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Severance Package: A Novel Paperback – Illustrated, May 27, 2008
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Some days, you could just kill your boss. Guess what? The feeling is mutual in the next thriller by the acclaimed author of The Wheelman and The Blonde.
Jamie DeBroux's boss has called a special meeting for all "key personnel" at 9:00 a.m. on a hot Saturday in August.
When Jamie arrives, the conference room is stocked with cookies and champagne. His boss smiles and tells his employees, "We're a cover for a branch of the intelligence community. And we're being shut down." Jamie's boss then tells everyone to drink some champagne, and in a few seconds they'll fall asleep---for good. If they refuse, they'll be shot in the head.
Escape is not an option. Jamie's boss has shut down the elevators and rigged the fire towers with chemical bombs. Panic sets in, chaos erupts, and no one is sure whom to trust. Jamie quickly realizes that there's only one way he's ever going to see his family again: the hard way.
Severance Package shows author Duane Swierczynski at his thrilling best.
- Print length263 pages
- LanguageEnglish
- Publication dateMay 27, 2008
- Dimensions5.5 x 0.64 x 8.5 inches
- ISBN-100312343809
- ISBN-13978-0312343804
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Editorial Reviews
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Review
“[A] kinetic story, which never stops moving...turbocharged entertainment.” ―Marilyn Stasio, The New York Times
“Swierczynski writes a brand of thriller whose pacing forces us to reexamine our casual use of the word breakneck...This is essentially one long action scene that begs for the next Tarantino to direct. But if that sounds like faint praise, it isn't: there are both enough cliche killers and comedy to make us raise two thumbs up. If you want your thrillers to be, well, thrilling, pop a big bowl of corn--you won't leave your seat until the end.” ―Booklist
“The best word to describe Swierczynski's latest thriller is frenetic, and even that is likely an understatement.” ―Library Journal
“Fans of crime fiction will find Swierczynski's latest offering to be a guilty pleasure of unparalleled magnitude. With pedal-to-the-metal pacing, characters who appear to be meek cubicle dwellers a la 'Office Space' but are really cold-blooded, black-ops killers, and enough gut-churning violence to make a Quentin Tarantino movie look like a Disney musical replete with singing candlesticks and teapots, the dark, twisted energy in this novel is palpable.” ―The Chicago Tribune
“A hot shot of adrenaline straight to the neural plexus.” ―Joe Schreiber, author of Chasing the Dead and Eat the Dark
About the Author
Product details
- Publisher : Minotaur Books; First Edition (May 27, 2008)
- Language : English
- Paperback : 263 pages
- ISBN-10 : 0312343809
- ISBN-13 : 978-0312343804
- Item Weight : 9.6 ounces
- Dimensions : 5.5 x 0.64 x 8.5 inches
- Best Sellers Rank: #1,495,923 in Books (See Top 100 in Books)
- #18,989 in Murder Thrillers
- #57,621 in Suspense Thrillers
- #72,869 in American Literature (Books)
- Customer Reviews:
About the author
Duane Swierczynski is the New York Times bestselling and two-time Edgar-nominated author of fifteen novels including Expiration Date, Canary and the forthcoming California Bear, as well as the graphic novels Breakneck and Redhead. Along with James Patterson, Duane co-created the Audible Original The Guilty, starring John Lithgow and Bryce Dallas Howard, and co-wrote the private eye thriller Lion & Lamb. He’s also written over 250 comic books including Cable, Deadpool, The Immortal Iron Fist, Punisher, Birds of Prey, Bloodshot, Star Wars: Rogue One and The Black Hood. His first short story collection, Lush & Other Tales of Boozy Mayhem, was recently published by Cimarron Street Books. A native Philadelphian, Duane now lives in Southern California with his family.
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So you've probably got the plot by now - a crew of seemingly work-a-day Philadelphia office drones are dragged into the office on a typically and oppressively hot and humid Philadelphia Saturday morning, generally bitching or specifically fighting off hangovers, for a secret and critically important meeting called by boss David Murphy. But much to their collective, um, chagrin, Murphy offers a couple of non compelling choices: take poison or a .22 slug to the head - either way you've got to die (attention "spoiler police": this is already disclosed on the book jacket). From this bizarre premise of the ultimate in wacko bosses and bad days is the office, Swierczynski pens a raucous and wonderfully convoluted tale of clandestine operations, extreme office politics, survival and black humor in a voice that is uniquely his own, and is fast becoming the high bar in pop pulp fiction.
With this guy, the superlatives just can't capture his originality, hip irreverence, and street smart wit. So maybe it is the literary equivalent of eye candy, maybe it is impossibly violent, and maybe no one will ever confuse it with Tolstoy or Faulkner. But it will also never be confused with the drivel of contemporary crime "thrillers" that tend to make best seller lists these days. Starting with "The Wheelman", Duane Swiercynski has been reeling off contemporary noir hits each more outrageous than the predecessor - "The Blond", the brilliantly offbeat "Secret Dead Men" - while compiling a terrific anthology of crime, "Geezer Noir", in his spare time.
In any event, call it what you will, but do yourself a favor and just read all of these new crime classics - in thirty years folks will be talking about Swierczynski with the same sense of awe and reverence reserved today for Chandler, Thompson, and Hammett. Keep 'em coming, Duane!
"Severance Package" begins with 7 employees of a financial institution being called into work unusally on a Saturday to meet with boss, David Murphy. Some are shocked to discover that they are part of a top secret organization that has been ordered to shut down and each of them must die as a part of the closure. The entire 36th floor of the building has been rigged to prevent escape and the employees, some who are not who they seem to be, are told to choose suicide by poison or death by a bullet to the head.
After the initial disbelief, the wild sometimes over-the-top action begins as chaos and panic set in and everyone begins fighting for his/her life. The novel indeed reads like a screen play with distinct action scenes occurring on a regular basis and the whole thing reading like a movie running in the reader's head.
Yes, there is considerable reason to suspend disbelief at times but that is OK because this is the type of book that requires the reader to enjoy the ride more than the scenery. Sure, there are some outrageous scenes which defy logic and physicality from a small female but so what if the ride is as compelling and satisfying as it was for this reader.
I was more disappointed in the characerizations developed in this novel--or lack thereof. Few characters were fleshed out, and even Jamie, Swierczynski's Everyman in this story, is not an overly sympathetic character who we should care deeply about.
No, this book is about the motivation and the wild relentless ride that forces each of us to imagine what we might do to escape a similar circumstance--trapped at the top of a highrise with killer(s)determined to destroy every living being and with elevators and stairways closed off. It is a "Die Hard" meets a seemingly indestructible killer scenario laced with competing covert agencies, double crosses, moles, incredible violence, and even a cockeyed love story thrown in the mix.
There are flaws in this book that I chose to submerge for the fun of the ride--of seeing how each new action or potential death scene might evolve. How will these desperate characters, some who are trained killers, interact to escape certain death? Will anyone survive, and if so, who will it be? The ultimate flaw is the ending which, while darkly comical, is incomprehensible and illogical. Still, I rate the book 4 stars simply for Swierczynski's ability to hold my interest and keep me guessing until the end.
This also isn't the sort of book you read for strong characters -- none of the characters have any real depth and each personality seems to hinge on a major characteristic or two and a handful of plot strings. It works, though, because the story couldn't hold together with a bunch of character development and soul searching. It's pure survival.
I liked this one slightly less than The Blonde (thus the 4 stars instead of 5) but The Blonde may well be a classic.
I know one son of mine will enjoy this one very much as well.