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Worst. Person. Ever. Hardcover – April 3, 2014
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A B-unit cameraman with no immediate employment prospects, Gunt decides to accept his ex-wife Fiona’s offer to shoot a Survivor-style reality show on an obscure island in the Pacific. With his upwardly failing sidekick, Neal, in tow, Gunt somehow suffers multiple comas and unjust imprisonment, is forced to reenact the “Angry Dance” from the movie Billy Elliot, and finds himself at the center of a nuclear war—among other tribulations and humiliations.
A razor-sharp portrait of a morally bankrupt, gleefully wicked modern man, Worst. Person. Ever. is a side-splittingly funny and gloriously filthy new novel from acclaimed author Douglas Coupland. A deeply unworthy book about a dreadful human being with absolutely no redeeming social value, it’s guaranteed to brighten up your day.
- Print length320 pages
- LanguageEnglish
- PublisherBlue Rider Press
- Publication dateApril 3, 2014
- Dimensions5.8 x 1 x 8.55 inches
- ISBN-100399168435
- ISBN-13978-0399168437
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Editorial Reviews
From Booklist
Review
In its picaresque extravagance, the novel resembles a globetrotting, 21st-century version of Voltaire’s Candide — Neal, in fact, is an uncanny double of Voltaire’s wide-eyed protagonist. And in place of the 1755 Lisbon earthquake (to which Voltaire’s Pangloss responds with renewed optimism about the rightness of everything in the world), we have, instead, the US military merrily detonating an atomic weapon over the Pacific to clear the ocean’s mass of plastic debris. “I know nuclear warheads have a bum rap in our culture,” remarks Gunt. “But to watch one exploding in real life is insanely f****** awesome.”
It is hard to describe, out of context, quite how funny Coupland’s novel can be. A lot of its humour springs from the relentless hideousness of Gunt. And yet, increasingly, it is the very fact that Gunt — in Voltairean fashion — is the only character in Coupland’s menagerie who can see the awfulness of the human apocalypse around him that makes the book so compelling. Coupland’s eye for the strange, mesmerising wonder of modernity is being put, more than ever, to extremely dark use here. The fact that it is all so demented — and so frequently, belly-achingly hilarious — only makes that darkness all the more impressive.”
—The Sunday Times
“Provocative and entertaining.”—The Daily Mail
“Riotous, frequently very funny.”—The Independent
“Filthy and funny.”—TimeOut London
“Clever bits of observational humour … his best book in recent years.”—The Toronto Star
“An entry – a fun one – in a personal, pop-cult canon of its own.”—Toronto Globe and Mail
“[Raymond Gunt] is a fabulous monster, with nothing and no one safe from his vitriol. Raymond torments the obese, faces multiple incarcerations, makes leering advances at every woman crossing his path, and plays a role in a potentially globe-threatening nuclear event… Coupland skewers a pop world’s growing insensibilities, and his protagonist is a charming villain whom readers will likely root for, even as he’s insulting them.”—Publisher’s Weekly (starred)
“It’s hard to imagine Hitchhiker’s Guide to the Galaxy fans wouldn’t feel at home in this absurdist British-flavored comedy.”—Erin McReynolds, American Short Fiction
“In Gunt, Coupland has created one of his most memorable characters to date, memorable for all the wrong reasons. He's ignorant, crass, self-absorbed, and you're going to love him.”—Joshua Chaplinsky, LitReactor
“This evil amalgam of Larry David and Mr. Bean endures misfortunes hilarious, disgusting, and well-deserved.”—Boris Kachka, New York Magazine
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Copyright © 2014 by Douglas Coupland
01
Dear Reader . . .
Like you, I consider myself a reasonable enough citizen. You know: live life in moderation, enjoy the occasional YouTube clip of frolicking otters and kittens, perhaps overtip a waitress who goes to the trouble of tarting herself up a bit or maybe just make the effort to try to be nice to the poor—yay, poor people!
I suppose, in general, I enjoy traveling through life with a certain Jason Bourne–like dashingness. Oh, no! An assassin is rappelling down the side of the building, armed with a dozen box cutters! What are we going to do? It’s Raymond Gunt! We’re saved!
That’s my name, Raymond Gunt, and welcome to my world. I don’t know about you, but I believe that helping others is a way of helping yourself; what goes around comes around—karma and that sort of guff. So, seeing that I’m such a good soul and all, I really don’t know how to explain the most recent month of my life. There I was, at home in West London, just trying to live as best I could—karma, karma, karma, sunshine and lightness!— when, out of nowhere, the universe delivered unto me a searing-hot kebab of vasectomy leftovers drizzled in donkey jizz.
Whuzzat?! Hello, universe? It’s me, Raymond! What the fuck!
I am left, dear reader, with no other option than to believe that when my world turned to shit last month, it was not in fact me who had done anything wrong. Rather it was the universe, for I, Raymond Gunt, am a decent chap who always does the right thing.
And as I look back to try to figure out when the universe and I veered away from each other, I think it definitely had to be that ill-starred morning when I made the mistake of visiting my leathery cumdump of an ex-wife, Fiona.
Fi.
It was a blighted Wednesday off Charing Cross Road. After about fifty ignored e-mails, Fi deigned to allow me to come to her office, in a gleaming steel-and-limestone executive tombstone that straddles one of those tiny streets near Covent Garden. The building’s lobby was redeemed by being filled with heaps of that 1990s art about death and fucking—pickled goats, fried eggs and tampons—and there was a faint hissing sound as I passed through it and into the elevator, the sound of my soul being sucked out of me, ever so nicely, thank you.
Behind her desk sat Fiona, elfin, her pixie hair dyed a cruel black. She cocked an eyebrow at me. “Jesus, Raymond, I’ve seen rhesus monkeys that look hotter than you.” She was busy piling caviar atop a Ritz cracker.
“Lovely to see you, too, dear.”
Her office was well-oiled leather and chiseled steel, a fine enough reflection of her method of handling daily life. What was painfully evident was that Fi was minting money with her casting agency. The joke was on me for having suggested that she give the casting gig a try. She’s an expert at meeting people and figuring out instantly what their personal style of lying is and how to make it work for them. What else is acting, if not that?
But you do need to know that Fi is a dreadful, dreadful, dreadful person. She is monstrous. She is the Anti-Shag. She is an atomic bomb of pain. If you puncture her skin, a million baby spiders will explode from her body and devour you alive, pupaing your remains, all the while making little squeaking noises that will taunt you while you die in excruciating agony.
And yet . . .
. . . And yet there is something about Fi’s . . . um, musk. I can loathe her at a distance, but up close that scent overrides every other emotion I harbor for the woman: murderous rage, bilious hatred and not a small degree of fear. Fi is the only woman who’s ever had this effect on me. All the crap I’ve put up with just for a whiff of her: all the times she’s fucked me over, looted my bank account, stolen my pills and trash-talked me all the way from Heathrow to Stansted. My inability to overcome this most primal of attractions has been the downfall of my life. There is no other way to explain one of nature’s most catastrophic and implausible pairings, but I guess that’s what any chap says about his wife.
As I entered her office, Proustian recollections of our time together swam in my head. I felt poetic and wistful.
“One moment, Raymond.” Fi removed a black onyx stash box of coke from a desk drawer, sprinkled some of it on top of the caviar, and began to demolish her snack, conveniently forgetting to invite me to join in. The noises from her mouth were like randomly typed keys: “Vbv bdlkfnsld jz slvbds lbfbakl.”
“Looks delicious, dear.”
Suddenly she leaned back in her chair and began coughing out mouthloads of crackers and caviar. “Vbn. Sfhejwbe cfbiqq fflekh!!!”
Heimlich: yes or no? “Dear?”
She waved me away and finally shot a cluster of sturgeon eggs out her nostril. “Fucking hell.” She used a nearby letter to fan her face. The crisis seemed to have passed. “Ooh. There. Finally it’s gone,” she said.
“What is?”
“The food trapped in my esophagus. It’s in my stomach now.”
“Fucking hell, that’s disgusting, Fi.”
“How is that disgusting, Ray?”
“It’s like you’ve just taken a massive shit inside yourself.”
Fi burst into a cackle. “Sometimes I miss your childlike take on the world, Raymond.” She smiled at me.
“Fi, look, just give me a fucking shooting assignment. I’m three months behind on my rent.”
“Stop throwing your money away on dildos and Asian preteen porn, darling. Then you won’t always be broke.”
“I don’t go to Thailand, dear. Nor am I into goats and gerbils.”
“So what did you really spend all your money on?”
“Fi, need you be such a raging twat?”
“Coke bill overdue?”
“Coke’s a bit out of my league these days.” I glanced over at her door to see a pink silk ascot tied around the knob. “Hmmm. What about you—into autoerotic asphyxiation these days?”
“Oh, don’t mention autoerotic asphyxiation to me! Fucking entertainers! All these actors and musicians ever want to do is strangle themselves while they’re getting off. I can’t believe more of them haven’t died.”
“How does that whole strangling thing work, anyway? I mean, do actors recite a bit of Hamlet, sing a song or two and then suddenly, ‘Oi! I’m famous, and I think I’d better go strangle myself while I come!’?”
“Pretty much. And you’d think they’d hire someone to babysit them while they do it.”
“Yes, but that would wreck the fun, wouldn’t it? ‘Ooh! I can’t breathe! Help me! Help me!’ Not very sexy at all. Chances are your babysitter would be so repulsed by your lack of commitment she’d let you hang anyway.”
“I keep the ascot there to give my clients proper hanging lessons. The DIY sites on the Internet are hopeless, and a dead client is a client who’s no longer making me money.”
I looked at Fiona’s beloved onyx coke box with sad beagle eyes.
“Blow!” said Fi. “Excellent idea.” She dove in.
God only knows how badly I was salivating at this impudent display of purchasing clout. She vacuumed two rails, wiped her nostrils and said, “I like to see you grovel and be deprived of drugs. Life is good.”
“You ball-curdling witch. What is your problem?”
“My problem is you, Raymond darling. I don’t like having you in the same city as me.”
“Can’t say I like it much, either.”
“Yes, but the thing is that you, darling, are a failure. When people bump into you, they justifiably equate me with you, and you have to imagine how that makes me feel.” She put the coke box back into her drawer. “I really can’t have that, at least not until a few more years have gone by and all memory of you and your rapidly accelerating downward failure spiral has faded away like a pensioner’s capacity for long division.”
“I see.” I leaned back in my chair. “I seem to remember a much younger version of you making bedroom eyes at me from the floor of the 1992 Daytime BAFTA Awards when (if I may pat myself on the back here) I accepted my trophy for Best Handheld-Camera Work in a Cooking or DIY Home-Improvement Show.”
“You have to stop living in the past, Raymond.” She made her oh-why-not face. “How would you like a camera gig in the sun-kissed Pacific, ogling young beauties all day, just you and your shoulder cam?”
I kept silent, awaiting the catch.
“There’s no catch, darling.”
“What’s the catch?”
Fiona sighed. “Paranoia has never looked good on you, Raymond. Here I am offering to rescue you from your prison cell of a life, and you make me sound cruel and vindictive.”
“What’s the catch?”
“I don’t know if I’d call it a catch, per se. . . .”
“What’s the catch?”
“Darling, you would have to work for Americans.”
“Jesus fucking Christ.”
“Sorry, darling, but take it or leave it. A friend, Sarah, handles the people for a U.S. network, and she owes me a favor.”
“Who’s this Sarah, then?”
“She’s—well, I’m hoping one day she’ll become my . . . special friend.”
Doubtless some filthy labia-chewing swamp raccoon. “For God’s sake, you’re not still tinkering with lesbianism, are you?”
“If striving to grow as a person is a crime, I stand accused.” Fi clasped her hands together on her desk like a schoolgirl. “Sarah, like me, is only trying to expand her world, and I like to think of myself as a nurturing, mentoring woman.”
I snickered.
“Take it or leave it, Raymond. At the count of three, I rescind the offer. One, two—”
“I’ll take it.”
“Go talk to Billy.”
Her face became all business. It was as if I were no longer in the room as she stared down at her iPad and began browsing through toddlersroastingonaspit.com. She said, “Go on. Billy will arrange your flights and your visa for Kiribati. Lovely place. Whores growing on trees, from what I hear. Coke bushes around every corner.”
After a moment she looked up me. “Really, Ray—be a love and fuck off. And as you leave, Billy will offer you a complimentary bottle of water and some sanitizing hand wipes. Cold and flu season.”
“It’s a wonder Billy hasn’t been strangled with a shoelace by one of those man sluts he arse-rapes nightly out on Hampstead Heath.”
From behind me I heard, “Those days are over, Raymond. I have found love and am a reformed man.” Billy appeared, as polished and moisturized as a daffodil salesman at Harrods but incongruously dressed like a Canadian lumberjack out for a day of chopping down a forest of larches.
“Oh. Hello, Billy.”
“Hello, Raymond.”
I had no mirth in my heart for Billy, and I remain convinced that Billy was part of the chorus saying “Dump the bastard” back during the divorce.
“Going to Kiribati, I hear. Lovely place.”
“Let’s just do the paperwork.”
“Manners, please.”
“Or else what?”
“Be rude to me one more time and I’ll go online and start a wicked, wicked rumor about you.”
“Like what?”
“Like . . .” Billy paused a second. “I know: I’ll go into an online chat room posing as you.”
My interest was piqued. “What kind of chat room?”
“A shit-eating chat room. I’m sure there must be hundreds of them. And once there, I start the rumor that you, Raymond Gunt, are a . . . a log hog.”
“You wouldn’t.”
“Wouldn’t I? Or maybe I’d invent some other scarier category. . . . I know: You’re into funnel cakes.”
Fi cackled with glee, and then her phone rang, a zithering that made my spinal hairs rise. “Both of you—out,” she ordered. “That’s my Bollywood line. Without the rise of the Indian middle classes and their zest for quality English-language entertainment, I’d still be rolling in the muck like you. Now, fuck off, Ray. Really. And enjoy the South Pacific or wherever this Kiribati shithole is.”
Not putting a trapdoor opening into a cobra pit past her, I fucked off. Billy followed me into the hall. He said, “FYI, you get to have an assistant with you on this gig.”
“An assistant?”
“Yes. All they need is a valid passport and the ability to tolerate you day and night.”
I didn’t absorb what Billy said next. My brain stopped at the word “assistant”—the joy! On a flyspeck of coral dust in the middle of the ocean with no labor laws, no police and most likely no witnesses to whatever punishments I might dole out to my assistant—or rather, my slave. A lifelong dream of human ownership was coming true.
“. . . and so I’ll e-mail you shortly. Good-bye, Raymond.”
“Right. Yes. Good-bye, Billy.”
Down on the street, I looked at my BlackBerry: It was a Wednesday, fuck it, always my bad-luck day. I then sort of spaced out looking at the phone’s screen. Wednesday . . . Wednesday . . . Wednesday . . . what the fuck is a “Wednes”? I mean, for Christ’s sake, think about it.
Wednesday
Wednesday comes from the Middle English Wednes dei, which is from Old English Wodnes dæg, meaning “the day of the English Woden” (Wodan), a god revered in Anglo-Saxon England until about the eighth century. Woden, or Woden in Modern English, is the head god in English heathenism.
So wait a second . . . this guy, Woden, gets a whole fucking day named after him? Do we have no say in this matter? Let’s rename Wednesday something better, like, say, James Bond. And we can call Thursday Hitler and Saturday Tits and . . . You get the idea.
I looked up and saw that I was once again inside that wretched, unwieldy dump people call the real world. I rode home on a series of buses, and what is a bus but failure crystallized into the form of two stories of metal, painted red, hurled out into the world to hoover up losers from the streets of London?
Kiribati?
Could be kind of nice. Pretty, even. Who knew . . . maybe my luck had turned.
Republic of Kiribati
The Republic of Kiribati is an island nation in the central Pacific Ocean. It comprises thirty-two atolls and one raised coral island, and is spread over 1,351,000 square miles. It straddles the equator and borders the International Date Line on the east. Its former colonial name was the Gilbert and Ellice Islands. The capital and largest city is South Tarawa.
Population: 105,000
GDP (PPP, total): $599 million
GDP (nominal, total): $167 million
Internet top-level domain (TLD): .ki
International calling code: +686
Product details
- Publisher : Blue Rider Press; First Edition (April 3, 2014)
- Language : English
- Hardcover : 320 pages
- ISBN-10 : 0399168435
- ISBN-13 : 978-0399168437
- Item Weight : 15.7 ounces
- Dimensions : 5.8 x 1 x 8.55 inches
- Best Sellers Rank: #1,653,741 in Books (See Top 100 in Books)
- #11,938 in Humorous Fiction
- Customer Reviews:
About the author

Since 1991 Coupland has written thirteen novels published in most languages. He has written and performed for England’s Royal Shakespeare Company and is a columnist for The Financial Times of London. He is a frequent contributor to The New York Times, e-flux, DIS and Vice. In 2000 Coupland amplified his visual art production and has recently had two separate museum retrospectives, Everything is Anything is Anywhere is Everywhere at the Vancouver Art Gallery, The Royal Ontario Museum and the Museum of Contemporary Canadian Art, and Bit Rot at the Witte de With Center for Contemporary Art in Rotterdam, and Villa Stücke in Munich this fall. In 2015 and 2016 Coupland was artist in residence in the Paris Google Cultural Institute. Coupland is a member of the Royal Canadian Academy, an Officer of the Order of Canada, a Officer of the Order of British Columbia and is a Chevlier de l'Order des Arts et des Lettres.
Customer reviews
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Learn more how customers reviews work on AmazonCustomers say
Customers find the book absolutely laugh-out-loud funny and well-written. However, the plot receives negative feedback, with one customer describing it as juvenile foolishness. Moreover, the character development is criticized for being unsympathetic.
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Customers find the book entertaining, describing it as absolutely laugh-out-loud funny and satirical.
"...This story is so colorfully narrated, with such intense whit and charm, that it begs to be made into a movie!..." Read more
"...The humorous parts to me were truly gut-bustingly funny and we all need a good laugh some time...." Read more
"...is an overstatement as there are some parts of the book that are pretty funny, but slogging to get to them just isn't worth it...." Read more
"The book is hilarious! I haven't enjoy reading that much for a long time! Couldn't stop reading!..." Read more
Customers find the book well written, with one customer noting its saucy dialog and colorful narration.
"...Why haven't they made a deal for this? It's got lots of saucy dialog, nudity, sex, vomit, sex, and more vomit, with a side order of shlt... It..." Read more
"...If you take this as a light read that will make you laugh and don't look for deeper insights into modern society you won't be disappointed...." Read more
"...It is very short, consumable in two sittings, and certainly no intellectual challenge...." Read more
"...the beginning of this book with some happiness as there is some fine writing, but that smile will disappear from your face as the reading becomes..." Read more
Customers criticize the plot of the book, describing it as absurd and juvenile foolishness, with one customer noting they lost interest after the first 50 pages.
"...Some aspects (the pending nuclear war) of the plot in this work strain credibility. At his best (Generation X, Microserfs, etc.)..." Read more
"...Not clever, not sly, and definitely not at all funny. Avoid this one." Read more
"...It does feel a bit silly and pointless in the end" Read more
"...I absolutely loved the premise and the first half or so was irresistibly dark comedy... and then, it went on... and on." Read more
Customers find the characters unsympathetic throughout the book.
"It is entertaining but nonetheless, it doesn't have the sincerity/ humanity that is usually present in his better works...." Read more
"Absurd plot, crude and abusive language, nasty characters, utterly un-PC...." Read more
"Appropriate title. The main character is so over the top that it is just a frivolous lark. Not to be taken even remotely seriously." Read more
"Meh. One of his weaker novels. Unlikable, unsympathetic characters all around...." Read more
Top reviews from the United States
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- Reviewed in the United States on July 24, 2015Best. Book. Ever.
I've read almost all of Coupland's work, for some 20 years now, and he just gets better and better...
This story is so colorfully narrated, with such intense whit and charm, that it begs to be made into a movie!
Where are the airheads at HBO Films? Why haven't they made a deal for this?
It's got lots of saucy dialog, nudity, sex, vomit, sex, and more vomit, with a side order of shlt... It's exactly what HBO wants!
The whirlwind story takes the central character - Raymund Gunt - from England to an obscure Pacific island to shoot an episode of Survivor, which seams to never get shot. The world almost ends, while the anti-hero makes cynical jokes about the women he wants to do...
And all the while his John Sparrow-like side-kick, picked from the gutter by Gunt, gets more tale than he can handle...
It's like Coupland ate Hunter Thompson, digested what he could, and spat out the rest on paper.
This can only be removed from my brain with surgery or electro-shock.
- Reviewed in the United States on June 12, 2014I am a huge fan of Douglas Coupland and have read all of his works.
My issue with this book is the plot - it seems like he made it up as he went along. The hallmark of his best works are a more cohesive, believable, and relevant story line. Some aspects (the pending nuclear war) of the plot in this work strain credibility.
At his best (Generation X, Microserfs, etc.) Coupland has a way of capturing the collective phsyche and pop culture at exactly the right time - when his commentary is very relevant, incisive, and "ahead of it's time" or "exactly on time". The background story in prior works make them seem that much more genuine and complete to me. That was missing from this book.
Despite my issue with the plot, this book has some truly funny moments. The humorous parts to me were truly gut-bustingly funny and we all need a good laugh some time. If you take this as a light read that will make you laugh and don't look for deeper insights into modern society you won't be disappointed.
I should also point out that Coupland's insights on human nature (the underbelly as well as the polished front facia) as always are spot on.
I would have given it a 3.5 if that was allowed.
- Reviewed in the United States on July 6, 2015I ordered this book from Amazon after reading the synopsis and thinking it sounded intriguing. I must admit that it was, at times, quite entertaining and clever. It is very short, consumable in two sittings, and certainly no intellectual challenge.
The story revolves around a “B” unit television cameraman (apparently a rung below “A” unit), who is down on his luck and is relegated to begging his ex-wife, a very successful network producer, for scraps. She gets him a gig on a reality TV show (Survival) being filmed in the remote South Pacific nation of Kiribati. He is authorized to hire an assistant and selects a random homeless man from his neighborhood. He and his assistant undergo numerous adventures, both on the journey and upon arrival.
Many of the events and circumstances of the book are absurd and intentionally ridiculous. The style is somewhat reminiscent of Catch-22 and more closely that of Kurt Vonnegut’s work. I would recommend for a lengthy plane flight.
- Reviewed in the United States on May 6, 2014Ok, maybe that is an overstatement as there are some parts of the book that are pretty funny, but slogging to get to them just isn't worth it. The reading experience reminded of James Joyce's Ulysses, where the reader is left to meander around trying to figure out just how many episodes (comas) the anti hero Raymond Gunt must endure while traveling the world and his life. The theme of nuclear war Coupland has already played out (and in a much better way) in Player One.
Coupland does skew pop culture the way most fans expect him to do, but to pick on reality television just seems like a theme that has been worn down more that a stripper's high heels. I expect most fans to read the beginning of this book with some happiness as there is some fine writing, but that smile will disappear from your face as the reading becomes more of a chore than a joy.
In a tip to Generation X there are many pop out boxes that reference the world we live in, but again it it a literary device that he has used before and done better. This is a library rental at best or wait a few months and buy it for a penny, or if you must have it now send me an email and I will send it to you for five bucks plus shipping.
- Reviewed in the United States on September 25, 2024... who would enjoy this. Several hours of my life were lost to this book, and I want them back. If someone told me I had a choice between reading it again or pounding a nail into my own forehead, I'd go look for a hammer. Not clever, not sly, and definitely not at all funny. Avoid this one.
- Reviewed in the United States on August 5, 2014The book is hilarious!
I haven't enjoy reading that much for a long time! Couldn't stop reading!
I really don't understand people who took the plot serious and then complained about the story line. Don't you people know what satire is?
The main character is a compilation of everything terrible that modern society has. Is he unlikeable? Absolutely! Is he funny and charming? No questions! Looks at the 'normal' people in his universe. Is he that terrible?
This novel reminds me the best tradition of modern European counter culture.
Mr. Coupland, thank you so much!
- Reviewed in the United States on April 19, 2022This is a novel that Tom Robbins may have written if he had the first clue how to write an entertaining book. In fact, of all of Douglas Coupland's many novels, this one is the most Tom Robbinsesque, but, and I cannot stress this enough: in a good way.
Imagine a Tom Robbins novel that was, for some reason, enjoyable to read and not a chore.
Do yourself a favor. Start at the beginning. Buy Coupland's first novel, Generation X, and read them all, in order, ending, with this one.*
*Hopefully, by the time "you" do that, and we both know you will. Doug will have a new novel published. He has been cranking out the nonfiction since Worst. Person. Ever. was published WAAAAAAY back in 2013.
Top reviews from other countries
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Margarita Hidalgo moretaReviewed in Spain on January 17, 2014
2.0 out of 5 stars Un tanto decepcionante...
Desde luego, esta novela no pasará por ser Unade una de las mejores obras de Coupland. Resulta un tanto decepcionante...
- QuirkyGirlReviewed in Canada on August 12, 2015
5.0 out of 5 stars Douglas Coupland has fast become one of my favorite authors. His gritty
Douglas Coupland has fast become one of my favorite authors. His gritty, flawed characters remind me a lot of Chuck Palahniuk's earlier work. The story he tells is unexpected, weird and often very funny. You don't know where he's going with the story, but you enjoying getting there.
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Heiko TornerReviewed in Germany on October 22, 2013
5.0 out of 5 stars Anders, aber gut
Ich kenne die meisten Romane von Coupland. Dieses ist etwas anders, nicht so tiefgründig und metaphysisch, aber für mich sehr humorvoll und mit einem wirklichen Happy-End. Es wurde geradezu verschlungen. Freue mich schon auf die nächsten Romane von ihm!
- Fiona Faith RossReviewed in the United Kingdom on June 24, 2016
5.0 out of 5 stars You'll never think of leaf blowers the same way again
Priceless. Coupland is one of my favourite authors. Each novel presents a new theme and an entirely new set of characters, but what he's best at is poking fun at contemporary society. I'm about to read this one a second time to get down a few layers. For anyone with experience of the entertainments industry, this one is especially tasty. Warning: The language is bad, I mean, very bad. Worst. Badass. Language. Ever.
- KReviewed in Mexico on February 26, 2021
5.0 out of 5 stars Funny, inappropriate and outrageous!
What a novel! This is a different side of the Coupland-verse, and seems quite fitting for our times. I've seen many reviews complaining about the language, tone, situations that are depicted or the overall crudeness, but such a thing is expected on a satire of this level - No political correctness. As the title suggests, the protagonist is deeply unlikable, which mixed with a bunch of very crazy moments and scenes makes this a novel that is quite entertaining, funny and interesting. Page turner!