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Gently read copy with no obvious marks of previous ownership. Binding tight; spine straight and smooth. Covers clean and crisp, with no creasing. Pages unbent & clean. Minimal signs of age, handling, or shelving. May include inscription or signature, light highlighting/underlining. 100% GUARANTEE! Gently read copy with no obvious marks of previous ownership. Binding tight; spine straight and smooth. Covers clean and crisp, with no creasing. Pages unbent & clean. Minimal signs of age, handling, or shelving. May include inscription or signature, light highlighting/underlining. 100% GUARANTEE! See less
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The Nick Tosches Reader Paperback – April 7, 2000

4.1 out of 5 stars 26 ratings

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Newsday has said that Nick Tosches "casts brilliant black light." The San Diego Reader has said that "Tosches's best sentences uncoil like rattlesnakes and strike with a venom that spreads poison through all the little Sunday-school ideas you've held dear." And Rolling Stone has said that "Tosches can write like a wild rockabilly raveup. He can be elegant as a slow blues." The Nick Tosches Reader is the author's own selection of his best work over the past thirty years, including fiction, poetry, interviews, rock writing, investigative journalism, and criticism. First published in major magazines, obscure underground periodicals, and his own best-selling books, many of these selections deal with rock 'n' roll and cultural icons—but there are also pieces on everything from William Faulkner to organized crime to heavyweight boxing, including the Vanity Fair feature that gave rise to Tosches's major new book on Sonny Liston, published by Little, Brown. Here is "a unique and darkly impressionistic cultural history" of the last three decades as only Nick Tosches could write it.
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Editorial Reviews

From Publishers Weekly

Tosches is best known for his 100-proof biographies of Dean Martin and Jerry Lee Lewis, and his beautifully trenchant life of the prize-fighter Sonny Liston (see review above) will arrive to the timely accompaniment of this collection from his diverse writing career, showing Tosches to be more than a gifted, dogged chronicler of flawed public figures. The Reader contains more than 100 pieces, including excerpts from the author's nonfiction, his two novels (Cut Numbers, Trinities), dozens of magazine pieces that appeared in such publications as Rolling Stone, Esquire and Vanity Fair (to which Tosches is now a contributing editor) and riffs on Charles Olson's Maximus Poems, Sinatra's voice, Miles Davis's horn, Carly Simon's mouth and "The Singer Madonna Arraigned by the Ghost of Pope Alexander VI." While these pieces, taken together, show the arc of a successful career, they also give a glimpse of a period in magazine writing that is long gone, in which hell-bent editors such as Lester Bangs would assign a review of a new album and the reviewer could simply talk about how the packaging felt in his hands. Tosches, early in his career, paid his bills with small fees garnered as a music critic, and this lively era of no-holds-barred journalism (later to be dubbed "New") is on raunchy display here. Creem asked Tosches to interview Patti Smith, and the rock-poet says, "Hell, Nick, you know me. Just make it up." And he does. In Rock magazine, he reviewed an album that never existed ("It is indeed quite difficult to approach this album with the pedestrian sensibilities that suffice for most musical creations"). The term "pedestrian" will never be applied to Tosches--neither in his interests nor his prose style. In this carefully constructed collection, for which Tosches provides contextual links and anecdotes about the composition of each piece, readers will get a complex and satisfying portrait not only of a time but of a deeply reflective and probing writer who, beneath the din of music and gangsters and poseurs, hears what he calls "the wisdom and power of silence and wind." (Apr.)
Copyright 2000 Reed Business Information, Inc.

From Library Journal

Best known for his classic Jerry Lee Lewis biography, Hellfire, Tosches has compiled his book and record reviews, articles, rock interviews, and other works that have appeared in magazines (under- and overground) in the last 30 years. While organizing this anthology-of-sorts, he also wrote funny and insightful introductions to each piece. The best parts are the short fiction and personal essays, which are often overtly sexual and hubristic but written with an Olympian mastery of language--it's like reading Bukowski by way of Tennyson. The resulting work would, in a just world, make Tosches the patron saint of literate, disaffected male college students with an ear for caustic, honest work. The music writings and book reviews are ultimately esoteric but help forge this collection into a fascinating document of New York City subculture and the dissipation of the Altamont generation. Recommended for larger social science collections.
-Colin Carlson, New York
Copyright 2000 Reed Business Information, Inc.

Product details

  • Publisher ‏ : ‎ Grand Central Publishing (April 7, 2000)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 624 pages
  • ISBN-10 ‏ : ‎ 0306809699
  • ISBN-13 ‏ : ‎ 978-0306809699
  • Item Weight ‏ : ‎ 1.85 pounds
  • Dimensions ‏ : ‎ 9.3 x 6.08 x 1.3 inches
  • Customer Reviews:
    4.1 out of 5 stars 26 ratings

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Top reviews from the United States

  • Reviewed in the United States on November 16, 2013
    A journey into the mind and heart of a writer like this has its painful moments to be sure, but it also left me feeling provoked and even inspired. I don’t think I have read a “reader” like this that I thought so successfully laid out what an author is all about in his various moods and guises. Usually I avoid those things because the irritating fragments they contain rarely show the greatness which they are capable of; it is usually better to go directly to the best known works. These pieces were selected by Tosches himself, and although I think that an artist is not always the best judge of his own work, at least this way one gets a look at what he himself thinks should be in his reader.

    Tosches is a writer of many facets, most of them not very nice. He is in love with sleaze in all of its varieties – the dank, acrid worlds of crime, substance abuse, and falls from grace is what he likes to write about the most. The thinking man’s slimeball, Tosches began his career as a music journalist specializing in country and rock. From there he branched out into poetry, feature articles, fiction, and biography. His true specialty is the area in which the world of scuzz overlaps with the world of entertainment and spectacle, and I would be surprised if anyone has written better about this sort of thing than he has. In this book are many fine pieces describing the lives of those whom fame could not redeem, such as country singer George Jones, Hollywood & Mafia lawyer Sidney Korshak, TV preachers Swaggart and Bakker, and rock writer Lester Bangs. He has written entire books on Jerry Lee Lewis, Sonny Liston, Dean Martin, and financier Michele Sindona – and excerpts from all of these are in the collection.

    Tosches makes his presence known and makes it clear that his writings are going to be about his opinions and perceptions. Much of what he expresses is laced with dark sarcasm, and though the taste may be bitter at times, one keeps reading, almost as if reading his stuff was a nasty and hard-to-break little habit. He has no qualms about throwing in a little homophobia and objectification of women; he was a tough kid from Jersey City and still carries some of the values of his youth. When he turns his contemptuous gaze at subjects such as the Iron John men’s movement or the Elvis Presley lives phenomenon, real hilarity and sharp social criticism can be the outcome.

    The book is also full of autobiographical sections. Tosches takes us along for a few drunken escapades (he is/was a serious binge drinker), memories of a blue-collar youth, and a few romantic encounters that reek with repressed anger toward women. His imagination tends toward the mythical on occasion, and he has a way of hinting offhandedly at deeper meanings without explaining them. His poetry is spontaneous and formless, mostly it seems blurted out, ringing both funny and soulful (but sometimes just foolish). There were times when I cringed while reading this, but I never wanted to put it down. I realized I was in the presence of an egomaniac, but a true artist – a writer with an impressive vocabulary and a willingess to look deep into the darknesses within himself and others, and to present perceptions that no one else has or could.
    6 people found this helpful
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  • Reviewed in the United States on August 17, 2022
    A real tough guy with A LOT of excellent fiction, interviews and features- my favorite might be his Vanity Fair piece on finding The Last Opium Den- I don't think it's included in this collection, but it is available on Scribd. I'd get all of these.
    One person found this helpful
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  • Reviewed in the United States on October 3, 2014
    This book is Fantastic ! This guy doesn't know HOW to write a boring page. This book has a lot of really interesting stuff in it. I don't have but about 4 of his books so I bought this to get an inking of other things... more than an inkling here tho.. Great Big thing
    3 people found this helpful
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  • Reviewed in the United States on August 26, 2004
    If Humphrey Bogart (or the characters he usually played) had been a writer, he might have been Nick Tosches. Tough and funny with an iconoclasm even Bogie would have been hard-pressed to match, the author acknowledges his tough guy aspirations in the foreword to this collection of his early work: "I thought of myself as a tough guy. That is to say I pretended to be a tough guy." The cover photograph showing Tosches with cigarette in hand, a wiseguy look in his eyes, suggest he's still pretending. It may be an act but Tosches has the write stuff to pull it off.

    That foreword may be one of the most honest self-portraits a writer has ever published. He admits what most of us who toil in the land of ink-stained wretchdom would probably deny but know to be true: we write because we're afraid to look someone in the eye and tell the honest, unvarnished truth about ourselves and others. But even confronting a blank piece of paper requires a courage many writers and aspiring writers lack. Tosches has courage in abundance. Anyone who subscribes to the foolishness of political correctness won't be able to endure more than a few pages of Tosches's writing. He's brutal in his honesty, and refuses to bow down and kiss the ring of popular fashion. Whether the subject is his own youth, Elvis (his ruminations on the King are a highlight), Miles Davis, fellow writer Lester Bangs, drugs, sex, rock and roll, or country music, Tosches, whose formal education never progressed beyond high-school, writes about it in an often erudite manner that is saved from pretension by the tough kick to the groin he frequently administers.

    This collection was compiled from Tosches' writings through the years for publications large and small, and usually obscure and forgotten. His prose (and the several pages of poetry included) is shocking, funny, and damn good. This a collection to turn to again and again.

    Brian W. Fairbanks
    12 people found this helpful
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  • Reviewed in the United States on January 12, 2023
    The print is blurry, the cover is blurry, as well. It's a poor photocopy on photocopy paper. I do not recommend this vendor. The text by Tosches is awesome, though. Whatever. Don't buy from this vendor.