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At the Water's Edge: A Novel Paperback – November 10, 2015
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“Gripping, compelling . . . Gruen’s characters are vividly drawn and her scenes are perfectly paced.”—The Boston Globe
In January 1945, when Madeline Hyde and her husband, Ellis, are cut off financially by his father, a retired army colonel who is ashamed of his son’s inability to serve, Ellis decides that the only way to regain his father’s favor is to succeed where the Colonel very publicly failed—by hunting down the famous Loch Ness monster. Leaving her sheltered world behind, Maddie reluctantly follows Ellis and his best friend, Hank, to a remote village in the Scottish Highlands. Gradually, the friendships Maddie forms with the townspeople open her up to a larger world than she knew existed. Maddie begins to see that nothing is as it first appears, and as she embraces a fuller sense of who she might be, she becomes aware not only of darker forces around her but of life’s surprising possibilities.
- Print length416 pages
- LanguageEnglish
- PublisherRandom House
- Publication dateNovember 10, 2015
- Dimensions5.22 x 0.9 x 7.95 inches
- ISBN-100385523246
- ISBN-13978-0385523240
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Editorial Reviews
Review
“A gripping, compelling story . . . [Sara] Gruen’s characters are vividly drawn and her scenes are perfectly paced.”—The Boston Globe
“A page-turner of a novel that rollicks along with crisp historical detail.”—Fort Worth Star-Telegram
“Powerfully evocative.”—USA Today
“Gruen is a master at the period piece—and [this] novel is just another stunning example of that craft.”—Glamour
“A captivating tale.”—Us Weekly
“Utterly winning.”—The Miami Herald
“A compelling, enthralling read, a novel which captivates and rewards, paying off in a series of emotional and narrative twists . . . comfort reading of the highest order.”—The Globe and Mail
“A super steamy love story.”—Good Housekeeping
“[Gruen] conveys the lure of the Scottish Highlands. . . . At the Water’s Edge captivates with its drama, intrigue and glimpses of both the dark and light of humanity.”—BookPage
“A heartwarming story about life, and the places it can potentially take you.”—InStyle
“A natural for the book-club set.”—Booklist
“If I needed a reminder why I am such a fan of Sara Gruen’s books, her latest novel provides plenty. Unique in its setting and scope, this impeccably researched historical fiction is full of the gorgeous prose I’ve come to expect from this author. And even after the final page, its message still resonates with me: The monsters we seek may be right in front of us. In fact, the only fault I can find with this book is that I’ve already finished it.”—Jodi Picoult, New York Times bestselling author of Leaving Time
“I devoured this book. Once again Sara Gruen has proven herself to be one of America’s most compelling storytellers. You might be tempted to rush to get to the answers at the end—but don’t, or you’ll miss the delectable journey that is Gruen’s prose.”—Kathryn Stockett, New York Times bestselling author of The Help
“Magical . . . At the Water’s Edge skillfully transports us to a small, tenacious Scottish village in the grip of war, and into the heart of Madeline Hyde, a woman who is a stranger to herself until forces convene to rock her awake. Sara Gruen is a wizard at capturing the essence of her historical setting, and does so here in spades, but it’s Maddie’s unexpected transformation that grounds and drives the novel. As her husband and best friend search the surface of the Loch, desperate for a sign of the elusive creature, Maddie learns to plumb her own depths, and comes fully alive to the world around her.”—Paula McLain, New York Times bestselling author of The Paris Wife
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Scottish Highlands, January 14, 1945
“Oh God, make him pull over,” I said as the car slung around yet another curve in almost total darkness.
It had been nearly four hours since we’d left the naval base at Aultbea, and we’d been careening from checkpoint to checkpoint since. I truly believe those were the only times the driver used the brakes. At the last checkpoint, I was copiously sick, narrowly missing the guard’s boots. He didn’t even bother checking our papers, just lifted the red and white pole and waved us on with a look of disgust.
“Driver! Pull over,” said Ellis, who was sitting in the backseat between Hank and me.
“I’m afraid there is no ‘over,’ ” the driver said in a thick Highland accent, his R’s rolling magnificently. He came to a stop in the middle of the road.
It was true. If I stepped outside the car I would be ankle-deep in thorny vegetation and mud, not that it would have done any more to destroy my clothes and shoes. From head to toe I was steeped in sulfur and cordite and the stench of fear. My stockings were mere cobwebs stretched around my legs, and my scarlet nails were broken and peeling. I hadn’t had my hair done since the day before we’d sailed from the shipyard in Philadelphia. I had never been in such a state.
I leaned out the open door and gagged while Ellis rubbed my back. Wet snow collected on the top of my head.
I sat up again and pulled the door shut. “I’m sorry. I’m finished. Do you think you can take those things off the headlights? I think it would be better if I could see what’s coming.” I was referring to the slotted metal plates our one-eyed driver had clipped on before we’d left the base. They limited visibility to about three feet ahead of us.
“Can’t,” he called back cheerfully. “It’s the Blackout.” As he cranked up through the gears, my head lurched back and forth. I leaned over and cradled my face in my hands.
Ellis patted my shoulder. “We should be nearly there. Do you think fresh air would help?”
I sat up and let my head flop against the back of the torn leather seat. Ellis reached across and rolled the window down a crack. I turned toward the cold air and closed my eyes.
“Hank, can you please put out your cigarette?”
He didn’t answer, but a whoosh of frigid air let me know he had tossed it out the window.
“Thank you,” I said weakly.
Twenty minutes later, when the car finally came to a stop and the driver cut the engine, I was so desperate for solid ground I spilled out before the driver could get his own door open, never mind mine. I landed on my knees.
“Maddie!” Ellis said in alarm.
“I’m all right,” I said.
There was a fast-moving cloud cover under a nearly full moon, and by its light I first laid eyes on our unlikely destination.
I climbed to my feet and reeled away from the car, thinking I might be sick again. My legs propelled me toward the building, spinning ever faster. I crashed into the wall, then slid down until I was crouching against it.
In the distance, a sheep bleated.
. . .
To say that I wished I wasn’t there would be a ludicrous understatement, but I’d only ever had the illusion of choice:
We have to do this, Hank had said. It’s for Ellis.
To refuse would have been tantamount to betrayal, an act of calculated cruelty. And so, because of my husband’s war with his father and their insane obsession with a mythical monster, we’d crossed the Atlantic at the very same time a real madman, a real monster, was attempting to take over the world for his own reasons of ego and pride.
I would have given anything to go back two weeks, to the beginning of the New Year’s Eve party, and script the whole thing differently.
Chapter Two
Rittenhouse Square, Philadelphia, December 31, 1944
“Five! Four! Three! Two!”
The word “one” had already formed on our lips, but before it could slide off there was an explosion overhead. As screams rose around us, I pitched myself against Ellis, tossing champagne over both of us. He threw an arm protectively around my head and didn’t spill a drop.
When the screams petered out, I heard a tinkling above us, like glass breaking, along with an ominous groaning. I peeked out from my position against Ellis’s chest.
“What the hell?” said Hank, without a hint of surprise. I think he was the only person in the room who hadn’t jumped.
All eyes turned upward. Thirty feet above us, a massive chandelier swung on its silver-plated chain, throwing shimmering prisms across the walls and floor. It was as if a rainbow had burst into a million pieces, which were now dancing across the marble, silks, and damask. We watched, transfixed. I glanced nervously at Ellis’s face, and then back at the ceiling.
An enormous cork landed next to General Pew, our host at what was easily the most anticipated party of the year, bouncing outrageously like a bloated mushroom. A split second later a single crystal the size of a quail’s egg fell from the sky and dropped smack into his cocktail, all but emptying it. He stared, bemused and tipsy, then calmly took out his handkerchief and dabbed his jacket.
As everyone burst into laughter, I noticed a footman in old-fashioned knee breeches perched near the top of a stepladder, pallid, motionless, struggling to contain the biggest bottle of champagne I’d ever seen. On the marble table in front of him was a structure of glasses arranged so that if someone poured continuously into the top one, they would eventually all be filled. As a rush of bubbles cascaded over the sides of the bottle and into the footman’s sleeves, he stared in white-faced horror at Mrs. Pew.
Hank assessed the situation and apparently took pity on the fellow. He raised his glass, as well as his other hand, and with the flair and flourish of a ringmaster boomed, “One! Happy New Year!”
The orchestra struck up “Auld Lang Syne.” General Pew conducted with his empty glass, and Mrs. Pew beamed at his side—not only was her party a smashing success, but it now had a comic anecdote people would speak of for years.
Should auld acquaintance be forgot, and never brought to mind
Should auld acquaintance be forgot, and old lang syne . . .
Those who knew the words sang along. I had refreshed my memory that afternoon in order to be ready for the big moment, but when cork met crystal, the lyrics were knocked straight out of my brain. By the time we got to running about slopes and picking daisies fine, I gave up and joined Ellis and Hank in la-la-la’ing our way through the rest.
They waved their glasses in solidarity with General Pew, their free arms looped around my waist. At the end, Ellis leaned in to kiss me.
Hank looked to one side, then the other, and appeared baffled.
“Hmm. I seem to have misplaced my date. What have I done with her?”
“What you haven’t done is marry her,” I said and then snorted, nearly expelling champagne through my nose. I had sipped my way through at least four glasses on an empty stomach and was feeling bold.
His mouth opened in mock offense, but even he couldn’t pretend ignorance about Violet’s growing desperation at the seemingly endless nature of their courtship.
“Did she actually leave?” he said, scanning the room a little more seriously.
“I’m not sure,” I said. “I haven’t seen her in a while.”
“Then who will give me my New Year’s kiss?” he asked, looking bereft.
“Oh, come here, you big lug.” I stood on tiptoe and planted a kiss on his cheek. “You’ve always got us. And we don’t even require a ring.”
Ellis threw us an amused side eye and motioned to Hank that he should wipe my lipstick off his cheek.
Beyond him, the footman was still balanced on the second to highest rung of the stepladder. He was bent at the waist, trying to aim the bottle at the top glass, and had gone from pale to purple with the effort. His mouth was pressed into a grim line. I looked around to see if reinforcements were coming and didn’t see any.
“Ellis? I think he needs help,” I said, tilting my head in the footman’s direction.
Ellis glanced over. “You’re right,” he said, handing me his glass. “Hank? Shall we?”
“Do you really think she’s left?” Hank said wistfully, his lips hovering near the edge of his glass. “She was a vision tonight. That dress was the color of the gloaming, the sequins jealous stars in the galaxy of her night, but nothing, nothing could compare to the milky skin of her—”
“Boys! Concentrate!” I said.
Hank snapped back to life. “What?”
“Maddie thinks that man needs help,” said Ellis.
“That thing’s enormous,” I said. “I don’t think he can hold it on his own.”
“I should think not. That’s a Balthazar,” said Ellis.
“That’s not a Balthazar,” Hank said. “That’s a Nebuchadnezzar.”
The footman’s arms were quaking. He began pouring but missed. Champagne fell between the glasses, splashing onto the table and floor. His gloves and sleeves were saturated.
“Uh-oh,” said Hank.
“Uh-oh indeed,” said Ellis. “Mrs. Pew will not be pleased.”
“I rather suspect Mrs. Pew is never pleased,” Hank said.
Rivulets of sweat ran down the footman’s forehead. It was plain to see that he was going to fall forward, right onto the glasses. I looked to Mrs. Pew for help, but she had disappeared. I tried to signal the General, but he was holding court with a replenished cocktail.
I dug my elbow into Ellis’s side.
“Go!” I said urgently. “Go help him.”
“Who’s she talking about?” said Hank.
I glared at him, and then some more, until he remembered.
“Oh! Of course.” He tried to hand me his glass, but I was already holding two. He set his on the floor and yanked his lapels in a businesslike manner, but before he and Ellis could mobilize, help arrived in the form of other servants bearing four smaller but still very large bottles, and three more stepladders. Mrs. Pew glided in behind them to make sure all was under control.
“Now those are Balthazars,” said Hank, with a knowing nod. He retrieved his drink from the floor and drained it.
“No. Those are Jeroboams,” said Ellis.
“I think I know my champagne,” said Hank.
“And I don’t?”
“I think you’re both wrong. Those are Ebenezers,” I said.
That stopped them.
I broke into tipsy giggles. “Ebenezer? Get it? Christmas? The holidays? Oh never mind. Someone get me another. I spilled mine.”
“Yes. On me,” said Ellis.
Hank spun around and set his glass on the tray of a passing waiter. He clapped his hands. “All right, who’s up for a snowball fight?”
We toppled outside and made snow angels right there in front of the Pews’ home and all the cars and liveried drivers that were lined up waiting for guests. I gathered one snowball and managed to land it on Ellis’s chest before screeching and running back inside.
In the vast foyer, Ellis helped brush the snow off my back and hair. Hank hung his jacket over my bare shoulders, and the two of them guided me to a trio of ornate, embroidered chairs near a roaring fire. Hank, who had had the presence of mind to grab my mink stole on the way back in, shook it off and draped it over the edge of the rosewood table in front of us. Ellis went in search of hot toddies, and I peeled off my gloves, which were stained and soaked.
“God, look at me,” I said, gazing down at myself. “I’m a mess.”
My silk dress and shoes were ruined. I tried in vain to smooth out the water spots, and checked quickly to make sure I still had both earrings. The gloves were of no consequence, but I hoped the stole could be saved. If not, I’d succeeded in destroying my entire outfit.
“You’re not a mess. You’re magnificent,” said Hank.
“Well, I was,” I lamented.
I’d spent the afternoon at Salon Antoine having my hair and makeup done, and had eaten almost nothing for two days before so my dress would drape properly. It was a beautiful pomegranate-red silk, the same material as my shoes. It matched my ruby engagement ring, and all of it set off my green eyes. Ellis had given me the dress and shoes a few days earlier, and before the party I had presented myself to him like a flamenco dancer, twirling so the skirt would take flight. He professed his delight, but I felt a familiar pang of sorrow as I tried, yet again, to imagine exactly what he was seeing. My husband was profoundly color-blind, so to him my ensemble must have been a combination of grays. I wondered which ones, and how many variations there were, and whether they had different depths. I couldn’t imagine a world without color.
Hank dropped into a chair, leaving one leg dangling over its arm. He pulled his bow tie open and undid his cuffs and collar. He looked like a half-drowned Clark Gable.
I shivered into his jacket, holding it closed from the inside.
Hank patted his chest and sides. He stopped suddenly and lifted an eyebrow.
“Oh!” I said, realizing what he was looking for. I retrieved the cigarette case from his inside pocket and handed it to him. He flipped it open and held it out in offering. I shook my head. He took a cigarette for himself and snapped the case shut.
“So, how about it then?” he said, his eyes glistening playfully. “Shall we go get us a monster?”
“Sure,” I said, waving my hand. “We’ll hop on the next liner.” It was what I always said when the topic came up, which was often, and always after boatloads of booze. It was our little game.
“I think getting away would do Ellis good. He seems depressed.”
“Ellis isn’t depressed,” I said. “You just want to escape Violet’s clutches.”
“I do not,” he protested.
“You didn’t even notice when she left tonight!”
Hank cocked his head and nodded, conceding the point. “I suppose I should send flowers.”
“First thing in the morning,” I said.
He nodded. “Absolutely. At the crack of noon. Scout’s honor.”
“And I think you should marry her. You need civilizing, and I need a female friend. I have only you and Ellis.”
He clutched a hand to his heart, mortally wounded. “What are we, chopped liver?”
“Only the finest foie gras. Seriously, though. How long are you going to make her wait?”
“I’m not sure. I don’t know if I’m ready to be civilized yet. But when I am, Violet can have the honors. She can pick a mean set of china.”
Product details
- Publisher : Random House; Reprint edition (November 10, 2015)
- Language : English
- Paperback : 416 pages
- ISBN-10 : 0385523246
- ISBN-13 : 978-0385523240
- Item Weight : 10.4 ounces
- Dimensions : 5.22 x 0.9 x 7.95 inches
- Best Sellers Rank: #369,155 in Books (See Top 100 in Books)
- #1,761 in World War II Historical Fiction
- #7,207 in Women's Domestic Life Fiction
- #20,654 in Literary Fiction (Books)
- Customer Reviews:
About the author

Sara lives in America with her husband, three children, two dogs, two cats, three goats, and a horse. She already has her eye on another horse and a donkey.
Customer reviews
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Learn more how customers reviews work on AmazonCustomers say
Customers find the book beautifully written with vivid scene depictions and appreciate the well-researched war-time historical setting, particularly the background of Scotland during WWII. The writing quality and readability receive positive feedback, with customers describing it as a fast-paced read that's easy to read. While some customers praise the well-developed characters, others find them unlikable, and while the plot pulls readers in, many find it predictable. The book receives mixed reviews for its water content, with some loving "Water for Elephants" while others find it not as good.
AI-generated from the text of customer reviews
Customers find the book engaging and entertaining, praising the author's knack for storytelling.
"Excellent read! It took a while to understand where this story was going, but the prose is so engaging it kept me intrigued...." Read more
"...and is able to produce a novel that is both as perceptive as a fine literary publication and as satisfying as a bodice-ripper, with everyone, pretty..." Read more
"...The first is an incredibly gifted writer who filled the book with authenticity through the historical details conveyed and the other was an over-..." Read more
"...there were some 'improbabilities', I didn't care because I enjoyed the story so much...." Read more
Customers praise the writing quality of the book, finding it well described and easy to read, with one customer noting its down-to-earth style.
"Such an unusual story is always refreshing, especially when so well written...." Read more
"...This is definitly chick-lit, a quick,easy read, beach book. But after reading it I like it better." Read more
"...the romance when it starts happens rather fast but the writing and the setting was beautiful...." Read more
"...I also like the author’s writing style...." Read more
Customers appreciate the historical elements of the book, particularly its well-researched World War II setting in Scotland's highlands, with interesting tidbits about Scottish culture and love stories between Scotland and England.
"...The setting, the colors, the weather, the scottish language, the bleak, meager existence of so many villages contrasted with the wealth of the main..." Read more
"What can I say. I LOVED this book.With the setting of Scotland I found it satisfied all my cravings for books by Diana Gabaldon and Susannah..." Read more
"This novel takes place during World War II and is about three young people, a married couple and a male friend who are determined to find the Loch..." Read more
"...I liked The descriptions of Scotland, but the relationship between Maddie and Ellis was not realistic for me and the resolution was too abrupt...." Read more
Customers praise the book's visual quality, noting its beautiful detail and vivid scene depictions that bring Scottish hillsides to life.
"...The setting, the colors, the weather, the scottish language, the bleak, meager existence of so many villages contrasted with the wealth of the main..." Read more
"...This is definitly chick-lit, a quick,easy read, beach book. But after reading it I like it better." Read more
"...becomes absorbed into the lives of the villagers and their beautiful Scottish countryside...." Read more
"...The people, the lake, and the maybe-there monster are all lovingly depicted along with the times...." Read more
Customers have mixed reactions to the book's suspenseful story, with some finding it well-researched and pulling them in, while others find it predictable and hard to stomach at times.
"...where this story was going, but the prose is so engaging it kept me intrigued...." Read more
"...story; a small Scottish village relationships tale; a story line of bad men and good women, good men and good women, abuse and romance...." Read more
"...The husband is a little over the top and the romance when it starts happens rather fast but the writing and the setting was beautiful...." Read more
"Such an unusual story is always refreshing, especially when so well written...." Read more
Customers have mixed opinions about the character development in the book, with some finding them well developed while others note they are not particularly likeable and become more despicable as the story progresses.
"...That is a lot going on in one book and yet the author has control over all the characters and all the story elements throughout and is able to..." Read more
"...That said, the plot was thin and the characters a little too harlequin romantic-ish...." Read more
"...There are plenty of monsters in this story as well as heart warming characters who are willing to stare them down. Fabulous read!" Read more
"I found this book enjoyable. I liked the character development for the most part although I was a bit confused towards the end with some of the..." Read more
Customers have mixed opinions about the pacing of the book, with some finding it a fast-paced read while others note that it begins slow and wraps up too quickly.
"...But near the end, things really did pick up pace, which was nice...." Read more
"...I disliked Maddie, Ellis and Hank. The three are spoiled, inconsiderate, always drunk and cared only about themselves...." Read more
"...I felt myself rooting for Maddie through the entire book...." Read more
"A bit slow at the start, but it was interesting so I read on...." Read more
Customers have mixed feelings about the water content in the book, with some loving it as much as Water for Elephants while others find it not as good.
"...Good character analysis. Good story but not as good as Water for Elephants . Good author." Read more
"I liked Water for Elephants so much, that I could not wait for Gruen to write another bookl Woe is me -- How did she come up with this silly soap..." Read more
"...Disappointing compared to Water for Elephants." Read more
"I absolutely loved Water for Elephants and was looking forward to a great read involving some of my favorite genres, WW2, Scotland and monsters...." Read more
Reviews with images

Another great story!
Top reviews from the United States
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- Reviewed in the United States on April 3, 2025Excellent read! It took a while to understand where this story was going, but the prose is so engaging it kept me intrigued. I knew there would be a happy ever at the end but the means had me guessing.
- Reviewed in the United States on August 26, 2015Imagine this novel, At the Water’s Edge by Sara Gruen, is a smoothie you are mixing up in your literary blender. The first of our ingredients are two American men medically unfit for service in World War II, wealthy and privileged but too young to be in control of their families fortunes. We also have one beautiful young woman, Maddie, with wealthy parents but no income who marries one of the clueless pair, Hank and Ellis. We have Ellis’s dad in the recipe, a dad who was shamed by supposedly faking pictures of the Loch Ness Monster, leading Ellis to decide to go (while war is raging) across the Atlantic to clear his father’s name. We have Angus Grant, a Colonel training Commandos and acting as proprietor of the inn where the three Americans have booked rooms. We have Anna and Meg who help out at the inn and a number of other villagers. World War II is an ingredient in our smoothie. Although this Scottish village is distant from the action in the waning days of the war in Europe, residents are still required to use blackout shades at sundown, carry gas masks at all times and to shelter when bombing occurs.
This is definitely an odd set of circumstances around which to create a novel. The author combines quite a number of genres, including a war story; a small Scottish village relationships tale; a story line of bad men and good women, good men and good women, abuse and romance. We have a thread about the wages of lying, another about finding a monster; magical events and ancient superstitions which could only be believable in a small Scottish village. Then we have a commentary about social classes, upper class versus lower class protocol (both classes have rules), crossing class lines, how war levels social classes (at least temporarily). And more. That is a lot going on in one book and yet the author has control over all the characters and all the story elements throughout and is able to produce a novel that is both as perceptive as a fine literary publication and as satisfying as a bodice-ripper, with everyone, pretty much, ending up with the fate they deserve.
- Reviewed in the United States on April 22, 2015I have never read books by this author although I have heard of Water for Elephants. Clearly the amount of research that went into this book is incredibly prodigious and the facts that I learned about Scotland around the time of World War 2 were fascinating. The setting, the colors, the weather, the scottish language, the bleak, meager existence of so many villages contrasted with the wealth of the main characters were drawn sharply. I felt as if I had entered that world. The characters started out complex and conflicted but strangely, became much more uni-dimensional as the story went on. I felt as if the book were written by two different people. The first is an incredibly gifted writer who filled the book with authenticity through the historical details conveyed and the other was an over-boiled bodice ripper romantic writer who was reluctantly describing physically intimate scenes. Interestingly the sexual details of the main character with her husband which showed that she was very unsatisfied and that he was conflicted about having sex with her, were written more seriously than when she does find true love and physical bliss. I actually kept going back to make sure I was still reading the same book, because once the romance figured in, I felt as if someone else had stepped in or heavily edited that section. Otherwise, the women in the book were more interesting than the men but overall, aside from the first person narrator, Maddie, the rest of the characters were pretty one note so that the plot could move on. Certain motivations of the characters who do evil things were never really well explained and felt as if they were manipulated so that there could be some central conflicts brought into a plot that was really thrust upon more of a naturalistic slice of life story until that point.
- Reviewed in the United States on August 30, 2015Such an unusual story is always refreshing, especially when so well written. While there were some 'improbabilities', I didn't care because I enjoyed the story so much. After a slow start, I became interested and couldn't put the book down. Each member of the trio of upper class socialites displays a different view into how that life affects people when thrown into a stew of life away from the cloistered upbringing. There are roles and expectations that often don't seem obvious to those who don't travel in those circles. It would seem endless amounts of money make for an easy life, but that's not necessarily the case. It can be a stifling burden just like not having enough. People are people regardless of circumstances and their strengths and weaknesses make more difference in how their lives evolve. That certainly is the case with this group who head to Scotland during the war. The two young men hope to escape criticism at home for not serving the war effort, but have no clue that it would be worse where the war is actually taking place--and their privileged attitude serves them poorly. The folly of their trip is enormous but invisible to them. The wife of one of the boys goes along as her role dictates, but is set free of her stifling life by the change in circumstances. It seemed to me the Loch Ness monster they sought was the figurative monster in their lives. Don't know if that was intended by the author, but I liked the symbolism and I enjoyed the bit of Scottish lore thrown in as well.
Top reviews from other countries
- Andrew S.Reviewed in Australia on April 22, 2019
5.0 out of 5 stars "Always carry a large flagon of whiskey in case of snakebite..."
This was a great read. I love "Water For Elephants" and I've seen this book described as "more of the same" but I found them to be completely dissimilar. Very recommended.
"...and further, always carry a small snake."
- L maguireReviewed in the United Kingdom on July 10, 2019
5.0 out of 5 stars Lovely read
Loved this book, a lovely read . Very likeable characters, draws you in straight away .
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CinderellatmidnightReviewed in Spain on May 5, 2016
2.0 out of 5 stars Una historia que se desarrolla demasiado lenta
no me ha convencido. No he logrado pasar de las 100 páginas que ya me he rendido. Es muy lento, no se plantea el nudo como para enganchar al lector. A mí personalmente no me ha gustado.
- Jennifer GunningReviewed in Canada on July 21, 2015
5.0 out of 5 stars Lovely book
A well written, captivating story with excellent character development. At the Water's Edge is one of the best books I had read in quite sometime. originally, the description of the story didn't interest me but it was picked for my book club. The story draws you in with each detail, development, character, and circumstance. Highly recommend this book.
- StarrReviewed in Germany on June 25, 2015
3.0 out of 5 stars Not Water for Elephants!
I really wanted to love this book because Water for Elephants is one of my favorite books of all time. I did enjoy reading it because Sara Gruen is a wonderful writer, but it never felt "real". The characters were all caricatures--they never felt like real people and the ending was just too pat. That said, I still read it in a couple of days because I couldn't put it down--it's just that I felt cheated at the end.