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The Lola Quartet: A Suspense Thriller Paperback – August 4, 2015
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The last thing he wants is to sell foreclosed real estate for his sister Eilo’s company in their Florida hometown, but he’s in no position to refuse her job offer. Plus, there’s another reason to go home: Eilo recently met a ten-year-old girl who looks very much like Gavin and has the same last name as his high-school girlfriend, Anna, who left town abruptly after graduation.
Determined to find out if this little girl might be his daughter, Gavin sets off to track down Anna, starting with the three friends they shared back when he was part of a jazz group called “The Lola Quartet.” As Gavin pieces together their stories, he learns that Anna has been on the run for good reason, and soon his investigation into her sudden disappearance all those years ago takes a seriously dangerous turn.
Look for Emily St. John Mandel’s bestselling new novel, Sea of Tranquility!
- Print length288 pages
- LanguageEnglish
- PublisherVintage
- Publication dateAugust 4, 2015
- Dimensions5.18 x 0.85 x 7.99 inches
- ISBN-101101911999
- ISBN-13978-1101911990
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Editorial Reviews
Review
“[An] elegant, hypnotic novel. . . . An elegy for lost—and perhaps only imagined—innocence.” —The Washington Post
“Compelling. . . . Perhaps all novelists can be said to wrestle with morality; Mandel seems to wrestle with it at greater length and in greater depth than most. . . . First-rate fiction.” —Dallas Morning News
“A novel noir that wears its influences proudly on the beige sleeve of its trench coat…. Delightful.” —Paste
“Trumpets [Mandel’s] talents: her charismatic verbal grace and acuity, the rich atmosphere she creates.” —The Boston Globe
“Emily St. John Mandel is astonishing.” —Emma Straub, author of The Vacationers
“[Mandel] is a stunningly beautiful writer whose complex, flawed, and well-drawn characters linger with you.” —Sarah McCarry, Tor.com
“Fascinating.” —Booklist
“Riveting. . . . Evocative, intriguing, and complex, this novel is as smooth as the underbelly of a deadly, furtive reptile.” —Library Journal (starred review)
“A rewarding read.” —Foreword magazine
“Result[s] in both sophistication and suspense.” —Publishers Weekly
“[Mandel’s] writing is pure elegance.” —Patrick DeWitt, author of Sisters Brothers
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Anna had fallen into a routine, or as much of a routine as a seventeen-year-old can reasonably fall into when she’s transient and living in hiding with an infant. She was staying at her sister’s friend’s house in a small town in Virginia.
The baby always woke up crying at four thirty or five a.m. Anna got up and changed Chloe’s diaper, prepared a bottle and bundled her into the stroller and then they left the basement where they were living, walked three blocks to the twenty-four-hour doughnut shop for coffee and across the wide empty street to the park. Anna sat on a swing with her first coffee of the morning and Chloe lay in the stroller staring up at the clouds. They listened to the birds in the trees at the edges of the park, the sounds of traffic in the distance. The climbing equipment cast a complicated silhouette against the pale morning sky.
There was a plastic shopping bag duct-taped to the underside of the stroller. It held a little under one hundred eighteen thousand dollars in cash.
That morning at a music school in South Carolina, a pianist was sitting alone in a practice room. Jack had been playing the piano for four and a half hours and under normal circumstances his hands would have been aching by now, but he was high on painkillers and couldn’t feel it. There was an east-facing window in the practice room and the morning light had long since entered. The piano was illuminated, sun caught in the varnish and gleaming in the keys, the whole room shining, he was dizzy, his skin itched and he hadn’t slept all night. His roommate had gone to Virginia to rescue a girl whom Jack had imperilled and everything was coming apart around him, but so long as he kept playing he didn’t have to think about any of this, so he closed his eyes against the shine and launched once more into Gershwin’s Rhapsody in Blue.
Two
Ten years later, in February, the showerhead in Gavin’s bathroom began to leak. The timing was inconvenient. His editor had assigned him to a story about Florida’s exotic wildlife problem, and he was leaving New York the following morning. Gavin stood in the bathroom watching the steady dripping of hot water, at a loss. It seemed to him that this was the sort of thing Karen would have taken care of, before she’d moved out, and he realized at the same moment that he wasn’t even sure where the landlord’s phone number was. On a piece of paper somewhere, but pieces of paper had taken over his desk and spilled over onto the living room floor in the three weeks since Karen had left, a sort of avalanche. After a half-hour he came across a box of baby clothes that he’d forgotten to take to Goodwill and after that he didn’t want to look anymore, so he retreated into the bedroom and resumed an earlier search for clean socks. He could call the landlord when he got back.
What Gavin had wanted was to be an investigative reporter, a newspaperman, but nothing about his career was as he’d imagined it would be. When he’d graduated with his journalism degree he’d thought that this would be the moment when his life would finally begin. In idealistic daydreams he’d thought he might help change the world or at least improve it, and in shallower moments he’d just wanted to be a star reporter. He’d wanted to extend his hands and feel the weight of the Pulitzer with the crowd applauding before him, step up to the podium and clear his throat in the spotlight. He’d managed eventually to land a job as a reporter at one of the city’s best papers, but coming to the New York Star was like stepping into a drama in which all the major roles were already taken, or perhaps the play had already closed. There were veteran journalists at the Star, men and a woman who’d brought down titans and gone into war zones and propelled the paper to a point only just beneath the Times in the New York City newspaper pantheon, people who didn’t have to imagine what a Pulitzer felt like, but even the veterans seemed adrift in the changed world. The paper was sending out fewer and fewer correspondents on faraway stories. There were no more bureaus overseas or even in Washington. The paper was covering local news, relying on Reuters and freelancers for everything else. Too many of the stories seemed more like entertainment than news to him.
“You have to put in your time,” his editor had told him, but Gavin feared more and more that his time had passed. On two or three occasions he’d managed to get invited along for drinks with a couple of the veterans, and their stories mostly concerned a time that seemed better and more glorious than now and ended with some variation on “those were the days.” He’d come home from the bars leaden with disappointment.
“You know what your problem is?” his friend Silas said one night, when they were drinking together at an Irish bar near the paper. “I just figured it out.” Silas was a copy editor, and had been at the paper longer than Gavin had. Their desks were side by side in the newsroom.
“Please,” Gavin said, “tell me what my problem is.”
“Look at you. Jesus. The fedora, the trench coat. You want to run around the city with a flashbulb camera and a press card in your hat band.”
“How is that a problem?”
“Your problem is that you don’t really want to work at a newspaper, per se. You want to work in 1925.”
“I don’t disagree,” Gavin said. It had been clear for some time that he was in the wrong decade. All of his favourite movies were older than he was. His camera was a 1973 Yashica. He’d seen Chinatown a dozen times.
He suspected his editor was sending him on his first out-of-town assignment to make him feel better about not being senior enough to be sent into a war zone, or perhaps to make him feel better about having missed the days the veterans drank to. He knew she was doing him a favour, but the assignment itself seemed depressingly symptomatic: he was being sent to his hometown. He’d gone in a circle. He wanted to scream.
“Aren’t you from there?” his editor asked, when she called him over to her desk.
“I am,” he said. “But—” and he realized as he spoke that of course there was no way of evading the assignment, of course he couldn’t tell her that the weather in his hometown had sent him to the hospital with heatstroke nearly every year until he’d left at eighteen, so he sat by her desk discussing the story for a few minutes and then went back to his computer to check the South Florida weather. The city of Sebastiana was in the grip of a heat wave.
That night he lay awake listening to the dripping shower and wondered if it would be pathetic to call Karen about the landlord’s phone number, decided against it and woke at an unspeakably early hour to board a southbound plane.
Gavin had been back to Florida only once in the past five years. He flew into Fort Lauderdale and when he stepped out of the airport the heat made him gasp. He drove a rental car down the freeway to the city of Sebastiana and called his sister from his hotel room, which was mostly pink and smelled of synthetic cherries.
“I’m glad you’re here,” Eilo said. “You’re sure you won’t stay with me?”
“I don’t want to impose. The paper’s paying for my room.”
“Want to meet for dinner?”
“I’m supposed to meet with a park ranger later,” he said. “How about tomorrow?”
But their schedules were incompatible, and three days passed before he had a chance to see her. He spent his first day in Sebastiana and the day after that interviewing conservationists and herpetologists, knocking on doors of the houses closest to the canals to ask residents about their encounters with giant snakes. He took photographs of blue-green water, of shy iguanas at the edges of backyards.
There was an afternoon spent staggering through swamps under a wide-brimmed hat, listening to a park ranger named William Chandler talk about the new monsters that had been appearing since the early ’90s. The creatures in the Florida swamps were terrifying and new, and the canals delivered the swamps to the suburbs. Experts speculated that some of the animals had been blown deep into the swamps by Hurricane Andrew—greenhouses that had held snakes had been found shattered and empty once the storm had passed—but most were abandoned pets. Small glittering lizards who’d seemed manageable enough when they were babies but then outgrew aquarium after aquarium until they’d become seven-foot-long two-hundred-pound Nile monitors with eerily intelligent eyes and extravagantly pebbled skin, perfectly capable of eating a small dog. Or Burmese pythons, purchased when small, abandoned when the owners got tired of having to feed them live rabbits. Capable of swallowing a leopard whole, William Chandler told him, and therefore capable of swallowing a human. All of these creatures multiplying in the brackish far reaches, the suburbs coming out to meet them. All Gavin could think of was the heat, but he blinked hard against the spots swimming before his eyes and wrote down everything Chandler said. Insects hummed in the trees.
By night the suburbs glimmered anonymously from his window, but even by daylight it was difficult to grasp the terrain. There had been considerable development in the decade since Gavin had lived here, and nothing was quite as he remembered. The present-day Sebastiana was like a dream version of his hometown, much larger than it had been, circled by unexpected shopping malls and new condominium complexes, entire new neighbourhoods where once there’d been trees or swamp. Once this had been the outer suburbs but now there were suburbs that sprawled out still farther, linked up with exurbs by lacework patterns of freeways. The heart of the city was difficult to find. The suburbs circled wetlands, and there were monsters in the swamps. He wrote about the pythons and the Nile monitors, William Chandler and the frightened residents who lived alongside the canals, working deep into the night in the cool light of the hotel room.
“How do you like being back in Sebastiana?” his sister asked. Their schedules had finally coincided on his last night in Florida, and they’d met at a seafood restaurant near the hotel. Eilo was only thirty-two but her hair was mostly grey now, and she’d recently cut it very short. The haircut made her eyes look enormous. She was wearing a suit.
“It’s exactly the way I remember it,” Gavin said.
“A diplomatic response,” Eilo said.
“Except even more sprawling.”
“It never ends,” she said. “You can drive from here to Miami without leaving the suburbs. How’s Karen these days? She couldn’t come with you?”
“We broke up a month ago. She moved out.”
“You broke up? Even though she’s pregnant?”
“She’s not pregnant anymore.” Gavin remembered, sitting here, that he’d thought seriously about naming the baby after Eilo.
“Gavin, I’m sorry.”
“Thanks. Me too.” He didn’t want to talk about it. “How’s the real estate business?” They spoke on the phone every couple of months, but he hadn’t seen her in so long that being in her presence was unexpectedly awkward.
“Never better,” she said.
“In this economy?”
“Well, I do deal exclusively in foreclosures.” Eilo was looking at her plate. She hesitated a moment before she spoke again. “How’s your health?”
“Fine,” he said. “A bit touch and go in the summertime, but I stay indoors and take taxis when it’s hot. Is something bothering you?”
“I don’t know if I should tell you now,” she said.
“Tell me anyway.”
“Part of my job is inspecting homes. I inspected a property on Pauline Street a few weeks ago, a place that had just been foreclosed on that week. The property owner’s name was Gloria Jones. Older woman. She was taking care of a little girl.”
“Taking care of her?”
“She referred to the girl as ‘my ward.’ I actually never saw the upstairs, so I don’t know if the girl lived there or not. She was . . . listen, I know this sounds crazy, but the little girl looked exactly like me. It was like seeing myself as a kid.”
“So she was half-white, half-Japanese?” Gavin wasn’t sure where she was going with the story and was already a little bored by it.
“I was struck by her. I have to take pictures of the home for the real estate listing, and I made sure the kid was in one of the shots.” She reached into her handbag and extracted a paperback. She’d placed the photograph in the middle for safekeeping.
“Oh,” Gavin said. “I see what you mean.” For a disoriented moment he thought he was looking at a photograph of Eilo as a little girl. European and Asian genes in delicate combination, the same straight dark hair and thin lips, the same faint scattering of freckles on her nose. It took him a moment to realize that the eyes were different. His sister’s eyes were brown, and this little Eilo’s eyes were blue. But the similarity was uncanny. She stood at the edge of the shot, by the window of an almost empty dining room.
“She’s ten years old,” Eilo said. Gavin was beginning to understand even before Eilo spoke again. “Gavin, I asked the kid her name when Gloria was out of the room. Her name’s Chloe Montgomery.”
“Montgomery?”
“That was when I knew,” Eilo said.
“She looks exactly like you. Where is she now?”
“I have no idea. To be honest, the woman caught me taking the kid’s picture and started yelling at me, so I got out of there quickly. I drove by the house two days later, but they’d already moved out. I don’t know where they went. I thought you should know.”
“Can I keep the picture?”
“Yes. Of course.” She was quiet for a moment. “I’m sorry,” she said. “I know this can’t be easy, especially given . . . I thought you should know.”
After dinner Gavin walked out to his car and drove past his hotel on purpose. He wanted to keep driving for a while, alone in the air conditioning. He turned off his cellphone. He was thinking about the girl, the other Eilo. Thinking about trying to find her, trying to imagine what he might say if he did. My name is Gavin Sasaki. You look exactly like my sister. I had a girlfriend named Anna who disappeared ten years ago and you have her last name. I know this sounds crazy but I think we have the same genes.
Product details
- Publisher : Vintage; Reprint edition (August 4, 2015)
- Language : English
- Paperback : 288 pages
- ISBN-10 : 1101911999
- ISBN-13 : 978-1101911990
- Item Weight : 10.4 ounces
- Dimensions : 5.18 x 0.85 x 7.99 inches
- Best Sellers Rank: #429,761 in Books (See Top 100 in Books)
- #3,825 in Science Fiction Crime & Mystery
- #4,159 in Psychological Fiction (Books)
- #23,914 in Literary Fiction (Books)
- Customer Reviews:
About the author

EMILY ST. JOHN MANDEL is the author of six novels, including Sea of Tranquility, The Glass Hotel, and Station Eleven, which was a finalist for a National Book Award and the PEN/Faulkner Award for Fiction. Her work has been translated into thirty-two languages. She lives in New York City with her husband and daughter.
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Customers find the book well-written and easy to read, with a compelling and complex story. However, the character development receives mixed reactions, with some finding them engaging while others find them hard to connect with. The book's content also divides opinions, with several customers describing it as somewhat depressing.
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Customers find the book well-written and easy to read, describing it as a quick and entertaining read with good music writing.
"...Mandel keeps things moving both in action and emotion. She’s masterful, and I’m going to keep reading anything she publishes." Read more
"...The pace is gentle...." Read more
"I enjoy a good story, and this book certainly qualifies. But a good yarn isn’t enough for me; I want the author to kick up a little dust...." Read more
"...It's well worth a read and I will always read anything she writes but for new readers I would just steer you all the way around to fall in love and..." Read more
Customers have mixed opinions about the story quality of the book, with some finding it compelling and complex, while others note that it lacks a credible ending.
"...Mandel hits that zone, with compelling suspense, deep characters, and a bit of unconventional story-telling...." Read more
"...Mandel’s deft touch draws you into a contemporary world that is both very real and somewhat elusive and which stays with you long after it is read." Read more
"...The ending brings hope but uncertainty." Read more
"...commentary on the human condition, unique insights, or startling plot twists. I want to close the book equipped with something to ponder...." Read more
Customers have mixed opinions about the character development in the book, with some finding them compelling while others find them hard to engage with.
"...Mandel hits that zone, with compelling suspense, deep characters, and a bit of unconventional story-telling...." Read more
"...The plot may have too many threads, there are certainly too many characters BUT it is still entertaining...." Read more
"...It is told from the perspective of the four main characters, all of them very believable - people in whom I was interested and wanted to know..." Read more
"...But competently told with interesting characters." Read more
Customers have mixed reactions to the book's content, with some finding it somewhat depressing, while others appreciate its thoughtful commentary on the human condition.
"...I did find the climax a bit.... anticlimactic, but not disastrously so...." Read more
"...I’m looking for thoughtful commentary on the human condition, unique insights, or startling plot twists...." Read more
"...I was disappointed as it was slow moving and depressing...." Read more
"...The story is interesting, but definitely not uplifting." Read more
Top reviews from the United States
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- Reviewed in the United States on November 30, 2021Mandel set the bar really high with Station Eleven and The Glass Hotel. Maybe I’m just starting to take her for granted, but this one wasn’t quite at the same level as those books.
That said, this is a very good book. Mandel knows how to hit the Goldilocks zone between popular suspense or mystery fiction and the more acquired taste of esoteric literary fiction. Mandel hits that zone, with compelling suspense, deep characters, and a bit of unconventional story-telling.
The unconventional with her is often a matter of shifting character perspectives and dances in time. The narrative is never linear. But it’s not hard to follow, and actually in this story, the effects are less abrupt than in the others I’ve ready by Mandel.
The story here shifts through five characters, four of them members of the Lola Quartet, high school musicians at a school for the performing arts, and the fifth, a central character around whom the quartet members revolve.
Anna is that fifth character, an unwed mother who disappears during the quartet’s final performance. The plot of the story also revolves around Anna, her daughter, why she disappeared, what trouble she has gotten into, where she is, and who the actual father of Anna’s daughter, Chloe, is.
The quartet’s members include Gavin, Anna’s high school boyfriend, who is presumed to be Chloe’s father. Gavin is haunted by Anna’s disappearance and wants to find her and Chloe and somehow resolve their relationship and his own responsibilities. Gavin had played trumpet in the quartet.
Daniel, bass player in the quartet, works for the police in the quartet’s hometown of Sebastiana, Florida. Daniel carries a peculiar antagonism toward Gavin. Something’s up there.
Sasha is Anna’s step-sister and played drums in the quartet. She’s in and out of touch with her sister, recovering from a gambling addiction, working the night shift in a diner in Sebastiana.
Jack had been the most gifted musician in the quartet but has fallen into addiction and depression. He seemed to be a gifted pianist, also a saxophonist. But it didn’t work for him, and he’s back in Sebastiana, living in a tent.
Gavin’s search for Anna drives the story, and it revisits the relationships among all the members of the quartet, where their lives, especially their emotional lives, have taken them since that final performance.
Gavin and Anna are on a circuitous collision course. From that last performance when Anna disappeared, to now, there’s a lot of reckoning to be done on all sides. Why did Anna leave? What trouble did she get into that has her living on the run? And how do Gavin and Anna reach resolution?
Mandel keeps things moving both in action and emotion. She’s masterful, and I’m going to keep reading anything she publishes.
- Reviewed in the United States on June 23, 2014Gavin Sasaki is a man of another age. He loves jazz, fedoras and a time before technology, but the biggest challenge Gavin faces is the news he may have a ten year old daughter with Anna, the girlfriend who left him in high school and whom he hasn’t seen since. The news shocks him into a downward spiral that sees him fired from his job as a journalist and living on his sister’s charity in the home town he fled ten years earlier. As Gavin seeks Anna and the truth, he reconnects with friends from his old school band – the Lola Quartet – and soon realises Anna and his former friends have deep secrets that could put them all in danger.
The story opens with Anna – seventeen, on the run with a baby, and one hundred and twenty thousand dollars strapped to the underside of the stroller. Yet this is Gavin’s story, and we learn of Anna through his rose-coloured memories. The Lola Quartet has been called Literary Noir. It is the story of a crime, dark secrets and a woman on the run, yet it is principally a tale of broken dreams, redemption and the consequences of choices made. The pace is gentle. The background of jazz clubs and musicians is a wonderful counterpoint for the oppressiveness of the Florida humidity and the dreams destroyed by the sub-prime collapse – all facets of Gavin’s new life. As we learn more of the past and what happened to Anna, it emerges that the slightly enigmatic girl Gavin remembers is a woman of determination and contrasts who will do just about anything to protect her child.
The Lola Quartet is literary fiction at its best.
Mandel’s deft touch draws you into a contemporary world that is both very real and somewhat elusive and which stays with you long after it is read.
- Reviewed in the United States on September 3, 2022I enjoy a good story, and this book certainly qualifies. But a good yarn isn’t enough for me; I want the author to kick up a little dust. I’m looking for thoughtful commentary on the human condition, unique insights, or startling plot twists. I want to close the book equipped with something to ponder. Here, the book came up short for me. I was certainly curious to learn exactly what sequence of events led to the circumstances in which the characters find themselves, and I savored (as I always do) the author’s peel-the-onion style. But I finished feeling like I’d consumed empty calories.
- Reviewed in the United States on December 19, 2022If you are dedicated to reading all the works of the author I would read this one last. Coincidentally, I was/am and I did. It was by far my least favorite of the 6 published works that I am aware of. That being said, I did enjoy it, it just failed to resonate. According to the publisher it's noir but it didn't really accomplish that completely.
All of her works have at least one small plot twist while none of them are, strictly speaking, mysteries, but to me plot is not the main joy of Mandel, it's the writing itself. My thought is that the plot here was equal to her other two "normal" novels (maybe even superior in a few ways) but the writing lacked the richness of the other 5 books. I speculate this was due to her attempt to exude the darkness, or really grayness, associated with noir, but to me it just came off flat relative to the others and by contrast actually failed to portray the depth of the characters.
It's well worth a read and I will always read anything she writes but for new readers I would just steer you all the way around to fall in love and then back here to fill in the last item on the scavenger hunt.
- Reviewed in the United States on January 5, 2025Quick delivery and great price
Top reviews from other countries
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eisbärReviewed in Germany on August 9, 2020
5.0 out of 5 stars Bis zur letzten Sekunde spannend
Tolle Charaktere,glaubwürdiger Plot und bis zur letzten Sekunde spannend, wie all ihre anderen Bücher auch.Die Autorin ist meine Entdeckung in diesem Jahr
- MilesReviewed in Canada on August 31, 2018
5.0 out of 5 stars Intriguing, absorbing and SO well-written
Emily St. John Mandel's writing is absolutely beautiful, and this book is no exception. Characters are vivid, plots are never predictable and the narrative flow is masterful. I've read all her books, and I wish she would write more!
- Paula McReviewed in the United Kingdom on February 3, 2016
4.0 out of 5 stars Interesting
'The Lola Quartet' tells the story of Gavin, Jack, Daniel, Sasha who were part of 'The Lola Quartet' at high school, the four of them are talented musicians about to leave high school and looking forward to the future.
Anna (Gavin's girlfriend and Sasha's sister) suddenly leaves on the night of the quartet's final performance, leaving Gavin a note saying "I'm sorry", Gavin tries to get in touch with Anna, after numerous attempts he leaves to start college, this starts a chain of events that will change them all.
This is the second book I have read by Emily St.John Mandel, the first one being 'Station Eleven', which was a fantastic read. I enjoyed 'The Lola Quartet', I just felt that it was lacking in something and that was the characters, they were well written, I just did not care about them as much as I did with the characters from 'Station Eleven'.
I did enjoy how all the characters were connected and how their stories progressed, it made for interesting reading and the story was well thought out.
Emily St.John is a wonderful writer and I look forward to reading more of her books.
- WeelajasReviewed in Australia on July 29, 2015
4.0 out of 5 stars emotionally satisfying
Ms St John has a way of getting inside her characters heads, then inviting you in for a good look around.
- kgkbooksReviewed in Canada on July 30, 2016
3.0 out of 5 stars Three Stars
Not bad but not nearly as good as the author's Staion 11.