempel selects but a few piercing details to expose her character in "San Francisco." In terms of tone, Dorothy Parker charms the reader with "Mrs. Carrington and Mrs. Crane," while Joyce Carol Oates chills with her story, "In the Warehouse." Using various methods for centering on the precise moment in which the protagonist reveals her or his true nature, either wittingly or unwittingly, to the reader, the authors of each story in this collection provide models worthy of emulation.
- Reviewed in the United States on February 14, 2013I couldn't get interested in any of the short stories. They were little sketches and didn't make a strong impression