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Fay: A Novel Paperback – April 17, 2001
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There's a highway patrolman who gives her a lift, with a detour to his own place. There are truck drivers who pick her up, no questions asked. There's a crop duster with money for a night or two on the town. There's a strip-joint bouncer who deals on the side. And in the end, there are five dead bodies stacked in Fay's wake.
Fay is a novel that could only have been written by Larry Brown, whom the Boston Globe called "one of our finest writers -- honest, courageous, unflinching."
- Print length489 pages
- LanguageEnglish
- PublisherTouchstone
- Publication dateApril 17, 2001
- Dimensions5.25 x 1.2 x 8 inches
- ISBN-100743205383
- ISBN-13978-0743205382
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Editorial Reviews
Review
Polly Paddock Gossett Chicago Tribune Larry Brown is a true original, and Fay is among his best works. Follow Fay past the kudzu-draped woods and cinderblock bars and sunburned fields of Brown's imagination. It's a journey you won't regret.
William Plummer People For years, Larry Brown has been known and respected as a writer's writer. But now, with Fay, this profoundly southern novelist may win the broad readership he so richly deserves....Spellbinding.
Jean Charbonneau Denver Post A well-oiled machine...More ambitious than any of Brown's previous novels, Fay might just be his best work yet.
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Chapter One
She came down out of the hills that were growing black with night, and in the dusty road her feet found small broken stones that made her wince. Alone for the first time in the world and full dark coming quickly. House lights winked through the trees as she walked and swung her purse from her hand. She could hear cars passing down the asphalt but she was still a long way from that.
More than once she stopped and looked back up into the ridges that stood behind her, thinking things over, but each time she shook her head and went on.
South seemed best. She had vague ideas about a coast. She knew it would be warmer in the winter and that one thing drove her in that direction more than anything else. She imagined groves of citrus trees and sunny days picking the fruit and a tiny house where she would have her own groceries and watch television whenever she wanted to. She imagined one solid place where she could stay and maybe she could somehow send for the others then. Or ride a bicycle up and down the ?at land with the water always shining out there beyond the shore and birds soaring like in the pictures she had seen of places like that. She kept her head down as she walked and she listened to the night things that called in the ditches and out past the stands of cane and in the clumps of trees that rose from the river bottom.
Once she stopped to rest on a narrow bridge and sat down on a timber studded with nailheads. A creek ran over snapped pilings and faintly gleaming rocks below her. She was thirsty but she feared picking her way down the muddy bank and the snakes she could not see. She sat hugging her knees and watching the specks of stars in the sky above her. All of it so still and unmoving, the stars so bright. She turned her head to the singing woods again. To go back would not take long. She got up and went on down the road.
Cows watched her progress from a quiet pasture like cows made of stone. She was afraid of them but she walked on by them. She didn't have a watch but she knew she'd been walking for about an hour.
When she rounded the last curve there was another bridge and she stopped again to rest before reaching a place where somebody might pick her up. She sat down and crossed her legs inside the skirt and opened the clasp of her purse. She rummaged through the few things that were in there and found the two dollar bills and pulled them out, smoothed the wrinkles, looked at them. She folded them and folded them again and undid the top button of her blouse and slid them into the left cup of the raveling bra, tucked them snugly in there and buttoned her blouse. Then she pushed herself up from the tarred wood with its hardened drippings of black goo and walked across it and out into the dusty gravel again. The moon was coming out.
She was afraid of the dogs that barked from the yards and sometimes came to the ends of the driveways and bared their teeth, but none came after her. She walked past a building set well back from the road and saw a dark cross set into the wood high up near the gable. She stopped. There was a light somewhere inside, a yellow beam that shone through stained glass windows. She wondered if there might be a water tap in the yard or on the side of the house. She turned down a neat drive covered with pea gravel, brushing the strands of her hair back from her face with her fingers. There was a light on a pole at the back and she could see a low wire fence and outcroppings of polished stones inside it. A whirling dance of insects hung around the pole. The light hummed with a low, steady drone and it cast a gauzy veil over everything. Crickets sounded from the dark woods back there.
She went cautiously even though there were no cars in the parking lot. Her steps were loud to her in the gravel. The west wall lay in shadow and there was a brick border for ?owers near the entrance. She walked closer and saw a coil of garden hose in the damp grass and saw where it ended, a faucet protruding from a corner of the foundation. She went over to it and turned it on.
The water was cool and sweet. She was standing there drinking from the end of the hose when she heard it growling and turned her head to see a speckled knot of hair and bones with its head hung low between its shoulder blades standing thirty feet away. It moved closer and an odd clanking moved with it. She knew better than to run, so she let the hose drop from her hand and faced it. The dog seemed propped on its legs and a bit of drool swung from its jaw. The canines were bared in a bloody muzzle and its eyes were sick. Another ragged growl escaped it and it seemed hard-pressed to draw each breath. The foot that was caught in the rusty trap was nearly severed and the dog tried to hold it aloft as it came toward her, half whining, maybe for help. She backed toward the front porch and stepped onto it. There was a decorative iron column on each corner, leaves and vines hammered and painted, cool beneath her hands. The dog came closer. She turned to the double doors, the dark wood and the heavy brass knob. The door on the left opened when she twisted the knob and she stepped quickly inside, slammed it and stood with her back against it. The dog whined once and then there was nothing but the slight rattle of metal against gravel as the chain and trap were dragged away. She listened for a while but she couldn't hear anything else. She stepped away from the door and put the strap of her purse up over her shoulder. She went forward reluctantly, uneasy in a stranger's home.
A room like none she'd ever been in. A carpeted hallway that only whispered beneath her tennis shoes and long polished benches of wood shining faintly in the half gloom. She walked slowly, touching the dark brown pine. The ceiling pointed upward with long beams and chubby babies dressed in ?owing swatches of cloth danced on air amid ?elds of ?owers in a long painting across the back of the room or gathered at the feet of Jesus in a robe with a beard and long hair, seated on a stone. The tips of her fingers touched small brass plaques at the ends of the rows. The walls were lined with windows like the ones in front, beaded chips of glass in blue and red and gold, and at the front there sat a table holding bowls of polished metal. A white lace tablecloth. There were other paintings of Jesus and people, children, were always gathered about him. In all the paintings he wore a look of sorrow. There was no sound in that vast room at all. She wondered if the dog had gone away. She hoped it had. She thought it might be best to stay in here for a while, give it time to go somewhere else.
The long benches were covered with soft material that felt good under her hand. A small stage was beyond the table and on it stood a dark wooden platform. She opened a little side gate with a click and then went up the two steps to stand in front of the rows and rows of benches facing her. A Bible lay open before her, bound in leather, the pages so thin. She rif?ed through them, let them slide from her fingers. Somebody had to stand up here and talk to all these people.
"It's a church for rich folks," she said. The sound of her voice reverberated in the room, echoed quietly off the walls. She stepped away from the book and went back down the steps, out through the gate, around the rail. There was a door set into the rear wall and she opened it and found herself in a kitchen. Only a dim light burned over a stove. Rows of long tables and metal folding chairs shoulder to shoulder.
There was a wall switch beside the door and she ?ipped it up. The lights in the ceiling ?ickered for a moment and then came on strong, a bright glare that showed dishes racked beside a sink and cans of coffee left on a counter and cabinets that lined the back side of the room. A white refrigerator.
She set her purse on the counter and opened the door to see milk in cartons, covered dishes with casseroles and fried chicken, sliced ham. The lights hummed in the ceiling.
She found a plate and a fork in one of the cabinets and a loaf of bread in a corner of the counter and heaped the plate with food and poured a glass of milk. She sat down at one of the long tables and began to eat. The chicken was dry but she didn't care. Crumbs fell to the table on each side of the plate. She wished she'd known of this place on those nights back in the woods when there was nothing to rock against her empty belly except for her knees, those times they'd waited for the old man to come in with something to eat and waited all night many nights and he never did.
After a while she got up and poured herself another glass of milk and rummaged through the cabinets again. There were some fresh doughnuts in a cardboard box. She got three of them and sat back down and ate them one by one and licked the icing from her fingers when she was done.
In her purse she found the mangled pack of cigarettes that her brother Gary had given her and she got one out, holding it between her fingers while she searched for the matches, th...
Product details
- Publisher : Touchstone; 1st Scribner Paperba edition (April 17, 2001)
- Language : English
- Paperback : 489 pages
- ISBN-10 : 0743205383
- ISBN-13 : 978-0743205382
- Item Weight : 1.15 pounds
- Dimensions : 5.25 x 1.2 x 8 inches
- Best Sellers Rank: #955,857 in Books (See Top 100 in Books)
- #44,777 in Literary Fiction (Books)
- Customer Reviews:
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Learn more how customers reviews work on AmazonCustomers say
Customers find this novel compelling and well-written, with one review noting its excellent descriptions of land and scenery. Moreover, the book features great character development and maintains a strong pace throughout, with one customer mentioning it grips readers from beginning to end. Additionally, customers appreciate its easy readability.
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Customers find the book readable and engaging, describing it as a great story by Larry Brown.
"...Yes, every single day. Larry Brown is a literary miracle. His prose style is inerrant--simple, straightforward, and incredibly evocative...." Read more
"...I'm not going to give away the plot. Just know that it's a joy to read. I'll turn back to this one in the future. By far my favorite by Larry Brown." Read more
"...characters running across the pages of this rather bleak, but well-told story...." Read more
"...if just for a little while, then you'll be rewarded with a fine piece of literature." Read more
Customers praise the writing style of the book, finding it extremely well crafted, with one customer noting its authentic portrayal of Southern culture and another highlighting its vivid descriptions of the land and scenery.
"...Larry Brown is a literary miracle. His prose style is inerrant--simple, straightforward, and incredibly evocative...." Read more
"...Picture a beautiful, innocent, uneducated girl with no experience in the world that normal people live in just walking down the dusty country roads..." Read more
"This story is compelling and written well but does not wrap up tidily...." Read more
"...His characters are not all likable but all are clear, interesting, and real, saying what they have to say without the wasted words other writers..." Read more
Customers appreciate the character development in the book.
"I love the way he writes, keeps me in the characters lives: the way they think, the reasons behind what they do...." Read more
"Like the way Larry Brown writes. He develops all his characters fully and lets you view events from the perspective of each...." Read more
"This book gripped me from beginning to end. The characters are intriguing and in the end, you really are rooting for them all - even though their..." Read more
"...It is repetitive, the lead character is not well established or clearly defined, at least one of the plot points is startlingly bad, and the book..." Read more
Customers praise the book's pacing, with one noting how it grips readers from beginning to end, while another mentions how it doesn't let go until the finish.
"...Within the first few pages "Joe " establishes itself as solid literature, and it maintains that level throughout the book...." Read more
"...They are survivors and Larry Brown makes us feel every fist, every drink, every cigarette, every step which keeps one alive and surviving...." Read more
"...I would say it’s in good condition...." Read more
"This book gripped me from beginning to end...." Read more
Customers find the book easy to read, with one mentioning it's hard to put down.
"...His prose style is inerrant--simple, straightforward, and incredibly evocative. This man writes like nobody else...." Read more
"...Yes, it is a long book, maybe a bit too lengthy, but it is hard to put down and Brown insists on getting his point across...which is make his..." Read more
"A pretty easy, well-written read all things considered..." Read more
Top reviews from the United States
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- Reviewed in the United States on May 15, 2013I can't help but laugh at the negative critics who complain about the lack of "redemption" or "redemptive characters" in this and in Larry Brown's other books. This is tragedy, folks. Remember Hamlet? How about __East of Eden__?
__Fay__ is hard core tragic realism. Of course, we don't like Fay. But look where she came from: a migrant family of dirt farmers with an abusive, alcoholic father. (Read __Joe__ for the background). What do readers expect her to do with her life? Find Jesus? I wish she had done so, but again------realism!
Fay; the state trooper Sam Harris; Aaron, the strip club bouncer...These are all flawed human brings. Sam is the one who at least tries to redeem himself, but with tragic results. Does this happen in real life? Yes, every single day.
Larry Brown is a literary miracle. His prose style is inerrant--simple, straightforward, and incredibly evocative. This man writes like nobody else.
If you start this book, you will not be able to put it down. You'll be reading your brains out until you reach the end. This is the gift given to you by a great writer.
Lastly, people who don't know about Larry Brown think he was some kind of dark, brooding pessimist. Wrong. Larry was a friendly, kind, and loving person. But when it came time to write, he addressed the dark side of humanity, just like his predecessors, Steinbeck and Faulkner. I'll say it again: Realism. If you don't like realism, don't read Larry Brown; read some best-selling crap instead.
- Reviewed in the United States on September 10, 2015Larry Brown, as is always the case with this author, will grab you by the seat of your pants from start to finish and you won't want him to let go. Yes, it is a long book, maybe a bit too lengthy, but it is hard to put down and Brown insists on getting his point across...which is make his fictional characters seem real in a life that is made up mainly of drinking, smoking, cruising around and sex, and then more of the same. Could it be any different with the characters that populate his writing? That is a question that readers will try to answer throughout the book. If you are into moralism, don't bother with this novel...Brown doesn't want your opinion - he wants to tell it like it was in Mississippi (and many other places in the '70s-'80s, and not with much has changed in today's world) and he does so. Will the reader sympathize with Fay and the other figures (men & women left in her wake) in his story? I again don't think Larry Brown would give a hoot, but he will leave you thinking about the America we live in, like it or not.
- Reviewed in the United States on August 8, 2015If you read the novel Joe by Larry Brown you know that Gary Jones had two sisters and the older of the two of them left. Living in what can only be described as the most horrific conditions imaginable, she just got up and walked away. Walked away from her family and from the story. Joe was about Gary Jones and Joe Ransom, so the girl's story was left untold. The reader was left wondering about this glaring loose thread. What happened to the girl? She was just gone.
Fay, also by Larry Brown, tells the story of that girl, and what an amazing story it is. Picture a beautiful, innocent, uneducated girl with no experience in the world that normal people live in just walking down the dusty country roads of rural Mississippi with only a couple of dollars to her name and completely unaware of the dangers lurking in the shadows. That is where the story of Fay begins.
This being a Larry Brown novel you know that you are in store for a long, unrelenting dose of noir. Things just aren't going to go well. And by the time all the pieces are in place, you find yourself caring more for these characters than you thought you would.
I'm not going to give away the plot. Just know that it's a joy to read. I'll turn back to this one in the future. By far my favorite by Larry Brown.
- Reviewed in the United States on June 19, 2000Catches you early with a strong start. Sputters. Then seems to idle-down into a slow haul until something outrageous happens. Then the pace and writing picks up, sputters, and idles down again. And the cycle repeats. And then again. And again. Finally things get so twisted and messed up that the author throws together a final melee and wraps things up. Close the book, pick up another.
This fast and slow pace describes both the rhythms of the plot and of the characters running across the pages of this rather bleak, but well-told story. But even with some dreary downtime, you will be amazed at what can happen in one week. Runaways, pedophiles, and rapists murder and rape each other while drinking, stripping, and slutting through the seemingly ubiquitous bars and trailer parks of southern Mississippi. Then to give a nice context for all of this wholesome fun, fate turns against the troubled protagonists by tossing in nasty car wrecks and a gasoline tanker explosion. What will you do? People are born to die and it simply isn't a good idea to be within 100 miles of these folks if you want to steer clear of that fact.
All the beer drinking, bad behavior, and stupid choices filling the pages of this book might make you turn against the characters involved -- or bore you -- but you don't really end up hating anyone or getting all that bored. That, I think, is a good sign; a sign that the story is well-told, perhaps. But ever-present beer drinking, bad behavior, and stupid choices still becomes monotonous, detatching us from the lives we're reading about. It's almost other-worldly, as in, where are the people I know? I suppose that could be the point. A bit of overkill (literally and otherwise), but it does work to bury most people into a side of life that's down the road, on the outskirts of town; a reality, that if we had to experience it, we might want to cast aside as a surreality.
Oh, yeah, Fay. Our lead character. Well, the novel really is less about her than it is about what she roams through. The story and its menagerie literally uses and rides Fay from one seedy scene to the next. Eventually it comes to an end, but without any real resolution, confirming what the book has been about from page one: A world without Good and Evil. In a general everyday sense, I think we need use a sense of Good and Evil to identify and attach to literary characters, perhaps as we probably do in non-literary life, but this novel doesn't obligate us to that chore. There is no sense of justice, no judgmental resolution, and closing those loose ends just wouldn't be any fun. A sequel would ruin everything.
Top reviews from other countries
- chrisReviewed in the United Kingdom on November 7, 2024
5.0 out of 5 stars A poet of the South
One of the great American writers.
- Mr. B. RamsbottomReviewed in the United Kingdom on January 30, 2020
5.0 out of 5 stars Powerful tale of a southern belle?
This is gritty and real. Fay will stay with you long after you finish this book. The author, who is a sad loss to literature, tells a tale of empathy and inequality through a child/woman who has grown up the hard way with little knowledge of the wider world but who learns fast - very fast. The story is peppered with characters it's difficult not to feel for. This is a page turner in the tradition of Faulkner and McCarthy. I can offer no higher praise.