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Come to Me: Stories Paperback – April 13, 1994
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National Book Award Finalist
"Bloom writes about passion—shameful, blissful and perverse. . . . Her voice is sure and brisk, her language often beautiful; the result is humorous and well as heartrending fiction. . . . Her work has the power both to disturb and to console." —New York Times Book Review
"A wonderful collection of stories by a writer of amazing skill, intelligence and compassion. Come to Me is a debut which leaves the reader begging for more." —Alice Hoffman
This stunning collection of stories from New York Times bestselling author Amy Bloom takes us into the inner worlds of families, the hidden corners of marriages and affairs and friendships, and introduces us to people whose lives are shaken and changed by love. This is fiction that stays with you long after you've turned the last page, that celebrates the flawed dignity of the human and reminds us all of the fine venture of living in grace and hope in the worlds we are born to and make.
- Print length192 pages
- LanguageEnglish
- PublisherHarper Perennial
- Publication dateApril 13, 1994
- Dimensions5.31 x 0.43 x 8 inches
- ISBN-100060995149
- ISBN-13978-0060995140
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Editorial Reviews
Amazon.com Review
The unusual pervades these stories, and Bloom handles some outsized events with delicacy and humor. In "Sleepwalking," a new widow sends her stepson away after they've slept together, because she wants him to have a normal life. The author makes us aware that there's something terrible and foolhardy about this woman's decision. Several other characters find themselves in equally desperate situations, their only consolation being recollections of earlier bliss, often sensual: "It was like nothing else in my life, that river of love that I could dip into and leave and return to once more and find it still flowing." For them, memories of past happiness makes present sorrow bearable.
Review
"Bloom writes about passion—shameful, blissful and perverse. . . . Her voice is sure and brisk, her language often beautiful; the result is humorous and well as heartrending fiction. . . . Her work has the power both to disturb and to console." — New York Times Book Review
"A wonderful collection of stories by a writer of amazing skill, intelligence and compassion. Come to Me is a debut which leaves the reader begging for more." — Alice Hoffman
"I feel as though before discovering Amy Bloom, I was lost, and now I'm found." — Ruth Coughlin, Detroit News
"Amy Bloom has many voices and lives many lives. . . . Come to Me is charged from the first line. . . . Then step by step it gathers weight, texture, and power, and suddenly it ends with what is really another beginning. . . . We know we are in the hands of a real writer." — Margo Jefferson, New York Times
"What this gifted storyteller offers on every page is an offer impossible to refuse: Come in, sit down and prepare to be beguiled. . . . Bloom is the psychotherapist as alchemist, transmuting the messy dross of everyday life into the gold of artfully shaped fiction." — Newsday
From the Back Cover
Excerpt. © Reprinted by permission. All rights reserved.
heartbreaking funeral, I began to think about calling off
the wedding. August 21 did not seem like a good date, John
Wescott did not seem like a good person to marry, and I
couldn't see myself in the long white silk gown Mrs.
Wescott had offered me. We had gotten engaged at Christmas,
while my mother was starting to die; she died in May,
earlier than we had expected. When the minister said, "She
was a rare spirit, full of the kind of bravery and joy
which inspires others," I stared at the pale blue ceiling
and thought, "My mother would not have wanted me to spend
my life with this man." He had asked me if I wanted him to
come to the funeral from Boston, and I said no. And so he
didn't, respecting my autonomy and so forth. I think he
should have known that I was just being considerate.
After the funeral, we took the little box of ashes back to
the house and entertained everybody who came by to pay
their respects. Lots of my father's law school colleagues,
a few of his former students, my uncle Steve and his new
wife, my cousins (whom my sister Lizzie and I always
referred to as Thing One and Thing Two), friends from the
old neighborhood, before my mother's sculpture started
selling, her art world friends, her sisters, some of my
friends from high school, some people I used to baby-sit
for, my best friend from college, some friends of Lizzie's,
a lot of people I didn't recognize. I'd been living away
from home for a long time, first at college, now at law
school.
My sister, my father, and I worked the room. And everyone
who came in my father embraced. It didn't matter whether
they started to pat him on the back or shake his hand, he
pulled them to him and hugged them so hard I saw people's
feet lift right off the floor. Lizzie and I took the more
passive route, letting people do whatever they wanted to
us, patting, stroking, embracing, cupping our faces in
their hands.
My father was in the middle of squeezing Mrs. Ellis, our
cleaning lady, when he saw Mr. DeCuervo come in, still
carrying his suitcase. He about dropped Mrs. Ellis and went
charging over to Mr. DeCuervo, wrapped his arms around him,
and the two of them moaned and rocked together in a
passionate, musicless waltz. My sister and I sat down on
the couch, pressed against each other, watching our father
cry all over his friend, our mother's lover.
When I was eleven and Lizzie was eight, her last naked
summer, Mr. DeCuervo and his daughter, Gisela, who was just
about to turn eight, spent part of the summer with us at
the cabin in Maine. The cabin was from the Spencer side, my
father's side of the family, and he and my uncle Steve were
co-owners. We went there every July (colder water, better
weather), and they came in August. My father felt about his
brother the way we felt about our cousins, so we would only
overlap for lunch on the last day of our stay.
That July, the DeCuervos came, but without Mrs. DeCuervo,
who had to go visit a sick someone in Argentina, where they
were from. That was okay with us. Mrs. DeCuervo was a
professional mother, a type that made my sister and me very
uncomfortable. She told us to wash the berries before we
ate them, to rest after lunch, to put on more suntan
lotion, to make our beds. She was a nice lady, she was just
always in our way. My mother had a few very basic summer
rules: don't eat food with mold or insects on it; don't
swim alone; don't even think about waking your mother
before 8:00 a.m. unless you are fatally injured or ill.
That was about it, but Mrs. DeCuervo was always amending
and adding to the list, one apologetic eye on our mother,
who was pleasant and friendly as usual and did things the
way she always did. She made it pretty clear that if we
were cowed by the likes of Mrs. DeCuervo, we were on our
own. They got divorced when Gisela was a sophomore at Mount
Holyoke.
We liked pretty, docile Gisela, and bullied her a little
bit, and liked her even more because she didn't squeal on
us, on me in particular. We liked her father, too. We saw
the two of them, sometimes the three of them, at occasional
picnics and lesser holidays. He always complimented us,
never made stupid jokes at our expense, and brought us
unusual, perfect little presents. Silver barrettes for me
the summer I was letting my hair grow out from my pixie
cut; a leather bookmark for Lizzie, who learned to read
when she was three. My mother would stand behind us as we
unwrapped the gifts, smiling and shaking her head at his
extravagance.
When they drove up, we were all sitting on the porch. Mr.
DeCuervo got out first, his curly brown hair making him
look like a giant dandelion, with his yellow t-shirt and
brown jeans. Gisela looked just like him, her long, curly
brown hair caught up in a bun, wisps flying around her
tanned little face. As they walked toward us, she took his
hand and I felt a rush of warmth for her, for showing how
much she loved her daddy, like I loved mine, and for
showing that she was a little afraid of us, of me,
probably. People weren't often frightened of Lizzie; she
never left her books long enough to bother anyone.
Product details
- Publisher : Harper Perennial; Reprint edition (April 13, 1994)
- Language : English
- Paperback : 192 pages
- ISBN-10 : 0060995149
- ISBN-13 : 978-0060995140
- Item Weight : 5.6 ounces
- Dimensions : 5.31 x 0.43 x 8 inches
- Best Sellers Rank: #482,638 in Books (See Top 100 in Books)
- #4,694 in Contemporary Literature & Fiction
- #10,339 in Short Stories (Books)
- #25,527 in Literary Fiction (Books)
- Customer Reviews:
About the author

Author of three New York Times best-sellers and three collections of short stories, a children’s book and a ground-breaking collection of essays. Bloom has been a nominee for both the National Book Award and the National Book Critics Circle Award. Her stories have appeared in Best American Short Stories, Prize Stories: The O. Henry Awards, and numerous anthologies here and abroad. She has written for The New Yorker, The New York Times Magazine, The Atlantic Monthly, O Magazine and Vogue, among many other publications, and has won a National Magazine Award for Fiction. Her work has been translated into fifteen languages.
She has written many pilot scripts, for cable and network, and she created, wrote and ran the excellent, short-lived series State of Mind, starring Lili Taylor. She is now Wesleyan University’s Shapiro-Silverberg Professor of Creative Writing.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
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Learn more how customers reviews work on AmazonCustomers say
Customers praise the author's writing style, with one noting its refreshing depth. The short story collection receives positive feedback, with one customer describing how it stopped their breathing. Customers appreciate the book's value, with one highlighting its wonderful collection.
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Customers praise the author's writing style, with one noting its refreshing depth, while another mentions how the author helps readers understand the content.
"...Bloom has been trained in psychotherapy, and this adds a refreshing depth to her writing...." Read more
"...But four stories in particular are among the best I've read in years...." Read more
"...I’m on my 2d reading. Definitely worth buying and reading. Would be great for small book club. Many in my family are getting copies for holidays." Read more
"Good read. Amy is so talented and raw. Love her books!" Read more
Customers praise the short story collection, describing it as wonderful and perfect, with one customer noting how the opening of the book stopped their breathing.
"...The opening of the story is beautiful, as the narrator reminisces about her sister's singing voice: "..." Read more
"...so I leave writing reviews to the NYT but this small collection of stories stopped my breathing...." Read more
"...These stories are wonderful...vivid, touching, and wise. Highly recommend." Read more
"Amy Bloom is a subtle, insightful writer with the ability to tell stories that reveal the 'real' in each character" Read more
Customers appreciate the author's writing style, with reviews describing it as impeccable, vivid, endearing, and true to life.
"...creates, and the way these characters interact with each other is so true to life that it's almost frightening...." Read more
"...Bloom's understanding of personal tragedies, and elation for her consistently impeccable style." Read more
"...These stories are wonderful...vivid, touching, and wise. Highly recommend." Read more
"Spectacular! I don’t pass out writing praise like that every day...." Read more
Customers find the book to be worth buying, with one customer describing it as a wonderful collection.
"...I’m on my 2d reading. Definitely worth buying and reading. Would be great for small book club. Many in my family are getting copies for holidays." Read more
"...These stories are wonderful...vivid, touching, and wise. Highly recommend." Read more
"...Oh yes! Just a wonderful collection and now i need to read her other books. Just a spectacular writer." Read more
"Very nice copy Excellent service." Read more
Top reviews from the United States
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- Reviewed in the United States on October 29, 2012Originally posted on my blog, The Reader's Commute.
Amy Bloom is a storyteller I turn to again and again; whether it's because I want a good cry or I want sentences so beautiful that they make me cry, Bloom does not disappoint. This summer I had the opportunity to read her 1993 short story collection, Come to Me.
The winning story in this collection was certainly "Silver Water," a piece that explores that relationship between a girl and her mentally-handicapped sister. As the narrator struggles to remember how her sister once was, her family tries to deal with the challenges that come along with caring for someone who is mentally ill. The opening of the story is beautiful, as the narrator reminisces about her sister's singing voice:
"My sister's voice was like mountain water in a silver pitcher; the clear blue beauty of it cools you and lifts you up beyond your heat, beyond your body. After we went to see La Traviata, when she was fourteen and I was twelve, she elbowed me in the parking lot and said, 'Check this out' And she opened her mouth unnaturally wide and her voice came out, so crystalline and bright that all the departing operagoers stood frozen by their cars, unable to take out their keys or open their doors until she had finished, and then they cheered like hell."
Bloom has been trained in psychotherapy, and this adds a refreshing depth to her writing. She clearly understands the motives and desires of the characters she creates, and the way these characters interact with each other is so true to life that it's almost frightening.
Bloom's stories often focus on love and complicated relationships, such as the relationship between a widow and her stepson in "Sleepwalking." The subjects in these stories are often troubled and their problems can be emotionally-draining to the reader, which is why I think I love the fact that these are short stories and not longer works. That way, I can have a little bit of sadness that lasts ten or twenty pages, and then I can go about my day.
That's the beauty of a short story collection. You get complete, fulfilling stories on a smaller scale. Short story collections are especially great for commuting because you can finish a story or two on a train and not feel like you're missing out (and not worry about "what will happen next?" when you're at work all day).
For anyone who has not read Amy Bloom before, or for anyone who is looking to delve into the world of the short story, I highly recommend reading Come to Me.
- Reviewed in the United States on May 6, 2012Readers looking for characters they can "relate to" or clones of people they know in their own lives should probably move along. Bloom doesn't simply create believable characters; instead, she re-imagines real, messed-up people. These are everyday folks with anything but everyday lives. (Somehow I missed the fact--even though it's emblazoned right on the back cover--that Amy Bloom used to be a social worker practicing as a psychotherapist. Which explains a lot, actually, including the prevalence of therapists in the collection.) Some readers might argue--and some have--that the men and women in this collection are too extreme in their actions and reactions. Yet, as the dying mother of the opening story, "Love Is Not a Pie," explains her own acceptance of unconventional behavior, "People think it can't be that way but it can. You just have to find the right people."
And Bloom finds the right people. (The larger challenge, one supposes, is finding the right readers for these bleak, dark-humored stories.) Even the lesser stories here would be standouts in many other authors' collections. But four stories in particular are among the best I've read in years. The aforementioned "Love Is Not a Pie" portrays two daughters at their mother's funeral, when they discover uncomfortable truths about their parents' relationship. Death is often a catalyst in the stories: "Sleepwalking" also occurs after funeral, when a stepmother deals--poorly--with her stepson's sexual attraction for her.
The other two are from a trio of stories involving various generations of the same family. "Hyacinths" portrays an accidental childhood death, a young boy's guilt, a father's religious intransigence--all leading to the boy's rescue and redemption as an adult. But the real treat arrives in the justly famous "Silver Water," which depicts the horrible descent into insanity by a young woman and the act of mercy performed by her sister.
I came to these stories cold--knowing none of the "shocking" revelations and virtually nothing about the author other than her well-known name. Reading them was an unforgettable experience, and I've deliberately concealed much about these stories so that other readers can experience the same weird mixture of disquiet in response to the stories' subject matter, admiration of Bloom's understanding of personal tragedies, and elation for her consistently impeccable style.
- Reviewed in the United States on November 17, 2023I buy too many books so I leave writing reviews to the NYT but this small collection of stories stopped my breathing. It took me a bit to realize each story had characters from same family and friends but different generations or settings. I started out reading good short stories but by the 2d section of this jewel I had to put it down after each pair of pages to catch my breath and ponder what I had read. I’m on my 2d reading. Definitely worth buying and reading. Would be great for small book club. Many in my family are getting copies for holidays.
- Reviewed in the United States on February 13, 2015Good read. Amy is so talented and raw. Love her books!
- Reviewed in the United States on August 2, 2023I ordered this book after hearing Amy Bloom narrate her memoir, "In Love." These stories are wonderful...vivid, touching, and wise. Highly recommend.
- Reviewed in the United States on March 21, 2022I was given a copy of this book in the mid 80s and i lent it to someone who never returned it. I bought this copy to read and check if my memories were accurate. Oh yes! Just a wonderful collection and now i need to read her other books. Just a spectacular writer.
- Reviewed in the United States on August 26, 2017Spectacular! I don’t pass out writing praise like that every day. In fact, after living for more than five and a half decades, this is the first time I’ve read anyone who puts words to paper with such mastery. There are live people on her every page. Living, breathing, stumbling, gloriously jacked-up people. They’re everywhere and they take you so softly you don’t even realize you’ve been kidnapped until you’re far from home. They adopt you, feed you their native foods, and then stand you in front of a mirror and dare you to say you don’t belong there. That you aren’t gloriously jacked-up in your own way, no better or worse than them. It’s magic.
Top reviews from other countries
- Amazon CustomerReviewed in the United Kingdom on March 28, 2021
5.0 out of 5 stars Check your bookshelves before ordering
Book was as described, arrived on time, totally satisfied with the seller but discovered I already had the book. Passed it onto a friend who is enjoying it so nothing lost.
- Emily MarbachReviewed in the United Kingdom on August 29, 2001
5.0 out of 5 stars A writer one totally believes
Her stories are diverse. And yet they all deal with raw human emotions, relationships, but not typical ones. She could not have experienced these situations first hand and yet she seems as if she must have been there. They are true. I was swept away. They are a must for anyone attempting to write.