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Seventeen Syllables and Other Stories. Revised and Updated with four new stories. Paperback – May 10, 2001
Purchase options and add-ons
In addition to the contents of the original volume, this edition brings back into print the following works:
- Death Rides the Rails to Poston
- Eucalyptus
- A Fire in Fontana
- Florentine Gardens
- Print length178 pages
- LanguageEnglish
- PublisherRutgers University Press
- Publication dateMay 10, 2001
- Grade level9 and up
- Reading age14 years and up
- Dimensions5.5 x 0.6 x 8.5 inches
- ISBN-100813529530
- ISBN-13978-0813529530
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Editorial Reviews
Review
The writing of history and the telling of stories are in our time very different. But these stories about the daily lives of Japanese American women in and out of the World War II internment camps of the United States are history and herstory. The women are gutsy or fragileùthat is, like any of us would be caught in exile while at home. The stories are beautifully written so we feel them even more deeply. ― Grace Paley
You can imagine my delight to learn that a collection of her work is now finally seeing the light of day. How good that feels. At last more people will be touched by the grace that flows through Hisaye YamamotoÆs pen. The world will be a better place because of it. ― Joy Kogawa
Reading Hisaye Yamamoto's Seventeen Syllables and Other Stories is like sitting down and having a good talk with someone who really remembers, someone who will open a door to her feelings and thoughts about what it has meant to be Japanese American during the last 40 years. . . . Seventeen Syllables is an excellent resource, one that keeps getting better with time. ― International Examiner: The Pacific Reader
From the Back Cover
In addition to the contents of the original volume, this edition brings back into print the following works:
Death Rides the Rails to Poston Eucalyptus A Fire in Fontana Florentine Gardens
About the Author
Product details
- Publisher : Rutgers University Press; Revised and Expanded edition (May 10, 2001)
- Language : English
- Paperback : 178 pages
- ISBN-10 : 0813529530
- ISBN-13 : 978-0813529530
- Reading age : 14 years and up
- Grade level : 9 and up
- Item Weight : 8.8 ounces
- Dimensions : 5.5 x 0.6 x 8.5 inches
- Best Sellers Rank: #392,924 in Books (See Top 100 in Books)
- #1,417 in Cultural Heritage Fiction
- #4,054 in Short Stories Anthologies
- #8,190 in Short Stories (Books)
- Customer Reviews:
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- Reviewed in the United States on May 15, 2021You should read it.
- Reviewed in the United States on January 12, 2013These stories by Japanese American author, Hisaye Yamamoto are beautifully crafted and are from the heart. She really knew how to draw the reader into the story.
- Reviewed in the United States on March 3, 2012These stories gave an insight to how a Nisei (Japanese-American) feels. I am a Nisei and didn't realize that I had some of the same feelings until I read this book. The stories are short and easy to read.
- Reviewed in the United States on March 19, 2011Great reading for especially for those with Nisei upbringing. Gives insight into Japanese American culture and history of events that was not discussed to this generation when growing up.
- Reviewed in the United States on March 27, 2013Hisaye Yamamoto was born in Redondo Beach, California in 1921 to a family of first generation (Issei) Japanese American vegetable farmers. Like many Nisei children, Yamamoto grew up speaking Japanese at home and English at school. After Japan's attack on Pearl Harbor, President Roosevelt issued Executive Order No. 9066 consigning both Japanese-born residents of the United States and American-born Japanese Americans living on the West Coast to internment camps in the high desert regions of the West, Yamamoto and her family were interned at the Colorado River Relocation Center in Poston, Arizona.
Toward the end of the war, Yamamoto was allowed to leave the camp, and after a brief stint working as a cook in Springfield, Massachusetts, she returned to Los Angeles and began working as a reporter for the Los Angeles Tribune, a weekly newspaper for the black community. Drawing on the journalism skills that she had learned while at Poston (Yamamoto had served on the staff of The Poston Chronicle, a camp newspaper), Yamamoto worked as a proofreader, a rewriter, and a columnist. Then in 1948, while still at the Tribune, Yamamoto adopted an infant child, an extraordinary thing for a single woman to do at the time. It was while raising her son that she wrote the prize-winning story "Seventeen Syllables" (1949). On the basis of this work, she was awarded a John Hay Whitney Foundation Fellowship for 1950-51. The grant allowed her to complete three other masterpieces of the short story form: "The Legend of Miss Sasagawara" (1950), "The Brown House" (1951), and "Yoneko's Earthquake" (1951).
Although Yamamoto has been compared favorably to Flannery O'Connor, Grace Paley, and even Maupassant, her work is probably closest to Flannery in effect. Both O'Connor and Yamamoto utilize limited third person points of view to mask startling illuminations of great power. But with Flannery, the blows come in fairly regular beats of "One, two, three!" In Yamamoto's stories, the count is more like, "One ... two ... threeee ...." Some of the stories never get to "three." In "Yoneko's Earthquake," for example, the shoe never hits the floor. It is still falling when you look up to refocus your eyes on a midpoint at the end of the room. You've finished the story and it should be over but it isn't. And then it hits you with something analogous to the force of Somerset Maugham's "Rain."
The critic King-Kok Cheung, who wrote the "Introduction" to this edition, has commented about the power of what is not said in Yamamoto's stories and this is undoubtedly the most singular quality of her fiction. Sometimes, as in the case of "The Legend of Miss Sasagawara," the essence is so subtle that one is in danger of not getting it at all. But then you see the Buddhist ascetic father paired with his China-doll daughter in the wasteland of a high desert plywood shack during wartime and you know that for some people, culture and dignity are food and water.
"The Brown House" is less opaque but no less powerful. Here, Yamamoto has cast the net a little wider. In addition to the signature Issei and Nisei characters of the previous stories, she has added the incomparable Mrs. Wu, the Chinese American proprietress of a rural gambling den "under cover of asparagus." In the Wu establishment, all people " - white, yellow, brown, and black - "are free to lose their money. It is a democracy of sorts, but far from the one imagined.
The final story of the 1949-1951 period, written before Yamamoto put aside her writing to volunteer for a Catholic Worker organization on Staten Island, is "Yoneko's Earthquake." As with "Seventeen Syllables," it is told from the point of view of a young girl whose understanding of the principal events of the story is limited. Yoneko lives on an isolated family farm with her mother and father, her brother Seigo and the hired man Marpo, a talented and handsome Filipino jack-of-all-trades. After the earthquake comes, there is a realignment of sorts and we - along with Yoneko - are made to put the pieces back together. Again, it is not exactly clear what did or did not happen. Again, Yamamoto has created a kind of force field between characters who stand like silhouettes against a sky veined with lightning. Because we can see the lightning, we wait for the thunder. And when it doesn't come, it is even more present than it would be if it rattled the windows.
Although the term "masterpiece" is too often used these days, the four short stories that Hisaye Yamamoto wrote on her kitchen table in the years 1949-1951 are as good as it gets. The back story - that they were written by a single mother who had spent two years in an internment camp during the war - only adds to their luster.
- Reviewed in the United States on October 19, 2016Here is a collection of short stories written by Hisaye Yamamoto, first published in 1988 and containing stories written during a 40-year span. This book contains some of her most anthologized works, including “Yoneko’s Earthquake,” “The Legend of Miss Sasagawara,” “The Brown House,” and “Seventeen Syllables.” Though many of them are autobiographical, only two of them, “Life Among the Oil Fields” and “The High-Heeled Shoes,” are noted as memoirs.
Seventeen Syllables was actually a lot more enjoyable than I thought it would be. The stories were very relatable, even as an American, and some were interesting to read about. Yamamoto is a great storyteller and has a knack for short story writing. Though there were a few stories I could not get into, most of them were fairly enjoyable and easy to read. “Seventeen Syllables,” Yamamoto’s most famous story, was probably one of my favorites. The story is about a young Nisei girl (a person born in America whose parents were immigrants from Japan) and her growing relationship with a Mexican boy working in the fields. It’s also about the girl’s mother and her passion for haiku writing, as well as the father’s resentment towards her mother. It has a lot to due with inter-racial interaction and class separation, themes that reappear throughout the book. I also enjoyed “The Brown House,” a story about a gambling husband, and “Epithalamium,” a story about a Japanese-American woman’s troublesome relationship with her Italian-American husband. I definitely liked this collection of short stories, even though I doubt I’ll read it again. I'm just not a huge fan of Asian-American literature.
Of course, I’d never heard of Yamamoto before and it appears she recently died in 2011. Though this wasn’t my favorite short story collection, I did enjoy it and I truly liked Yamamoto’s writing. I think she had real talent with writing short stories, which is not something everyone has. I’m very particular about short stories, which sounds silly but they have to be written a certain way, and Yamamoto achieved that. She was no Neil Gaiman, but I liked her writing nevertheless.
- Reviewed in the United States on February 22, 2011There are very few books from college I have kept over the years. Out of the hundreds of assigned texts I bought while an undergrad at UCLA, it would be safe to say I have kept only about a dozen or so for my permanent collection. Most "required reading" not only never got read as required, it got sold back to the campus bookstore the minute finals week ended.
But a collection of lyrical short stories by Hisaye Yamamoto called Seventeen Syllables was special. Its subtle call to justice for Americans who were unfairly vilified during World War II brought me to tears. It's depiction of the tensions that stem from immigrants and the children of immigrants being torn between traditions and generations opened my eyes to a world much wider than my own. Her characters' humanity transcended time and culture. I still have the book, and from the moment I read it I never once gave a thought to letting it go.
It's a book of fiction but the life stories and experiences on which she based it were real. Haunting and poetically written, it shows the resiliency as well as the fragility of the human soul.
Top reviews from other countries
-
olenskaReviewed in Japan on April 22, 2004
5.0 out of 5 stars 日系アメリカ人女性作家の作品集
日系アメリカ人作家、ヒサエ・ヤマモトの短編集。どの作品も秀逸。ある作品で、辛い現実(例えば太平洋戦争中の日系人強制収容)を扱いながらも、作者の淡々とした視点で、ときにユーモアを交え、展開していく。そうでない作品も、「劇的に面白い!」という訳ではないのだが、意味深なエピソード盛りだくさんで読者はそんな「意味深な世界」に深く惹き付けられる。年齢を問わず、日系女性が主人公の作品が多い。表題作、Seventeen Syllablesで、俳句コンテストで得た賞品を怒り狂った夫に焼かれるお母さんには泣ける。そして、その後娘に向かって発する言葉にも。ぜひぜひ多くの人に読んで欲しい。もしあなたが日本人ならもしかすると、おじいちゃんおばあちゃんの世代がアメリカに渡って日系人になっていたら、こんな日常が広がっていたのかも。翻訳が待たれます。
- JulietReviewed in the United Kingdom on August 21, 2017
5.0 out of 5 stars Five Stars
good book, delivery is a bit slow though