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The Clavis or Key to Unlock the Mysteries of Magic: by Rabbi Solomon translated by Ebenezer Sibley Hardcover – January 8, 2019

4.5 out of 5 stars 67 ratings

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Ritualists, occultists, and collectors will love this complete, four-color edition of the Mysteries of Magic (also known as The Clavis) by Ebenezer Sibley and Rabbi Solomon. The Clavis was created during the high point of calligraphic Victorian grimoires, and it became one of the most important grimoires in circulation during the 19th century. This attractive hardcover edition includes commentary and transcription by Dr. Stephen Skinner and Daniel Clark, and it also features content derived from Frederick Hockley's manuscripts. This book is a very significant magical text with details of practice that are not found in other grimoires, and this edition―with its more than 200 pages of additional commentary and explanation―will be a treasure to those who have a passion for the historical underpinnings of occult magic.

Partial Table of Contents:

Preface: Ebenezer Sibley

Part 1. Clavis or Key

Part 2. The Pentacles

Part 3. Four Experiments with Specific Spirits

Part 4. The Wheel of Wisdom

Part 5. A Secret and Complete Book of Magic Science

Part 6. Crystallomancy

Part 7. Miscellaneous Examples and Experiments

Part 8. Geomancy

Part 9. Magical Experiments

Part 10. Magical Tables

Introduction

Background to Magic

The Present Manuscript

Analysis of the Magic in the Clavis

The French Source

English Sources

Versions of the Clavis Manuscript

Short Biographies of the Main Players

Ebenezer Sibley

John Denley

Robert Cross

Frederick Hockley

Major F G Irwin

Robert Thomas Cross aka Raphael

Transcription of the Full Text of the Clavis

Appendix 1. Contents of all known Manuscripts of Sibley's Clavis

Appendix 2. Mélusine and the Wyvern

Bibliography

Index

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Clavis Cover Image

One of History's Most Important Grimoires

A color edition of the Mysteries of Magic (aka the Clavis) by Ebenezer Sibley and Rabbi Solomon, with commentary and transcription by Dr. Stephen Skinner and Daniel Clark. Also includes some contents derived from Frederick Hockley's manuscripts.

The Clavis was one of the most important grimoires in circulation during the 19th century. This is the highpoint of calligraphic Victorian grimoires. A very significant magical text with more than 200 pages of commentary and explanation.

Partial Table of Contents:

  • Preface: Ebenezer Sibley
  • Part 1. Clavis or Key
  • Part 2. The Pentacles
  • Part 3. Four Experiments with Specific Spirits
  • Part 4. The Wheel of Wisdom
  • Part 5. A Secret and Complete Book of Magic Science
  • Part 6. Crystallomancy
  • Part 7. Miscellaneous Examples and Experiments

Editorial Reviews

About the Author

Stephen Skinner began his career as a Geography lecturer and magazine publisher, but his long term interests have always been Western magic and feng shui.

During the 1970s he was the driving force behind Askin Publishers, producing a number of classic magical works by Cornelius Agrippa, Paracelsus, Austin Osman Spare, Aleister Crowley, and others. During the 1970s he co-wrote many books with Francis King, including the still popular Techniques of High Magic. Also with Francis King he wrote Nostradamus. His interest in prophecy stimulated by this book, he went on to write the best selling Millennium Prophecies.

Stephen is credited with bringing the art of Feng Shui to the West, and in 1976 he wrote the Living Earth Manual of Feng Shui, which was the first English book on feng shui in the 20th century.

Stephen has written more than 35 books, which have been published worldwide in 28 different languages. These books have had introductions by such diverse people as Colin Wilson, HRH Charles Prince of Wales, and Jimmy Choo, shoe designer to the stars.

Stephen lives in Singapore. Stephen is the first Westerner to be awarded the title of Grand Master of Feng Shui by the International Feng Shui Association. Learn more at www.sskinner.com.



Daniel Clark was born in Hobart, Tasmania. He developed a serious interest in magic from a very early age with a particular focus on the grimoires. His interests range from Solomonic and Faustian traditions and demonology, to the more obscure esoteric areas of Japanese Onmyodo and Yokai mythology. Over the past few years Daniel has been striving to help important and often forgotten manuscripts of magic get digitized, and has tracked down and located many variant grimoires residing in universities and libraries around the world, many of which are still waiting to be re-discovered.

Product details

  • Publisher ‏ : ‎ Llewellyn Publications (January 8, 2019)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 524 pages
  • ISBN-10 ‏ : ‎ 0738762067
  • ISBN-13 ‏ : ‎ 978-0738762067
  • Item Weight ‏ : ‎ 4.14 pounds
  • Dimensions ‏ : ‎ 8.5 x 1.56 x 10.38 inches
  • Customer Reviews:
    4.5 out of 5 stars 67 ratings

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4.5 out of 5 stars
67 global ratings

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Customers find the book well written and beautiful, with one mentioning its vividly colored plates.

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8 customers mention "Readability"8 positive0 negative

Customers find the book well written and easy to read, with one customer describing it as a great grimoire and another noting it's an excellent addition to their library.

"...The manuscript itself is very well written and relatively easy to put into practice...." Read more

"...There is a transliteration of the handwritten material as well which is extremely helpful, otherwise it would have been a chore to read it all in..." Read more

"...As a dedicated practitioner of the art I always appreciate a well written book such as this tome. This is a must have for any true practitioner" Read more

"...But a number of them are also very well done, so it is like trying to throw out the baby with the bath water...." Read more

4 customers mention "Color"4 positive0 negative

Customers appreciate the book's beautiful artwork, with one mentioning the vividly colored plates and another noting the useful drawings.

"...The vividly colored plates are very pleasant to look at. I recommend buying both...." Read more

"Color copies of original handwritten and hand-drawn pages are included which is a real treat...." Read more

"To be honest I am amazed at how beautiful this book is I have not explored or experimented with it yet but everyone knows Dr Stephen Skinner is a..." Read more

"Good reference. Useful drawings and tables. Thank you" Read more

Highly damaged item
1 out of 5 stars
Highly damaged item
This is a photo of me attempting to glue the book back together. It arrived in a paper envelope with the pages completely torn away from the spine. Also the dust jacket is lacerated. I cannot believe the price that was charged for this. Very underhanded and deceitful.
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Top reviews from the United States

  • Reviewed in the United States on September 22, 2019
    I'd rank this equal to the Peterson edition. This one has some unique things that make it stand out. I almost always enjoy having Stephen's footnotes as an added value. The manuscript itself is very well written and relatively easy to put into practice. I especially liked the unique approach to compelling spirits using the names of the four kings. This is the only grimoire that I've found containing this method.
    If you already own the Peterson edition and it suits your needs then you may not find too much more here to justify purchasing. The vividly colored plates are very pleasant to look at. I recommend buying both.
    We are living in a very fortunate time where a few excellent scholars are dedicated to making things like this available to the general public, and grimoires are a very niche market. A few decades ago, easily obtaining a book like this was unheard of. We have to support people like Peterson and Skinner so that more scholars are encouraged to follow in their footsteps.
    9 people found this helpful
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  • Reviewed in the United States on March 13, 2019
    Color copies of original handwritten and hand-drawn pages are included which is a real treat. There is a transliteration of the handwritten material as well which is extremely helpful, otherwise it would have been a chore to read it all in the original script. Highly recommend.
    3 people found this helpful
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  • Reviewed in the United States on February 19, 2019
    Amazing work as always ! As a dedicated practitioner of the art I always appreciate a well written book such as this tome. This is a must have for any true practitioner
    5 people found this helpful
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  • Reviewed in the United States on October 15, 2023
    To be honest I am amazed at how beautiful this book is I have not explored or experimented with it yet but everyone knows Dr Stephen Skinner is a more then safe bet for your money
    One person found this helpful
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  • Reviewed in the United States on August 6, 2020
    A few things I failed to realize on my first review.
    The value of the information in total vs. the quality issues that were glaring to me at the time.
    Sure, it should have some better quality in some of the images and text.
    But a number of them are also very well done, so it is like trying to throw out the baby with the bath water.
    Few books are really as fundamentally sound and essential in concept and discovery, so my review should stand fair always.
    12 people found this helpful
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  • Reviewed in the United States on March 29, 2019
    The Clavis or Key to Unlock the Mysteries of Magic: by Rabbi Solomon translated by Ebenezer Sibley
    by Dr Stephen Skinner (Author), Daniel Clark (Author)

    Facsimile and commentary

    There is no denying the sumptuousness of Sibley’s(sic) “Clavis” and Skinner’s transcription does clarify many of obscurities and vagaries in Hockley’s calligraphic style. Before I get to Skinner’s ill-conceived commentary, I would like to say something about the physical characteristics of the book itself. It is entirely printed on coated glossy high weight paper stock. Given the size and bulk this makes the volume very heavy, fragile and unwieldy to handle. The binding best marginal. The cover is some sort of thin stiff particulate paper, maybe cardboard entirely unsuited to supporting the weight of the book. Although the pages kind of resemble signatures it looks like they were glued in not sewn. The headbands seem more decorative and do not support the pages as they ought. The facsimile is done a-in basic four color, but works well enough to convey the manuscript’s texture and readability, however it is a low-cost process and offers little improvement to the low resolution of the original scan. It would have been better if the coated paper were used only for Hockley’s manuscript and plain paper for the rest. Over all the fragility of the books makes it a candidate for reading it on a dictionary stand.

    Page and foot note numbers are consistently annoying. Page numbers are continuous when it would have been better to number the manuscript separately from the commentarial portion. His first foot note, as far as I can tell, begins with 2, but the first note is nowhere found. The index is terrible, little more than a list of words generated by his word processor.

    The book’s overall fragility in itself calls into question the price. It is well Amazon offers a steep discount.

    The biggest problem lies with Skinner’s commentary. In general, it is riddled with specious anacoluthic remarks, gross errors, and contradictions. Sometimes it appears like he has not read his material. It would take a lot of bytes to discuss all the problems (physical and editorial) with this book but here are a few in the first four pages:
    Skinners transcription is formatted differently from the rest of the book. Margins are extremely narrow making it sprawl across the page. It seems more an after thought thrown in at the end.

    Editorial problems are rife throughout; he has not made the best use of his sources. His introduction (273) is a rambling rant of unconnected remarks on what he perceives as the state of scholarship on magic. He seems completely unfamiliar with the work being done by far more competent scholars than he.

    The introduction is followed with his description of the manuscript (275). He cites himself often in his notes is if he were the only authority; it seems more an effort at self-promotion. This pervades throughout the book. It is here the first footnote appears (numbered 2). He references Reginald Scot’s Discovery of Witchcraft and cites the three contemporary editions 1584, 1651, and 1665 followed with a reference to “Book 15, ch 7, pp 400-401”, but does not bother to tell the reader to which edition the pages refer. It is the 1584 edition (3 examples posted on line or Brinsley Nicholson’s edition). It is clear that Sibly’s source was re-cycled from earlier book New and Complete Illustration…(NCI 1795, p1099; 1799, facing p1103. Sibly revised his NCI at least once in his life. On the whole it was very popular and went through as many as 13 reprints after Sibly’s death (1799). In any event Sibly plagiarized the diagram in the NCI (and much else) from any one of the editions of Scot’s Discovery of Witchcraft available to him.

    This is within the first four pages.

    All this begs the question of Sibly’s Clavis. All the examples that exist of the Clavis are copies made at the behest of John Denley, a London Bookseller. The Sibly Clavis appears in his 1818 catalogue which Skinner it seems did not noticed, instead he cites Sibly’s Clavis from Denley’s 1826 catalog. The 1818 catalog breaks the Clavis into three distinct parts, the 1826 the three parts are cited together. The so-called Complete Book of Magic which is included in this and other ms does not appear until his 1834 catalog (not attributed to Sibly). It could be Denley held this back. Sibly’s Clavis is featured in several of Denley’s catalogs. I have seen only the 1818, 1826(4 vols) and 1834 catalogs there must be more. Given the sorry state of Sibly’s “library” it suggests further the clavii are not necessarily attributable to Sibly per se, but may have been contrived by Denley, executed by Hockley (and others). Hockley may have started his efforts as early as 1824 with Denley, when he was 16 and seems he remained on good terms with Denley until the latter’s death in 1842. In any event there are numerous mss with Frederick Hockley’s initials or name.
    As I mentioned discussion and correcting shortfalls encountered Skinner’s book (which are considerable) is daunting and would take considerable time. On a more positive vein, it would be a disservice to completely write it off; it is fortunate this has been made available in all its glory. Skinner’s source (National Library of Israel, Yah Var MS 18) is posted on the NLI site is monochromatic and not available for down load. Nor should Skinner’s commentary be totally written off, but consulted skeptically and cited carefully. It is sad this could not have been better executed in a better binding and better organized.

    On the whole Peterson’s edition is the better of the two, though not anywhere as dramatic as Skinner’s. The limited edition published by the Society of Esoteric Endeavor (Caduceus) is unfortunately excessively expensive and will never achieve a wide readership to be influential. I doubt it adds anything to either Peterson or Skinner’s efforts. I have no problem as such with limited editions as long as I am not merely paying for the binding.

    In closing I would like to say something about Sibly’s name. Hockley consistantly spells (or rather mispells) his name Sibley. Everywhere else, including Ebenezer, spells it Sibly.
    25 people found this helpful
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  • Reviewed in the United States on August 14, 2020
    Good reference. Useful drawings and tables. Thank you
  • Reviewed in the United States on January 22, 2020
    My favorite grimoire, it’s kind hard to read the small cursive or the original pages scanned but the drawings or the simplest and over all break down makes it an amazing part of my collection. Thank you.
    2 people found this helpful
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Top reviews from other countries

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  • sharpo2k9
    5.0 out of 5 stars The most complete version of this book
    Reviewed in the United Kingdom on August 1, 2019
    This is a beautiful book, a work of art with amazing content that every practitioner would greatly appreciate, it is the most complete version of this book, I highly recommend it.
  • Pat
    1.0 out of 5 stars Poor shipping and poor quality
    Reviewed in Canada on November 25, 2021
    As an enthusiast, I'm no expert, I really like Skinner's work. He has a consise, easy and articulate way of presenting the material.

    My problem with the book is how it immediately falls apart, see pictures. When I recived my first copy I requested a return because the dust jacket was torn and the binding appeared weak but was intact. This is probably Amazon's fault. They don't take the same care other online retailers do. The replacement I received was falling apart, see pictures.

    This is not acceptable for a $135 book. I have $5 paperbacks that have held together for over 30 years, multiple readings and multiple borrowers. I have no idea how Golden Hoard gets away with it nor why an author would publish with them.

    Again, I like Skinner's work. I've have always wanted to buy a limited edition from Golden Hoard but have held back because of the poor binding.

    I can't speak for the contents but if you're thinking about buying this, don't. I'd wait till the publisher stops playing games, or the authors use a publisher that knows how to bind a book.
    Customer image
    Pat
    1.0 out of 5 stars
    Poor shipping and poor quality

    Reviewed in Canada on November 25, 2021
    As an enthusiast, I'm no expert, I really like Skinner's work. He has a consise, easy and articulate way of presenting the material.

    My problem with the book is how it immediately falls apart, see pictures. When I recived my first copy I requested a return because the dust jacket was torn and the binding appeared weak but was intact. This is probably Amazon's fault. They don't take the same care other online retailers do. The replacement I received was falling apart, see pictures.

    This is not acceptable for a $135 book. I have $5 paperbacks that have held together for over 30 years, multiple readings and multiple borrowers. I have no idea how Golden Hoard gets away with it nor why an author would publish with them.

    Again, I like Skinner's work. I've have always wanted to buy a limited edition from Golden Hoard but have held back because of the poor binding.

    I can't speak for the contents but if you're thinking about buying this, don't. I'd wait till the publisher stops playing games, or the authors use a publisher that knows how to bind a book.
    Images in this review
    Customer imageCustomer image
  • Roger
    5.0 out of 5 stars Simplesmente Imprescindível!
    Reviewed in Brazil on April 18, 2019
    Este fabuloso livro contém o texto em reprodução fotográfica do manuscrito das Clavículas de Salomão pertencentes a Ebenezer Sibley, numa edição magistral. Os desenhos dos pantáculos são muito bem feitos e bonitos. John Peterson tem um livro semelhante, porém o manuscrito usado por ele não tem as cores e a beleza deste aqui, que é imensamente superior. Se você está em dúvida entre John Peterson e Stephen Skinner, escolha este!
    Report
  • Ahmed El Hindy
    1.0 out of 5 stars Book was VERY damaged and sold as excellent condition
    Reviewed in Canada on June 19, 2020
    Book was advertised in very good condition BUT when it arrived today and I opened it the hard cover and the rest of the book were not attached to one another. This would be defined as POOR QUALITY / DAMAGED and should have been reflected in the price.
    Customer image
    Ahmed El Hindy
    1.0 out of 5 stars
    Book was VERY damaged and sold as excellent condition

    Reviewed in Canada on June 19, 2020
    Book was advertised in very good condition BUT when it arrived today and I opened it the hard cover and the rest of the book were not attached to one another. This would be defined as POOR QUALITY / DAMAGED and should have been reflected in the price.
    Images in this review
    Customer image
  • Paul Rohe
    4.0 out of 5 stars Page count is wrong ?
    Reviewed in the United Kingdom on February 27, 2019
    The description says 524 pages, the hook a really has only 497 pages. Stephen Skinner in a Glitch Bottle podcast even says this books has over 500 pages. Am I missing something ? There's also a another hardback by Llewellyn that gives a wrong page description on amazon. Publishers should get their details correct or it causes uncertainty to buyers, are we to go through the book in detail to make sure a mistake has not been made in printing, that would be a laborious processors for a book such as this. C"mon guys, get your details correct, hence 4 stars instead of 5.