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The Clavis or Key to Unlock the Mysteries of Magic: by Rabbi Solomon translated by Ebenezer Sibley Hardcover – January 8, 2019
Purchase options and add-ons
Ritualists, occultists, and collectors will love this complete, four-color edition of the Mysteries of Magic (also known as The Clavis) by Ebenezer Sibley and Rabbi Solomon. The Clavis was created during the high point of calligraphic Victorian grimoires, and it became one of the most important grimoires in circulation during the 19th century. This attractive hardcover edition includes commentary and transcription by Dr. Stephen Skinner and Daniel Clark, and it also features content derived from Frederick Hockley's manuscripts. This book is a very significant magical text with details of practice that are not found in other grimoires, and this edition―with its more than 200 pages of additional commentary and explanation―will be a treasure to those who have a passion for the historical underpinnings of occult magic.
Partial Table of Contents:
Preface: Ebenezer Sibley
Part 1. Clavis or Key
Part 2. The Pentacles
Part 3. Four Experiments with Specific Spirits
Part 4. The Wheel of Wisdom
Part 5. A Secret and Complete Book of Magic Science
Part 6. Crystallomancy
Part 7. Miscellaneous Examples and Experiments
Part 8. Geomancy
Part 9. Magical Experiments
Part 10. Magical Tables
Introduction
Background to Magic
The Present Manuscript
Analysis of the Magic in the Clavis
The French Source
English Sources
Versions of the Clavis Manuscript
Short Biographies of the Main Players
Ebenezer Sibley
John Denley
Robert Cross
Frederick Hockley
Major F G Irwin
Robert Thomas Cross aka Raphael
Transcription of the Full Text of the Clavis
Appendix 1. Contents of all known Manuscripts of Sibley's Clavis
Appendix 2. Mélusine and the Wyvern
Bibliography
Index
- Print length524 pages
- LanguageEnglish
- PublisherLlewellyn Publications
- Publication dateJanuary 8, 2019
- Dimensions8.5 x 1.56 x 10.38 inches
- ISBN-100738762067
- ISBN-13978-0738762067
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From the Publisher

One of History's Most Important Grimoires
A color edition of the Mysteries of Magic (aka the Clavis) by Ebenezer Sibley and Rabbi Solomon, with commentary and transcription by Dr. Stephen Skinner and Daniel Clark. Also includes some contents derived from Frederick Hockley's manuscripts.
The Clavis was one of the most important grimoires in circulation during the 19th century. This is the highpoint of calligraphic Victorian grimoires. A very significant magical text with more than 200 pages of commentary and explanation.
Partial Table of Contents:
- Preface: Ebenezer Sibley
- Part 1. Clavis or Key
- Part 2. The Pentacles
- Part 3. Four Experiments with Specific Spirits
- Part 4. The Wheel of Wisdom
- Part 5. A Secret and Complete Book of Magic Science
- Part 6. Crystallomancy
- Part 7. Miscellaneous Examples and Experiments
Editorial Reviews
About the Author
Stephen Skinner began his career as a Geography lecturer and magazine publisher, but his long term interests have always been Western magic and feng shui.
During the 1970s he was the driving force behind Askin Publishers, producing a number of classic magical works by Cornelius Agrippa, Paracelsus, Austin Osman Spare, Aleister Crowley, and others. During the 1970s he co-wrote many books with Francis King, including the still popular Techniques of High Magic. Also with Francis King he wrote Nostradamus. His interest in prophecy stimulated by this book, he went on to write the best selling Millennium Prophecies.
Stephen is credited with bringing the art of Feng Shui to the West, and in 1976 he wrote the Living Earth Manual of Feng Shui, which was the first English book on feng shui in the 20th century.
Stephen has written more than 35 books, which have been published worldwide in 28 different languages. These books have had introductions by such diverse people as Colin Wilson, HRH Charles Prince of Wales, and Jimmy Choo, shoe designer to the stars.
Stephen lives in Singapore. Stephen is the first Westerner to be awarded the title of Grand Master of Feng Shui by the International Feng Shui Association. Learn more at www.sskinner.com.
Daniel Clark was born in Hobart, Tasmania. He developed a serious interest in magic from a very early age with a particular focus on the grimoires. His interests range from Solomonic and Faustian traditions and demonology, to the more obscure esoteric areas of Japanese Onmyodo and Yokai mythology. Over the past few years Daniel has been striving to help important and often forgotten manuscripts of magic get digitized, and has tracked down and located many variant grimoires residing in universities and libraries around the world, many of which are still waiting to be re-discovered.
Product details
- Publisher : Llewellyn Publications (January 8, 2019)
- Language : English
- Hardcover : 524 pages
- ISBN-10 : 0738762067
- ISBN-13 : 978-0738762067
- Item Weight : 4.14 pounds
- Dimensions : 8.5 x 1.56 x 10.38 inches
- Best Sellers Rank: #1,263,564 in Books (See Top 100 in Books)
- #4,124 in Magic Studies (Books)
- Customer Reviews:
About the authors
After graduating from Sydney University, Stephen Skinner began his career as a geography lecturer at what is now the University of Technology in Sydney. He authored his first book on esoteric subjects, The Search for Abraxas, in 1972 with co-author Nevill Drury. He migrated to London in the same year and co-authored, with Francis King, the Techniques of High Magic in 1976.
After spending some time in the manuscript reading rooms of what was then the British Museum, he produced Terrestrial Astrology: Divinatory Geomancy, which is still the most complete work in English on the history and practice of Western divinatory geomancy. After reading the manuscript diaries of Dr John Dee, he published a dictionary of the angelic language with Dr Don Laycock. He then published a facsimile edition of Meric Casaubon’s True & Faithfull Relation of what passed for many Yeers [sic] between Dr. John Dee…and some Spirits…
He edited both the Magical Diaries of Aleister Crowley (1923) and the first edition of Crowley’s Astrology.
Highly illustrated coffee-table books on Millennium Prophecies: Apocalypse 2000 and Nostradamus (with Francis King) and Sacred Geometry for Gaia/Hamlyn, pursuing a longstanding interest in geometry, followed.
Reverting to his interest in European magic, in 2005 he edited a completely reset edition of Henry Cornelius Agrippa’s often maligned Fourth Book of Occult Philosophy. From 2004 - 2010he collaborated with David Rankine to produce the first six volumes of the Sourceworks of Ceremonial Magic series. This has involved much manuscript research into, and transcription of, important grimoires from the 16th-18th centuries, resulting in completely new and much expanded editions of The Key of Solomon, the Lemegeton (including the Liber Malorum seu Goetia, Ars Almadel, Theurgia-Goetia, and Ars Paulina), Janua Reserata, and Sefer Raziel: Liber Salomonis (with Don Karr). The series also includes the Clavicula Tabularum Enochi, an expansion of Dr John Dee’s angel magic texts by the 17th century magician Dr Thomas Rudd, and a unique Solomonic grimoire pseudepigraphically attributed to St. Cyprian of Antioch.
During this time he produced a substantial reference book: the Complete Magician’s Tables is a tabular summary of the correspondences that are important to the theory and practice of magic; their Kabbalistic framework; the attendant angels and demons from many grimoires; the gods of many cultures; the constituents of astrology (Greek, Babylonian and Egyptian); gem stones, plants, perfumes and incenses of practical magic; the gematria and isopsephy of many Greek and Hebrew words, and correspondences with Eastern belief systems like the Yi Jing, a total of over 840 comparative tables.
Stephen summarized the practical magic techniques to be found in the grimoires in his Techniques of Solomonic Magic in 2015. He then went back to the main root of all western magic, the Greek magical papyri written in Egypt between the 1st and 5th centuries, and extracted from the Greek text details of all the methods used by these magicians which he published in Techniques of Graeco-Egyptian Magic in 2014. Both books concentrate on practical magical techniques as recorded by the magicians who actually used them.
Stephen is also the author of more than a dozen books on classical feng shui, including the first one written in English in the 20th century, Feng Shui: the Living Earth Manual. He has also edited four translations of feng shui texts from classical Chinese and wrote a substantial reference book to the subject: the Guide to the Feng Shui Compass, the fruit of years of research into Chinese sources in Taiwan, Hong Kong, and Singapore.
Stephen has written more than 46 books, translated into more than twenty different languages. He was awarded a PhD in Classics by the University of Newcastle for his research on the Greek text of the PGM and a number of Latin grimoires. Stephen lives in Singapore.
His website is www.SSkinner.com
His Wikipedia entry is https://en.wikipedia.org/wiki/Stephen_Skinner_(author)
Daniel Clark was born in Hobart, Tasmania. He developed a serious interest in magic from a very early age with a particular focus on the grimoires. His interests range from Solomonic and Faustian traditions and demonology, to the more obscure esoteric areas of Japanese Onmyodo and Yokai mythology. Over the past few years Daniel has been striving to help important and often forgotten manuscripts of magic get digitized, and has tracked down and located many variant grimoires residing in universities and libraries around the world, many of which are still waiting to be re-discovered.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
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Customers find the book well written and beautiful, with one mentioning its vividly colored plates.
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Customers find the book well written and easy to read, with one customer describing it as a great grimoire and another noting it's an excellent addition to their library.
"...The manuscript itself is very well written and relatively easy to put into practice...." Read more
"...There is a transliteration of the handwritten material as well which is extremely helpful, otherwise it would have been a chore to read it all in..." Read more
"...As a dedicated practitioner of the art I always appreciate a well written book such as this tome. This is a must have for any true practitioner" Read more
"...But a number of them are also very well done, so it is like trying to throw out the baby with the bath water...." Read more
Customers appreciate the book's beautiful artwork, with one mentioning the vividly colored plates and another noting the useful drawings.
"...The vividly colored plates are very pleasant to look at. I recommend buying both...." Read more
"Color copies of original handwritten and hand-drawn pages are included which is a real treat...." Read more
"To be honest I am amazed at how beautiful this book is I have not explored or experimented with it yet but everyone knows Dr Stephen Skinner is a..." Read more
"Good reference. Useful drawings and tables. Thank you" Read more
Reviews with images

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Top reviews from the United States
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- Reviewed in the United States on September 22, 2019I'd rank this equal to the Peterson edition. This one has some unique things that make it stand out. I almost always enjoy having Stephen's footnotes as an added value. The manuscript itself is very well written and relatively easy to put into practice. I especially liked the unique approach to compelling spirits using the names of the four kings. This is the only grimoire that I've found containing this method.
If you already own the Peterson edition and it suits your needs then you may not find too much more here to justify purchasing. The vividly colored plates are very pleasant to look at. I recommend buying both.
We are living in a very fortunate time where a few excellent scholars are dedicated to making things like this available to the general public, and grimoires are a very niche market. A few decades ago, easily obtaining a book like this was unheard of. We have to support people like Peterson and Skinner so that more scholars are encouraged to follow in their footsteps.
- Reviewed in the United States on March 13, 2019Color copies of original handwritten and hand-drawn pages are included which is a real treat. There is a transliteration of the handwritten material as well which is extremely helpful, otherwise it would have been a chore to read it all in the original script. Highly recommend.
- Reviewed in the United States on February 19, 2019Amazing work as always ! As a dedicated practitioner of the art I always appreciate a well written book such as this tome. This is a must have for any true practitioner
- Reviewed in the United States on October 15, 2023To be honest I am amazed at how beautiful this book is I have not explored or experimented with it yet but everyone knows Dr Stephen Skinner is a more then safe bet for your money
- Reviewed in the United States on August 6, 2020A few things I failed to realize on my first review.
The value of the information in total vs. the quality issues that were glaring to me at the time.
Sure, it should have some better quality in some of the images and text.
But a number of them are also very well done, so it is like trying to throw out the baby with the bath water.
Few books are really as fundamentally sound and essential in concept and discovery, so my review should stand fair always.
- Reviewed in the United States on March 29, 2019The Clavis or Key to Unlock the Mysteries of Magic: by Rabbi Solomon translated by Ebenezer Sibley
by Dr Stephen Skinner (Author), Daniel Clark (Author)
Facsimile and commentary
There is no denying the sumptuousness of Sibley’s(sic) “Clavis” and Skinner’s transcription does clarify many of obscurities and vagaries in Hockley’s calligraphic style. Before I get to Skinner’s ill-conceived commentary, I would like to say something about the physical characteristics of the book itself. It is entirely printed on coated glossy high weight paper stock. Given the size and bulk this makes the volume very heavy, fragile and unwieldy to handle. The binding best marginal. The cover is some sort of thin stiff particulate paper, maybe cardboard entirely unsuited to supporting the weight of the book. Although the pages kind of resemble signatures it looks like they were glued in not sewn. The headbands seem more decorative and do not support the pages as they ought. The facsimile is done a-in basic four color, but works well enough to convey the manuscript’s texture and readability, however it is a low-cost process and offers little improvement to the low resolution of the original scan. It would have been better if the coated paper were used only for Hockley’s manuscript and plain paper for the rest. Over all the fragility of the books makes it a candidate for reading it on a dictionary stand.
Page and foot note numbers are consistently annoying. Page numbers are continuous when it would have been better to number the manuscript separately from the commentarial portion. His first foot note, as far as I can tell, begins with 2, but the first note is nowhere found. The index is terrible, little more than a list of words generated by his word processor.
The book’s overall fragility in itself calls into question the price. It is well Amazon offers a steep discount.
The biggest problem lies with Skinner’s commentary. In general, it is riddled with specious anacoluthic remarks, gross errors, and contradictions. Sometimes it appears like he has not read his material. It would take a lot of bytes to discuss all the problems (physical and editorial) with this book but here are a few in the first four pages:
Skinners transcription is formatted differently from the rest of the book. Margins are extremely narrow making it sprawl across the page. It seems more an after thought thrown in at the end.
Editorial problems are rife throughout; he has not made the best use of his sources. His introduction (273) is a rambling rant of unconnected remarks on what he perceives as the state of scholarship on magic. He seems completely unfamiliar with the work being done by far more competent scholars than he.
The introduction is followed with his description of the manuscript (275). He cites himself often in his notes is if he were the only authority; it seems more an effort at self-promotion. This pervades throughout the book. It is here the first footnote appears (numbered 2). He references Reginald Scot’s Discovery of Witchcraft and cites the three contemporary editions 1584, 1651, and 1665 followed with a reference to “Book 15, ch 7, pp 400-401”, but does not bother to tell the reader to which edition the pages refer. It is the 1584 edition (3 examples posted on line or Brinsley Nicholson’s edition). It is clear that Sibly’s source was re-cycled from earlier book New and Complete Illustration…(NCI 1795, p1099; 1799, facing p1103. Sibly revised his NCI at least once in his life. On the whole it was very popular and went through as many as 13 reprints after Sibly’s death (1799). In any event Sibly plagiarized the diagram in the NCI (and much else) from any one of the editions of Scot’s Discovery of Witchcraft available to him.
This is within the first four pages.
All this begs the question of Sibly’s Clavis. All the examples that exist of the Clavis are copies made at the behest of John Denley, a London Bookseller. The Sibly Clavis appears in his 1818 catalogue which Skinner it seems did not noticed, instead he cites Sibly’s Clavis from Denley’s 1826 catalog. The 1818 catalog breaks the Clavis into three distinct parts, the 1826 the three parts are cited together. The so-called Complete Book of Magic which is included in this and other ms does not appear until his 1834 catalog (not attributed to Sibly). It could be Denley held this back. Sibly’s Clavis is featured in several of Denley’s catalogs. I have seen only the 1818, 1826(4 vols) and 1834 catalogs there must be more. Given the sorry state of Sibly’s “library” it suggests further the clavii are not necessarily attributable to Sibly per se, but may have been contrived by Denley, executed by Hockley (and others). Hockley may have started his efforts as early as 1824 with Denley, when he was 16 and seems he remained on good terms with Denley until the latter’s death in 1842. In any event there are numerous mss with Frederick Hockley’s initials or name.
As I mentioned discussion and correcting shortfalls encountered Skinner’s book (which are considerable) is daunting and would take considerable time. On a more positive vein, it would be a disservice to completely write it off; it is fortunate this has been made available in all its glory. Skinner’s source (National Library of Israel, Yah Var MS 18) is posted on the NLI site is monochromatic and not available for down load. Nor should Skinner’s commentary be totally written off, but consulted skeptically and cited carefully. It is sad this could not have been better executed in a better binding and better organized.
On the whole Peterson’s edition is the better of the two, though not anywhere as dramatic as Skinner’s. The limited edition published by the Society of Esoteric Endeavor (Caduceus) is unfortunately excessively expensive and will never achieve a wide readership to be influential. I doubt it adds anything to either Peterson or Skinner’s efforts. I have no problem as such with limited editions as long as I am not merely paying for the binding.
In closing I would like to say something about Sibly’s name. Hockley consistantly spells (or rather mispells) his name Sibley. Everywhere else, including Ebenezer, spells it Sibly.
- Reviewed in the United States on August 14, 2020Good reference. Useful drawings and tables. Thank you
- Reviewed in the United States on January 22, 2020My favorite grimoire, it’s kind hard to read the small cursive or the original pages scanned but the drawings or the simplest and over all break down makes it an amazing part of my collection. Thank you.
Top reviews from other countries
- sharpo2k9Reviewed in the United Kingdom on August 1, 2019
5.0 out of 5 stars The most complete version of this book
This is a beautiful book, a work of art with amazing content that every practitioner would greatly appreciate, it is the most complete version of this book, I highly recommend it.
- PatReviewed in Canada on November 25, 2021
1.0 out of 5 stars Poor shipping and poor quality
As an enthusiast, I'm no expert, I really like Skinner's work. He has a consise, easy and articulate way of presenting the material.
My problem with the book is how it immediately falls apart, see pictures. When I recived my first copy I requested a return because the dust jacket was torn and the binding appeared weak but was intact. This is probably Amazon's fault. They don't take the same care other online retailers do. The replacement I received was falling apart, see pictures.
This is not acceptable for a $135 book. I have $5 paperbacks that have held together for over 30 years, multiple readings and multiple borrowers. I have no idea how Golden Hoard gets away with it nor why an author would publish with them.
Again, I like Skinner's work. I've have always wanted to buy a limited edition from Golden Hoard but have held back because of the poor binding.
I can't speak for the contents but if you're thinking about buying this, don't. I'd wait till the publisher stops playing games, or the authors use a publisher that knows how to bind a book.
PatPoor shipping and poor quality
Reviewed in Canada on November 25, 2021
My problem with the book is how it immediately falls apart, see pictures. When I recived my first copy I requested a return because the dust jacket was torn and the binding appeared weak but was intact. This is probably Amazon's fault. They don't take the same care other online retailers do. The replacement I received was falling apart, see pictures.
This is not acceptable for a $135 book. I have $5 paperbacks that have held together for over 30 years, multiple readings and multiple borrowers. I have no idea how Golden Hoard gets away with it nor why an author would publish with them.
Again, I like Skinner's work. I've have always wanted to buy a limited edition from Golden Hoard but have held back because of the poor binding.
I can't speak for the contents but if you're thinking about buying this, don't. I'd wait till the publisher stops playing games, or the authors use a publisher that knows how to bind a book.
Images in this review
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RogerReviewed in Brazil on April 18, 2019
5.0 out of 5 stars Simplesmente Imprescindível!
Este fabuloso livro contém o texto em reprodução fotográfica do manuscrito das Clavículas de Salomão pertencentes a Ebenezer Sibley, numa edição magistral. Os desenhos dos pantáculos são muito bem feitos e bonitos. John Peterson tem um livro semelhante, porém o manuscrito usado por ele não tem as cores e a beleza deste aqui, que é imensamente superior. Se você está em dúvida entre John Peterson e Stephen Skinner, escolha este!
- Ahmed El HindyReviewed in Canada on June 19, 2020
1.0 out of 5 stars Book was VERY damaged and sold as excellent condition
Book was advertised in very good condition BUT when it arrived today and I opened it the hard cover and the rest of the book were not attached to one another. This would be defined as POOR QUALITY / DAMAGED and should have been reflected in the price.
Ahmed El HindyBook was VERY damaged and sold as excellent condition
Reviewed in Canada on June 19, 2020
Images in this review
- Paul RoheReviewed in the United Kingdom on February 27, 2019
4.0 out of 5 stars Page count is wrong ?
The description says 524 pages, the hook a really has only 497 pages. Stephen Skinner in a Glitch Bottle podcast even says this books has over 500 pages. Am I missing something ? There's also a another hardback by Llewellyn that gives a wrong page description on amazon. Publishers should get their details correct or it causes uncertainty to buyers, are we to go through the book in detail to make sure a mistake has not been made in printing, that would be a laborious processors for a book such as this. C"mon guys, get your details correct, hence 4 stars instead of 5.