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Exploding Chippewas Paperback – May 22, 2002
Purchase options and add-ons
- Print length83 pages
- LanguageEnglish
- PublisherTriQuarterly
- Publication dateMay 22, 2002
- Dimensions6 x 0.4 x 9 inches
- ISBN-100810151235
- ISBN-13978-0810151239
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"I find Mark Turcotte's work to be very harsh, but true. In an age where false sincerity is favored over art, Turcotte's work is a corrective. It is very strong and has won me as a fan." —Jim Harrison
"Mark Turcotte's work is powered by anger, hilarity, and an earthy tenderness that grabs the heart and won't let go." —Louise Erdrich
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Product details
- Publisher : TriQuarterly; 1st edition (May 22, 2002)
- Language : English
- Paperback : 83 pages
- ISBN-10 : 0810151235
- ISBN-13 : 978-0810151239
- Item Weight : 11.7 ounces
- Dimensions : 6 x 0.4 x 9 inches
- Best Sellers Rank: #1,713,961 in Books (See Top 100 in Books)
- #234 in Native American Poetry (Books)
- Customer Reviews:
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A second group of poems called “Road Noise” explore his feelings regarding the Indian father he missed as a child and whom he never really knew until he attended the man’s funeral. He tries to imagine “the story of your skin [that]echoes along the steel-ice rails that run like black-blood veins over the heart of America” and tries to understand “Men like you, who as boys, grieved for the thunder of the herds, dreamed of the thunder of the ponies and their hooves, that howling.”
The third group of poems also attempts to reconcile identity with his experience as an Indian, as a child, a man, a husband, and a father. “No Pie” poignantly recalls the prejudice the young mixed-blood Turcotte experienced. The collection ends with “Exploding Chippewas”, in which the ghosts of his ancestors appear in various forms before they explode, “burn to a flash.” They find him in different places in his life: his mother’s living room, a shabby motel room, a West Texas honky-tonk. He knows the voice of the first ghost “is the sound of sunlight dissolving, wings unfolding…” One ghost appears as “vapor spinning out of the ceiling fan”, others as steam, mist, light. Another ghost appears as heat, taking “the shape of the northern horizon.” One by one the ghosts reveal the helplessness of a man against time, blood, sadness.
Mark Turcotte’s voice is haunting and memorable, though, and in the end, his words give him power.
Back when I used to be Indian
I am...
The tumbling of tenses in these nine words repeated in the thirty-three poems of this section hint at the tumbling of time-histories both ancient and recent, and the tumbling of cultures in this collection.
The poems in the second section speak to Turcotte's very personal story of traveling to Fargo, North Dakota to see to the burial of a father he hardly knew.
You can feel the ancient history of America in this collection, and hear its drum beat pass reluctantly from the poet's father to him, and from Turcotte to his own child. These poems, which explore childhood, father and motherhood, identity and race, make you think words like wind and dreams and bones and blood belonged to the Chippewa before they belonged to us, that we're borrowing them and we should take care to use them wisely. Turcotte has done well with his.