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Heaven and Hell: My Life in the Eagles (1974-2001) Hardcover – Illustrated, April 1, 2008
Purchase options and add-ons
- Print length352 pages
- LanguageEnglish
- PublisherTrade Paper Press
- Publication dateApril 1, 2008
- Dimensions6.4 x 1.25 x 9.38 inches
- ISBN-100470289066
- ISBN-13978-0470289068
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Review
From the Inside Flap
When guitarist Don "Fingers" Felder was invited to join the already platinum-selling Eagles in 1974, he had no idea what sort of rock-and-roll heaven and show-business hell he was about to enter-- -or how hard it would become to tell one from the other. For the next twenty-seven years, Felder found himself deeply involved in a musical career that was musically thrilling, emotionally exhausting, and surprisingly dangerous.
In Heaven and Hell, Felder shares this remarkable journey with a firsthand look at his tempestuous years with the Eagles. Even as he, Don Henley, Glenn Frey, Randy Meisner, Bernie Leadon, and, later, Joe Walsh and Timothy B. Schmit became America's most popular and successful rock band, selling tens of millions of records, Felder reveals that greed, jealousy, and creative differences constantly threatened to tear the Eagles apart.
From one sold-out arena to the next, some members of the Eagles blazed a trail of sex, drugs, and rock-and-roll that became as legendary as their music. Felder explains how the famous E3 (third encore) parties, which began as spontaneous, raucous backstage binges, evolved into highly organized orgies, with roadies recruiting gorgeous women from the audience to be chauffeured to lavish hotel suites, where nothing was off limits.
Even further behind the scenes, he reveals the grim test of wills between Leadon, Felder's friend since his impoverished boyhood in Gainesville, Florida, and the duo of Frey and Henley. Despite Felder's attempts to mediate this conflict, it would not be resolved until a tense meeting that very nearly came to blows, which ended when Leadon stormed out of the room, never to return to the band.
Felder also offers a rare glimpse into the creative melting pot that produced such great Eagles hits as "Life in the Fast Lane," "Hotel California," "Victim of Love," and many others. The writing of these songs often involved the entire band, as well as non-band members, such as well-known Eagles collaborator J. D. Souther, Bob Seger, and others. Frequently beginning as a simple guitar lick or a vague idea, these songs took shape through a fascinating process of free association and collaboration, yet, says Felder, even these exciting moments led to friction and bickering.
Filled with hilarious true stories of rock stars on the road, including Felder's first meeting with Keith Richards, who was passed out on a bathroom floor at the time, and Joe Walsh's genius for practical jokes, Heaven and Hell is the book Eagles fans have been waiting for.
From the Back Cover
The Eagles are the bestselling, and arguably the tightest-lipped, American group ever, and Eagles: Their Greatest Hits 1971-1975 is the bestselling album of all time in the United States. Through breakup and comeback, arguments and lawsuits, their popularity has continued to soar for more than three decades. Now band member and guitarist DonFelder finally breaks the Eagles' years of public silence to take fans behind the scenes-- -where drugs, greed, and endless acrimony threatened to break up the band almost daily.
In "Heaven and Hell," Felder shares every part of the band's wild ride, from the pressure-packed recording studios and trashed hotel rooms to the tension-filled courtrooms where he, Glenn Frey, and Don Henley had their ultimate confrontation. Yet, beyond the mayhem and clashing egos that have become standard-issue in rock-and-roll memoirs, Felder also remembers the joy of writing powerful new songs with his bandmates; the magic of performing in huge arenas packed with roaring fans; and the hard work, dedication, and creativity that each band member brought to the music, even in the worst of times.
Offering even-handed and perceptive portraits of every member of the Eagles, "Heaven and Hell" is a thrilling and thoughtful, raucous and bittersweet tale about the love of music and the price of fame.
About the Author
WENDY HOLDEN is a seasoned journalist and bestselling author. She lives in Suffolk, England.
Product details
- Publisher : Trade Paper Press (April 1, 2008)
- Language : English
- Hardcover : 352 pages
- ISBN-10 : 0470289066
- ISBN-13 : 978-0470289068
- Item Weight : 1.65 pounds
- Dimensions : 6.4 x 1.25 x 9.38 inches
- Best Sellers Rank: #237,316 in Books (See Top 100 in Books)
- #710 in Rock Music (Books)
- #734 in Rock Band Biographies
- #7,591 in Memoirs (Books)
- Customer Reviews:
About the authors
Wendy Holden (aka Taylor Holden) is a novelist, non-fiction author, historical biographer and ghostwriter as well as a former journalist for the London Daily Telegraph. Her books have sold two million copies, have been adapted for television and radio, and some have been adopted into the schools curriculum. Two of her titles are about to be made into major Hollywood films.
Since leaving newspapers in 1996, Wendy has written more than forty books, including sixteen international bestsellers and the acclaimed novel The Sense of Paper, published by Random House, New York, now available as an ebook. Her bestselling title is Born Survivors, the true story of three young mothers who hid their pregnancies from the Nazis and gave birth in the camps. This has now been published in 22 countries and translated into 16 languages and was released in a special VE Day 75 edition in 2020. She also wrote the memoir Tomorrow Will Be A Good Day and his Life Lessons with Captain Sir Tom Moore, both of which became top ten bestsellers and remained in the charts for over eight months.
A reporter for eighteen years, Wendy covered news events at home and abroad, including conflicts in the Middle East, Communist Europe, and Northern Ireland. Her non-fiction titles have chiefly been the autobiographies of remarkable women, many with wartime experiences such as Zuzana Ruzickova, who survived three concentration camps and slave labour to become one of the world's leading musicians (now an award winning documentary), and Edna Adan Ismail, an inspirational midwife, First Lady, civil war survivor, and builder of hospitals. Wendy also wrote Tomorrow to be Brave, about the only woman in the French Foreign Legion during World War II (soon to be a film). Her book Behind Enemy Lines was about a young Jewish woman who repeatedly crossed German lines as a spy (now an award winning animation); and Til the Sun Grows Cold tells of a British mother whose daughter was killed in troubled Sudan. She also wrote Lady Blue Eyes, the memoir of Frank Sinatra's widow Barbara, A Lotus Grows in the Mud, the best-selling autobiography of Hollywood actress Goldie Hawn, and Memories Are Made of This, a biography of Dean Martin as seen through the eyes of his daughter Deana.
She penned Ten Mindful Minutes with Goldie Hawn, an international bestseller on mindfulness for parents, and she wrote an ebook for children and adults entitled Mr. Scraps about a dog caught up in the London Blitz. In 2012 she conceived and wrote the bestselling memoir of Uggie, the dog from the Oscar winning movie The Artist, published in 12 countries, and she also wrote Haatchi & Little B, the remarkable story of the relationship between a disabled boy and his three legged-dog, which was a number 1 bestseller in the UK, Portugal, and the US as it melted hearts around the world.
Other works have included the bestselling novelisations of the films The Full Monty and Waking Ned, as well as an Antarctic travel guide with comedian Billy Connolly. She wrote Smile Though Your Heart Is Breaking with Pauline Prescott, and Heaven and Hell with Don Felder, co-founder of The Eagles. Her book Shell Shock, a searing investigation into the trauma of conflict from the World War One to the Gulf War, was published in conjunction with a four-part television documentary.
Several of her books have been serialised in national newspapers and magazines around the globe, selected for audio extracts on BBC Radio's Book of the Week and elsewhere, adopted for the curriculum in schools and colleges and transferred to both commercial television and radio drama. Four of her books have been optioned for film. She also writes screenplays, is an international public speaker, literary festival chair, and teaches creative writing online and at exclusive venues in Italy, Dubai, and around the UK.
Wendy divides her time between the UK, US and Italy but lives mostly in Suffolk, England, with her husband and dogs where she likes to relax in her award-winning garden. She also writes occasional articles for newspapers and magazines, including The Guardian, Daily Mail and The Lady. Follow her on Twitter @wendholden, on Instagram @wendyholdenbestsellingauthor, via her website www.wendyholden.com, or her Facebook fan page (https://www.facebook.com/wendyholdenfanpage/?ref=bookmarks). She is an occasional podcaster (http://wendyholden.buzzsprout.com). She has her own Youtube channel - https://m.youtube.com/channel/UCl-hBBGrQhBDQaV2yFqqyug, is her own literary agent, mentor to aspiring writers, and owns a company that develops and publishes e-books and book-related apps.
Don Felder is renowned as a former lead guitarist of The Eagles, one of the most popular and influential rock groups of our time. The band’s record-setting compilation Their Greatest Hits (1971-1975) sold over 29 million copies in the U.S. alone and was awarded by the RIAA the top-selling album of the 20th Century. A member of The Rock and Roll Hall of Fame since 1998, Felder served as a member of The Eagles for 27 years, putting his mark on numerous Eagles milestones. Felder originated the music and co-wrote The Eagles’ biggest hit – the iconic, Grammy-studded smash “Hotel California” – along with fan favorites like “Victim of Love” and “Those Shoes.” He became immediately celebrated for his lyrical, signature guitar work on legendary songs like “Hotel California,” “One of These Nights,” “New Kid In Town,” and numerous more.
After leaving the group in 2001, Felder also became a New York Times bestselling author when his riveting confessional memoir Heaven and Hell: My Life in The Eagles proved a major commercial triumph upon publication in 2008. Growing up in the Gainesville, FL local music scene, Don Felder would incongruously encounter a number of the greatest talents that would go on to change rock and roll history. In high school, he formed a band with a young Stephen Stills; Felder also gave guitar lessons to a teenaged Tom Petty at the local music store, and The Allman Brothers were also local pals. “Duane Allman was first person I ever saw play electric-slide guitar,” Felder recalls. “I said, ‘You’ve got to show me how to do that,’ so we sat on his mother’s floor in Daytona Beach and Duane taught me how to play slide.” Florida is also where a young Felder would first meet Bernie Leadon, a founding member of The Eagles who would be instrumental in bringing his childhood friend into the band. In fact, it was Leadon who encouraged him to come out to Los Angeles, where Felder found himself working both with The Eagles and in both sessions and live performances for numerous music legends spanning the musical spectrum: The Bee Gees, Bob Seger, Michael Jackson, Alice Cooper, Kenny Loggins, David Crosby, Graham Nash, Boz Scaggs, Warren Zevon, Joni Mitchell, Stevie Nicks, Vince Gill, Stevie Wonder, Elton John, Paul Simon, Diana Ross, Barbara Streisand – and even and old friend, Steven Stills.
Putting all the tumult and glory he’d experienced to that point into perspective gave new urgency to the creation of Road to Forever – only Felder’s second solo effort in a storied, four-decade-plus sojourn through rock history. Road to Forever represents the culmination of a personal journey of introspection that Felder began over ten years ago. In 2001, he suffered an emotionally-devastating double blow – separating acrimoniously from The Eagles for the last time while facing the end of his first marriage, which had lasted 29 years and produced four children. “Every identity I’d been attached to – musician, husband, and father – was being taken away,” he says. To heal, Felder began writing down as many memories as he could, putting his past in perspective. Finding these musings compelling, Felder was inspired to write a book, and connected with legendary Hollywood deal-maker Michael Ovitz to set it up. “Two weeks later, I went to New York with a three-page synopsis, and received four offers from publishers,” Felder says. “Now I was forced to reflect on my life.” That introspection inspired him to “write out the stories of my life as songs. After I collected myself, I found I needed to go out and play music again, and that’s how I began recording the upcoming album.
“Who would ever thought that a guitar player from Gainesville would go on to be in The Eagles, and then become a best-selling author?” Felder continues. I had to figure all that out for myself, and I’m glad that I did. In the process of making the upcoming album, I found out who I really am – I had to find out what happened when I almost lost it all.”
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Felder's book filled in a lot of gaps for me. I always loved the early Eagles voices, even Glenn Frye's. But, Felder's guitar is what made the band truly great.
This book is a very sad compilation of stories depicting how drugs and egos destroyed the Eagles. Don Henley and Glenn Frye, with their huge egos in tow, evidently let the sound of their own wheels make them crazy. The way in which they treated fellow band members exposes not only those egos, but their contempt for fans of the group. Henley and Frye believe the Eagles music they created belongs to them. In reality, this group became larger than just Henley and Frye's private property. The Eagles became the property of all of us who were fortunate to have Eagles music frame the everyday occurrences of our lives. Popping in those old 8-track tapes as we drove the LA freeways, immediately recognizing the first few notes of Eagles songs when they were played on the radio, we eventually formed associations with the music that caused us to remember forever where we were when we heard "The Best of My Love", "Lyin' Eyes", or "Hotel California".
Henley and Frye have never been able to grasp how the way they treated Randy Meisner and Don Felder was a kick in the teeth to Eagles fans. For Henley to say something along the lines of "Felder isn't with the group anymore and nobody even noticed", is BS. He can hire a guitar-playing sideman with ace credentials, but the music doesn't have the soul it used to have when the creator of the chord progressions played them. While Henley and Frye still tour as the Eagles, they really aren't the Eagles. They are the Egos.
All things considered, Don Felder is really very kind to Henley and Frye in this book. He does call them "The Gods" and calls attention to their negative behavior toward band mates, but he COULD have really ripped them a new one if he wanted to. Instead he credits each with their own brand of genius, leaving final judgment to the reader as to whether the group truly is better without his contribution. The answer for me is, "Hell no". Henley and Frye gave us this great gift and then they snatched it back.
Buy the book, suffer through Felder's childhood years early on, and then things get interesting. Even more interesting if you were an Eagles fan and can actually remember when the events depicted in the book took place. I enjoyed the ride.
This was a peaceful easy reading. I finished it in 2 sittings. I loved the back story in Gainsville and the relationship Don had growing up and with his celeb neighbors in Malibu. I think he is a lucky dog to have made that much cash and live in anonymity.
Glenn Frey comes off as a scumbag. I was surprise how much of a creative force Glenn was. Personally, I never cared for his voice and think his 80's music was awful. Smuggler's Blues and you belong to the city - come on! crap
Don Henley came off as someone who is a good lyricist, strong talent, and a perfectonist. So what. Plus I enjoyed his music post eagles. I saw him in the 80's. I remember hearing him play Desperado and then hearing Joe Walsh play it also a few weeks later with Ringo Starr and his all star band - a point of contention.
After reading, I though Azoff came off as a giant Azoff (pun intended) and that he exacerbated friction with Don Felder. PS, now he is head of ticketmaster. What a joke. the 90's tour was all about money and greed, and so is ticketmaster. Unfortunately I think that is the direction of the music industry has headed - cds dont sell so the money cmes from touring. Maybe having an Azoff running the show is right.
Don was a bit of a whiner, but he has a point in that he was due more money. Personally I think he should have been offered something more than Joe Walsh and Timothy Smith, but less than Henley and Frey. That could have reduced the friction. Probably not thought, since Frey and henley started creating separate companies to distribute box sets trying to cut others out. Don felder brings up some good points when he mentions that they played a ton of benefits concerts but not one for the roadies and crew, and one of the touring pianists' piece was cut out of a box set so as not to give him royalties. A-holey to say the least.
Don mentioned that his complaining should have benefited the rights of others in the band, but as far as i can tell, he never won an argument and nothing they talked about ever helped the others in the band. He probably settled too cheaply - something we may never know. Perhaps Susan Felder will write a book. She probably is not subject to keeping the settlement undisclosed, and she sure has insight to the amount received, since she got half up front and continues to see 50%.
I think Don tried to minimize his womanizing. You didn't get concrete evidence until he was caught red-handed. I like the way he tried to justify it - NOT. I wish he detailed a little more how that groupie rocked his world as explained in the letter - what could she have done??? I think he probabaly regrets asking for a divorce.
Some things I would have liked to see explored more is a little more on Azoff and why he was not sued. Why did he keep him as his manager? Why was he not part of the suit?
I also wonder why Don didn't leverage his stake in the band to prevent a reunion from touring under the eagles for more money (although since they probably handed him a bag of cash to the tune of $20MM after 2.5 years of touring in the 90's, I can't say I blame him for taking the money). I guess he was just one solo record in the 80's away from being able to leverage a more lucrative deal. too bad he got a real estate license - probably a result of his lack of confidence in his musc ability.
All in all I would say he was one lucky guitarist to get that gig with the Eagles to begin with and a nice slice of the pie. Joe and Tim were not as lucky, and Bernie and Randy f'd up and quit. The best thing Don did was never quitting, and it made him extremely wealthy. He can't really complain (but he can, seems that he had some greed - or what he called fairness - like Glenn and Don, but without the control issues)
A 5 year party followed by a life long stream of solid income. Things could have been worse.
I would like to see a new album - and perhaps hear fif he won some songs in the judgment.
All in all, it was a great story. I love the music (I couldnt help listing to old clips on youtube while listening), think the whole is much better than the sum of his parts, and I guess I like hearing some of the friction and the dirt (thanks Jerry springer and Maurie Povich). I wouldn't call it a survivor story, and the whole BS around comparing his to an abusive relationship is a little over the top. I think it is a good story about someone who is talented and was rewarded for it, although he had to fight a bit for it.
PS. I think he would play with the eagles today if asked. He might even pay to do it.