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Ash Paperback – May 14, 2019
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In the wake of her father's death, Ash is left at the mercy of her cruel stepmother. Consumed by grief, her only joy comes by the light of the dying hearth fire, rereading the fairy tales her mother once told her. In her dreams, someday the fairies will steal her away. When she meets the dark and dangerous fairy Sidhean, she believes that her wish may be granted.
The day that Ash meets Kaisa, the King's Huntress, her heart begins to change. Instead of chasing fairies, Ash learns to hunt with Kaisa. Their friendship, as delicate as a new bloom, reawakens Ash's capacity for love--and her desire to live. But Sidhean has already claimed Ash for his own, and she must make a choice between fairy tale dreams and true love.
Entrancing and empowering, Ash beautifully unfolds the connections between life and love, and solitude and death, where transformation can come from even the deepest grief.
- Print length304 pages
- LanguageEnglish
- PublisherLittle, Brown Books for Young Readers
- Publication dateMay 14, 2019
- Grade level8 and up
- Reading age13 years and up
- Dimensions5.5 x 1.05 x 8.25 inches
- ISBN-100316531316
- ISBN-13978-0316531313
- Lexile measure1050L
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Customer Reviews |
4.3 out of 5 stars 1,476
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4.4 out of 5 stars 601
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4.1 out of 5 stars 313
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4.2 out of 5 stars 165
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4.4 out of 5 stars 105
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Price | $11.15$11.15 | $11.15$11.15 | $8.52$8.52 | $6.79$6.79 | — no data |
Welcome to the beautifully haunting and thrilling world of Malinda Lo! | Hauntingly romantic lesbian retelling of Cinderella beautifully unfolds the connections between life and love, and solitude and death. | This exciting adventure prequel to Ash is overflowing with lush Chinese influences and details and is filled with action and romance. | Reese can't remember anything from the accident up until she woke up a month later. But she does know one thing: She's different now. | Thoughtful exploration of adolescence, identity, and "the other" in Adaptation's impossible to put down sequel. | This novella takes readers on a trip through Amber's past and gives a deeper look into one of Adaptation's most compelling characters. |
Editorial Reviews
Review
"Cinderella, gorgeously reimagined, captivating and winsome. After you've fallen into the storytelling world of Malinda Lo, the truth of love will transcend the romantic ideal of fairy tales."
―Julie Anne Peters, author of Keeping You a Secret and National Book Award Finalist Luna
" This lyrically retold Cinderella tale is not just a beautifully updated fable, but an ode to the transformative power of love."―Cassandra Clare, bestselling author of The Mortal Instruments series
"A Cinderella story with fresh blood and real yearning."
―Rainbow Rowell, #1 New York Times bestselling author of Carry On
"I will forever hold this gorgeous novel close to my heart."
―Nina LaCour, author of the Michael L. Printz Award winner We Are Okay
"Lyrical and beautifully balanced...this Cinderella is flesh and blood in a whole new, breathtaking way."
―Kristin Cashore, New York Times bestselling author of the Graceling Realm series and Jane, Unlimited
"A modern classic and a must-read for those seeking...the victory of transformation over the darkest grief."
―Roshani Chokshi, New York Times bestselling author of The Star-Touched Queen and The Gilded Wolves
"Lo is one of the greatest voices in YA fiction."
―Kiersten White, New York Times bestselling author of the And I Darken trilogy
"With its beauty and bravery...Ash opened a world to girls like me."
―Anna-Marie McLemore, author of the Stonewall Honor Book When the Moon Was Ours and Blanca & Roja
About the Author
Product details
- Publisher : Little, Brown Books for Young Readers; New edition (May 14, 2019)
- Language : English
- Paperback : 304 pages
- ISBN-10 : 0316531316
- ISBN-13 : 978-0316531313
- Reading age : 13 years and up
- Lexile measure : 1050L
- Grade level : 8 and up
- Item Weight : 9 ounces
- Dimensions : 5.5 x 1.05 x 8.25 inches
- Best Sellers Rank: #787,345 in Books (See Top 100 in Books)
- Customer Reviews:
About the author

Malinda Lo is the bestselling author of Last Night at the Telegraph Club, winner of the National Book Award, the Stonewall Book Award, and the Asian/Pacific American Award for Literature, as well as Michael L. Printz and Walter Dean Myers honors. Her debut novel Ash, a Sapphic retelling of Cinderella, was a finalist for the William C. Morris YA Debut Award and the Andre Norton Award for YA Science Fiction and Fantasy, and the Lambda Literary Award. She can be found on social media @malindalo or at malindalo.com.
Customer reviews
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To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers find the story compelling and engaging. They praise the writing style as simple yet fluid, with a lovely language and memorable images. The characters are described as rich, tough, and natural. The romance is described as realistic and fascinating. The book has a magical feel that holds true to the original fairy tale. Customers appreciate the emotional content as real, poignant, and touching, with themes of loss and grief well-incorporated.
AI-generated from the text of customer reviews
Customers find the book compelling and hard to put down. They appreciate the exploration of a queer protagonist and the addition of the faerie world to the classic tale. The story offers an interesting new take on the classic tale, with romance and suspense.
"...with the fairy race throughout the story and this adds a level of suspense and danger since it's not all bibbity bobbity boo, and there are stories..." Read more
"...—the reader knows, going into the book, that it is a retelling of a common fairy tale. We come in with expectations based on that...." Read more
"...I found this book to be intriguing from just the tag-line, "a lesbian re-telling of Cinderella." I had thought it would be worth a read, a..." Read more
"...I liked the story, I do wish there had been more of a build up between her and her love interest, but the story did revolve around the main character..." Read more
Customers appreciate the writing style. They find the language lovely, the images memorable, and the characters engaging. The prose is simplistic at times yet fluid, guiding the reader on a seamless journey. The ease of the writing and descriptions are appreciated. The book succeeds in painting the land and scenes into beautiful imagery, with good descriptions and poetry.
"...Masterfully written, poetic in its narrative, and the characters developed so well I felt like I was standing directly in front of them, Ash by..." Read more
"...It's beautifully told." Read more
"...ASH is beautifully written and flows wonderfully the entire time...." Read more
"...And that is why it works incredibly well. The prose is simplistic at times yet fluid, guiding the reader on a seamless journey that unfolds..." Read more
Customers find the characters well-developed and portrayed realistically. They appreciate the strong female characters and the portrayal of a queer protagonist in a natural way. The book is described as a powerful tale of female young adult agency with a feminist perspective.
"...particularly her mother, as well as to show our heroine as a tough character, and to wed this tale, with the most popular tellings of French or..." Read more
"...mean that it is a book much more concerned about women’s lives and women’s roles and women’s sources of power than men’s...." Read more
"...Masterfully written, poetic in its narrative, and the characters developed so well I felt like I was standing directly in front of them, Ash by..." Read more
"...The second problem is character-based. Both Ash and Kaisa are stock characters; you can find these types of boring personalities in a lot of YA..." Read more
Customers enjoy the romance in the book. They find it realistic and fascinating, with a sweet attraction between two girls. The theme of love conquering all is appreciated. It's a beautiful tale about a girl who has been stripped of everything she has.
"...It’s an especially feminine book; by that I mean that it is a book much more concerned about women’s lives and women’s roles and women’s sources of..." Read more
"...It's a beautiful tale of a girl who has been stripped of everything she has and how she must collect the broken pieces and put them together to form..." Read more
"...of course eagerly seeking their Prince - it is shown that lesbian relationships exist and no one thinks twice about them being anything other than..." Read more
"...Their relationship is a fascinating one, and he does play the part of the "traditional" fairy godmother, but Ash has to pay a price to attend the..." Read more
Customers enjoy the book's magical feel and fairy tale world. They find it true to the original tales, which are often raw and painful.
"...of the Cinderella (of course), but it has a bit more of a magical feel to it, with the growth of this young woman who's discovering herself...." Read more
"...But it holds true to the feel of the tale it pulls from, and I think that's more important. It is a retelling, after all...." Read more
"...reading it again, however, I find the story to be pleasant and full of feeling...." Read more
"...enchantment, and true to the original fairy stories, often raw and painful...." Read more
Customers find the emotional content of the book poignant and touching. They appreciate the author's ability to incorporate themes of loss and grief. The character Kaisa is described as powerful, full of longing, and courageous.
"...Ash is a likable character, with courage and spirit...." Read more
"...Malinda Lo has successfully incorporated the themes of loss and grief that have always been a part of this timeless tale but often lost in the..." Read more
"...The romance in Ash is less purple prose or a storm of clichés and more poignant and touching -- based on friendship, respect and freedom, not an..." Read more
"...The romance between Ash and the huntress Kaisa is powerful, full of longing, perfectly yearning- exactly the way a fairy tale should be...." Read more
Customers have different views on the pacing. Some find it quick and engaging, with few contractions and a measured pace. Others feel the middle drags on and is slow-paced.
"...There are few contractions and a measured pace, the likes of which we associate with “once upon a time” writing...." Read more
"...The pacing slows during brief periods due to decreased dialog and some may struggle with the lack of depth in many characters...." Read more
"...of Cinderella." I had thought it would be worth a read, a good time-passer. But what I found in this novel was so much more than that...." Read more
"...And then I set it down for a month because the first 2/3rds of the book are so very slow...." Read more
Customers have different views on the book. Some find it fun and engaging, saying it's a great book to share. Others feel the scenes lack depth and are boring. The writing is described as slow and uninteresting.
"...are real, true choices rather than prescribed ones—made this book a joy to read...." Read more
"I absolutely blew threw this book and enjoyed it the whole time...." Read more
"...of the book so intensely follows the Cinderella saga that it is kinda of boring, hard to press through...." Read more
"...Overall, a lovely retelling of the classic fairytale that is delightful and engaging." Read more
Top reviews from the United States
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- Reviewed in the United States on January 29, 2012Overall: 4 1/2 stars
Plot/Storyline: 4 1/4 stars
This is simply a very rich retelling of Cinderella, with many of the well-known details intact, and a few changes and additions. If you are a fan of the Celtic style of fairy tale/folklore - with fairies as a magical race that humans stumbled across at their own peril - I believe this will be extra pleasing. Ash interacts with the fairy race throughout the story and this adds a level of suspense and danger since it's not all bibbity bobbity boo, and there are stories throughout to remind us of how dangerous these interactions can be.
The love story - Ash and the huntress - is not treated as controversial. In this world, people don't seem to give a thought to it as a forbidden thing, and the treatment is matter of fact. People fall in love and this one girl, Ash, almost without realizing it falls in love with the Royal Huntress. There is more controversy in the class difference between someone who looks and acts like a scullery maid and a person who is part of the royal court. Their relationship is only overtly romantic well into the book, and this aspect is quite G-rated.
(It's worth noting that the author comments on her blog that "in Ash's world, there is no homosexuality or heterosexuality; there is only love. The story is about her falling in love. It's not about her being gay.")
The novel length is of benefit to the story, allowing Lo to give more time to Ash's profound grief over the loss of her parents, particularly her mother, as well as to show our heroine as a tough character, and to wed this tale, with the most popular tellings of French or German derivation, with the storytelling traditions of the British Isles.
One of my complaints is that the author downplays Ash's dilemma between a life with the fairies and love in the real world. I think it could make her feelings seem shallower than had been intended, and her transition perhaps seemed less than completely explained.
The other complaint is the ending. It ends happily, as it should! However, the resolution was simply too easy, as if the writer couldn't think of a more complex way to get the same result. To say more would be to spoil, but there was definitely some missing conflict.
Characters: 4 1/4 stars
Ash is a likable character, with courage and spirit. Whether or not you'll consider her intelligent is a matter of how you perceive her interactions with the fairy world since pretty much every story she'd read and her mother and everyone who believed in fairies told you they don't play! However, in the beginning she was longing to be with her dead mother and felt she had nothing left for her, and so it makes some sense to me.
I would have liked at least one more scene where we get to see what's in the love interest's heart, but - as is often the case with romantic stories - it's enough that a sympathetic character found love.
Lo made one of the stepsisters awful, but still with a hint of girlish hopes for herself, and one on the brink of likable. The stepmother seemed to have a justification for her actions, or at least she was able to justify it in her own mind. For the most part, I cannot say the secondary characters were fully fleshed out, but fairytales do tend to be told in broad strokes.
Writing style: 4 1/2 stars
Lo does a nice job of making the story feel both traditional and new - honoring folktales and traditions while seamlessly including a message of acceptance. By having it not matter to these people, in Once Upon A Time Land, that a girl's heart is given to another girl, it points out pretty sharply that it's odd that it bothers so many people in this world.
As someone who enjoys fairytales, and folktales, and the reimagining of them, I found the author's choices and treatment of this story to be quite satisfactory.
- Reviewed in the United States on April 24, 2014Malinda Lo’s ASH is a quick read packed with interesting ideas. The book explores themes of femininity, liminality and power all wrapped up in a queer coming-of-age retelling of Cinderella. Aisling—nicknamed Ash—winds up working in her stepmother’s house as a servant after the untimely deaths of first her mother and then her father. Her father’s death saddled her stepmother, Lady Isobel, with unforseen debts, and Lady Isobel tells Ash it’s her duty to work those debts off by way of servitude. Ash grows up a servant in Quinn House, where she cooks and cleans for Lady Isobel and her stepsisters Ana and Clara. But while her days are taken up with the minutia of housekeeping, Ash’s nights are her own. She explores the nearby woods, where she meets first a fairy man with an ominous and mysterious interest in her, and then the King’s Huntress, Kaisa, for whom Ash falls hard. The crux of the book comes when Ash decides to strike deals with the fairy, Sidhean, in order to spend time with Kaisa. The book is full of cusps and precipices: Ash wanders from the human world into the fairy world, from childhood to adolescence, is a servant but masquerades as a noblewoman. It’s a book about choices and about boundaries with a very welcome and agentic female protagonist.
Lo was intentional in her use of fairy tales throughout—the reader knows, going into the book, that it is a retelling of a common fairy tale. We come in with expectations based on that. The style of the book is distant and regal, old-fashioned. There are few contractions and a measured pace, the likes of which we associate with “once upon a time” writing. Occasionally this was too literal for my taste, but Lo generally carries it off and uses this tone and language to create truly lovely imagery throughout. But, what’s most interesting is that there is, at play here, a meta-textual relationship between the fact that this is another iteration of a common fairy tale and the role of fairy tales within the book. Ash reads and rereads a book of fairy tales throughout her childhood and adolescence. Ash and Kaisa flirt by telling each other their favorite fairy tales. They discuss the role of fairy tales, the lessons they teach, and how regardless of their veracity they become real, living institutions. Ash uncovers the fairy tales of her own history—of her mother’s life—over the course of her relationship with Sidhean, a living fairy. It’s a fascinating thing to read which never becomes overly clever or gimmicky.
Part of the reason the fairy tales within a fairy tale aspect of the book works so well is because Ash’s world is so well-drawn. It’s an especially feminine book; by that I mean that it is a book much more concerned about women’s lives and women’s roles and women’s sources of power than men’s. While Lady Isobel and her two daughters first appear to be yet another two-dimensional incarnation of the evil stepmother and wicked stepsisters trope, Lo takes the time to fill them in and give them realistic motives and limitations. They never become sympathetic, but they become understandable people who are both trapped in their circumstances and so entrenched in those circumstances that they see only a handful of options. Lady Isobel is a woman heading a household and managing a mountain of debt without any real income—it makes financial sense for her to take her stepdaughter and turn her into a servant she doesn’t have to pay. It is unfair, but it makes sense. And it makes sense for her to push her oldest daughter, Ana, to marry well. She sees Ana as her one chance at pulling her family out of the hole, and Ana is groomed and indoctrinated accordingly. Clara, the second sister, has a number of interesting conversations about marrying for money and status with Ash over the course of the book. Ash, being a servant, is in a position where marrying for love is a much simpler and much more accessible option. That Lo points this out humanizes and contextualizes the book’s antagonists.
Marriage—who does it and who doesn’t—is a broader theme in the book. The outlying towns where Ash hails from are held together by rural greenwitches, who work as the town’s healers and sources of wisdom and who traditionally don’t marry. Ash’s mother was one prior to her marriage to Ash’s father, so Ash is steeped in that community. The King’s Huntress, a position of high status and visibility, is another role of feminine power tied to a tradition of not marrying. And in contrast, there is Lady Isobel and her daughters who, through circumstance and their institutional lack of a viable trade, use marriage to claim and assert an altogether different kind of power. This running conversation about women’s lives and women’s choices—and the extent to which those are real, true choices rather than prescribed ones—made this book a joy to read.
While Ash was a finely drawn character, I would have liked deeper characterization of the tertiary characters. Kaisa, specifically, remained a cipher through the text, someone who was more role than real person. I rooted for them to work out, but mostly because I was rooting for Ash; their romance felt rote and unfinished at times, but perhaps that was . Ultimately, my biggest complaint about the book is that it was too short and too restrained for my taste. I wanted more history, more exploration of the characters’ interaction. I wanted more raw anger and sexuality. But this was a YA book, and Ash adheres to the conventions of YA lit—short, fraught with tension that culminates in a couple of tongue kisses and nothing more. None of this is a criticism of the conventions of YA literature; these are more my personal tastes. ASH is an excellent book by any standard, and an excellent YA book in particular.
Top reviews from other countries
- CatibriReviewed in Canada on July 6, 2023
5.0 out of 5 stars Great take on Cinderella
Loved how the story unfolded! And the Lesbian plot well done
- Annabelle SimonsReviewed in the United Kingdom on March 19, 2017
5.0 out of 5 stars New favourite book
[SPOILERS] I finished Ash a few days ago and it has become my new favourite book. Before I read this, I didn’t even know what to say when someone asked me what my favourite book was - but now I do! Ash has everything i could ever want from a story. From the beautiful, magical world it’s set in where greenwitches are dying out and fairies lurk in the shadows, to the same-sex relationship at the very forefront of the book. I’m still thoroughly enchanted by this incredible novel.
From the very beginning, this book is captivating. As someone who very recently lost their mum, I’m so happy to be able to identify with Ash, who we see at her mum’s funeral at the very start of the book. This loss is something that echoes throughout the pages, which I was very happy about. I’ve found that loss can often be portrayed wrongly in fiction, like something you can easily forget about or move on from. But Ash goes from wanting to find a way to bring her mum back from the dead, to craving the sound of her voice, to just missing her dearly and wishing she was by her side. I commend Malinda Lo for this brilliant portrayal. I felt for Ash so much, and hope I would do so even without going through my own trauma.
Then there’s the love within the story. I’m not sure whether to label Ash as lesbian or bisexual, but she seems very interested in a male faerie, at first. Of course, he is a faerie, and there is a whole bunch of agenda and backstory underneath the mere enjoyment of his company. I was never sure whether to think he was evil or not, but he was interesting. Then, we meet the huntress. I love the way Malinda Lo built their story, with little meetings that unveiled a little bit more each time about both characters. It is tender and captivating. In a lot of novels I find I don’t believe the love story, or maybe even that I don’t care about it, but this one was careful and magical. With Ash acting as a servant to her step mother, she can rarely leave the house, and ends up making deals with the faerie who tells her that she belongs to him. You’re never quite sure where she will end up, but I was thrilled when she finally ended up in the huntresses arms. And none of it seems too dramatic, or overly sexual. It’s just a brilliant story.
Lastly, there’s the magic in the book. I’ve already mentioned the faerie, but Ash and other characters are constantly telling tales of faeries and people who get taken away from them. We understand that most people don’t believe in them in the story world, now, but Ash does, and wants after their magic to help in her life. There are also witches, which Lo calls “greenwitches”, who do certain ceremonies and healing rituals. I liked this too, and felt I could really see the herbs and such that the witches would use. It seems Ash’s mum was also a witch. And all this magic ties together perfectly, enough to keep Ash from the completely non-magic reality around her.
I just really, really liked this book. It’s been a long time since something has held me that captive and got me that into a story. If you’ve found yourself becoming bored of stories with predominantly straight characters, or where the love just seems completely unrealistic, you must read Ash. <3
- Amazon CustomerReviewed in Australia on January 5, 2017
5.0 out of 5 stars Not much of a reader, but... loved it!!
Slow burning love. Perfect re told story. I'm not much of a reader. Been wanted to read a lesbian novel for ages just didn't look into it as much..till recently. I came across this book so many times. I loved this and will continue to find more lesbian love stories ❤ I'm glad I picked this book to get me started ☺
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CélineReviewed in France on August 21, 2015
5.0 out of 5 stars Un conte comme on voudrait en lire plus souvent
Ce conte de Malinda Lo est un vrai coup de coeur. C'est beau, frais, poétique, enchanteur et surtout joliment écrit.
C'est une nouvelle façon de (re)voir le conte de Cendrillon sans le côté mièvre à la disneyenne. On sort carrément du stéréotype manichéen de la gentille fille qui veut fuir sa méchante belle-mère pour aller se marier avec le beau Prince Charmant. Ici, le personnage principale, Ash (Cendre en français), est touchante sans inspirer la pitié, elle apprend de son environnement, elle choisit et elle agit plutôt que de subir. Elle va s'apercevoir qu'être belle et bien habillée ne suffit pas pour être aimée, qu'il est possible d'aimer de plusieurs façons différentes, que de suivre les autres n'est pas le meilleur choix, etc. Bref, on a enfin un conte pour ado (et adulte) où le personnage féminin, même si douce et touchante, a une vraie personnalité. Dommage qu'il ne soit pas encore traduit en plusieurs langues, il mérite vraiment d'être connu !
- Martina LReviewed in Germany on November 11, 2011
5.0 out of 5 stars loved it
It's a cinderella-story, but not a very common one. A girl named Ash (= Cinderella) looses her parents one after another and is from the beginning until the end confronted with a long fought conflict: the fight between tales and religious faith. Her mother and father, her two maybe-lovers are all combined in this fight and until the end no one seems to win. Both sides got something important or convenient for Ash and she just knows how to use them, without exploiting them.
There are many interesting tales told during the big plot, i truly enjoyed them. It's all a very creative mix of fantasies and tales and they do not disturb the whole, bigger plot of the story.
In the end, she chooses one (i won't tell which) but - from the readers perspective - it's not a bad one, because somehow she managed to leave everyone pleased. And it has a very interesting rule of thumb in the end: (SPOILER!!!) the prince is a good, but not always the right choice.